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Irene Hervey

Biography

Irene Hervey

Edit

Overview

  • Born
    July 11, 1909 · Venice, California, USA
  • Died
    December 20, 1998 · Woodland Hills, Los Angeles, California, USA (heart failure)
  • Birth name
    Beulah Irene Herwick
  • Height
    1.63 m

Biography

    • Attractive, blond, dimple-cheeked artist's daughter Irene Hervey was first tutored in acting by the noted English stage thespian Emma Dunn. She appeared in junior theatrical productions during her time at Venice High School in Los Angeles. Irene completed her training at the M-G-M School of Acting before being signed as a contract player in 1933. Often on loan to other studios, she was assigned bit parts until meatier co-starring roles came along in The Girl Said No (1937) and Soubrette (1938). While at M-G-M, Irene was briefly engaged to Robert Taylor, an affair which was stymied by Louis B. Mayer who saw it as detrimental to Taylor's career.

      After briefly free-lancing, Irene signed with Universal (joining her then-husband, actor/singer Allan Jones) in 1938 and remained with that studio until 1943. Her best-known film was the classic James Stewart-Marlene Dietrich western Femme ou démon (1939) in 1939. In the 1940s, Irene became a leading lady of B-movies. In the crime melodramas San Francisco Docks (1940) and Frisco Lil (1942) she was, respectively, a barmaid and a law student, trying to clear her nearest and dearest of murders they had not committed. In the adventure yarn Bombay Clipper (1941) she was William Gargan's obligatory girlfriend - more decorative than active; and in the potboiler, Nuit d'épouvante (1942), a Dr. Phibes-like tale of revenge and murder, she played second-fiddle to those great characters, Lionel Atwill and Bela Lugosi.

      A charming, smart and likeable actress who some reviewers compared to Myrna Loy, Irene put her family above her career and that was perhaps the reason she never made the breakthrough to A-grade pictures. In 1943, she was injured in a car accident and sidelined for five years. When she returned to the screen, it was as a character actress in the fantasy Mr. Peabody and the Mermaid (1948), as the titular character's sophisticated wife. From the 1950s, Irene concentrated on television work with a recurring role as Aunt Meg in the series Honey West (1965) (with Anne Francis). There were also numerous guest-starring spots in top-rating shows like Peter Gunn (1958), Perry Mason (1957), L'homme de fer (1967) and La quatrième dimension (1959). She was nominated for an Emmy Award for a performance on My Three Sons (1960) in 1969. Her final motion picture role was as radio station owner Madge Brenner in Un frisson dans la nuit (1971).

      After her retirement from acting, Irene worked as a travel agent in Sherman Oaks, California. She has a star on the Hollywood Walk of Fame on Hollywood Boulevard.
      - IMDb mini biography by: I.S.Mowis

Family

  • Spouses
      Allan Jones(July 26, 1936 - December 28, 1957) (divorced, 1 child)
      William Emil Fenderson(November 19, 1928 - April 19, 1933) (divorced, 1 child)
  • Children
      Gail Christensen
      Jack Jones

Trivia

  • Mother, with Allan Jones, of pop singer Jack Jones.
  • Was briefly engaged to Robert Taylor early in his career, but it didn't work out due to his "impossible jealousy", as Irene explained later.
  • Divorced her husband Allan Jones on the charge of "mental cruelty".
  • Ex-mother-in-law of Jill St. John.
  • Mother, with husband William E. Fenderson, of daughter Gail. She was later adopted by Irene's second husband, Allan Jones.

Quotes

  • [on not remarrying] I discovered solitude, something I had never experienced. I found it very much to my liking.
  • I did so many pictures (and later TV shows), it seemed as though I was shoved into those things - I almost didn't know what I was doing.
  • [on Nuit d'épouvante (1942)] That was with Don Porter and also Ralph Morgan, who was in Gang Busters (1942). Don and I spent a lot of time together - laughing and having a good time with the picture. It was fun, doing that one.
  • Hard Rock Harrigan (1935) wasn't the greatest thing to remember! I do recall George [George O'Brien] as very nice - and that the film didn't have much story or even dialogue.
  • [on working with Marlene Dietrich on Femme ou démon (1939)] Marlene was standoffish. About the only communication I had with her was when we were to have a fight scene and she sent word for me to take off my lipstick. Why, I can't imagine, unless she thought I'd get it all over her.

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