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Madeleine Gug

Claude Autant-Lara: Four Romantic Escapes from Occupied France
Criterion’s Eclipse Series, an ever-expanding line of esoteric dvd releases, ensures that lesser known titles of important filmmakers remain available to the movie-loving public. They’ve just added another worthy edition to the mix with four films by French film director Claude Autant-Lara: Four Romantic Escapes from Occupied France. In keeping with the wallet-friendly nature of the series, the set contains no extras but features fine transfers, simple but elegant packaging and astute liner notes.

Claude Autant-Lara: Four Romantic Escapes from Occupied France

DVD

Eclipse

1942-46/ 1:33 / 103 Min., 92 min., 109 min., 98 min. / Street Date January 23, 2018

Starring Odette Joyeux, Marguerite Moreno, Jacques Tati

Cinematography by Philippe Agostini,

Written by Jean Aurenche, Pierre Bost

Music by Maurice Yvain, René Cloërec

Edited by Madeleine Gug

Produced by Pierre Guerlais

Directed by Claude Autant-Lara

In the late fifties, François Truffaut launched a diatribe against a select number of French directors with the phrase...
See full article at Trailers from Hell
  • 1/23/2018
  • by Charlie Largent
  • Trailers from Hell
Two for the Road
Two for the Road

Blu-ray

Twilight Time

1967 / Color / 2:35 widescreen / 111 min. / Street Date January 10, 2017 / Available from the Twilight Time Movies Store 29.95

Starring: Audrey Hepburn, Albert Finney, Eleanor Bron, William Daniels, Claude Dauphin, Nadia Gray

Cinematography: Christopher Challis

Art Direction: Marc Frederic, Willy Holt

Film Editor: Madeleine Gug

Original Music: Henry Mancini

Written by Frederic Raphael

Produced and Directed by Stanley Donen

Some so-called sophisticated ‘sixties romantic dramas have dated pretty badly, as it’s not easy to create a movie acceptable to a fickle audience, that doesn’t end up with attitudes, politics or even costumes that don’t look ‘wrong’ just a few years later. I’ve found that enjoying Audrey Hepburn’s Breakfast at Tiffany’s takes a conscious act of selective blindness. The music, the style, the images were swooningly vital to an audience perhaps ten years older than this reviewer. Hepburn’s ravishing Holly Golightly misses...
See full article at Trailers from Hell
  • 1/17/2017
  • by Glenn Erickson
  • Trailers from Hell
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