Quotes

Westerns are fundamental . . . the morality play. There's a good guy and a bad guy. You know which is which. You don't have to go into the psyche to find out his parents were abusive . . . [the heavy is] the guy people remember. You get more recognition.

[on the "benefits" of playing so many heavies] You get more recognition. After all, I look like a heavy. I'm 6' 2", 200 pounds. Got a craggy-ass face. I was walking down the street in Morocco when a little kid steps out of the alley and looks at me. He runs a few feet ahead of me--turns around and looks again--he puts his hands down like he's drawing two pistols. He goes, "Bip, bip, bip!' Y'know? Like he's shooting. You figure, "Here you are, a world away from anything you're familiar with, and some little kid in an alley in Morocco recognizes you?" Once, coming down the street in Madrid with my wife, a car slides up and these guys jump out. They were a couple of photographers from the Spanish press. They spent the whole afternoon with us.

[on whether he prefers screenwriting or acting] Writing is more rewarding than acting, but look at my face. Nobody believes I'm a writer. I should be 5' 8", 142 pounds, wear patches on my elbows and horn-rimmed glasses and smoke a pipe. That's a writer.

[about working with John Wayne in Hondo, l'homme du désert (1953), in which Gordon played a villain who gets killed by Wayne] In the scene . . . where he kills me down by the stream, I reach for my gun and he shoots me. I buckled up and pitched forward. Wayne hollered, "Cut! Cut!", even though John Farrow was directing. Wayne says to me, "What was that? When you get hit in the gut with a slug you go flying backwards". I pulled up my shirt to show him where I'd really been shot in the gut [by police while being arrested for armed robbery many years previously]: "Yeah? I got hit point blank and I went forward".