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IMDbPro

A. Arnold Gillespie(1899-1978)

  • Special Effects
  • Visual Effects
  • Art Department
IMDbProStarmeterSee rank
A. Arnold Gillespie was born on 14 October 1899 in El Paso, Texas, USA. He is known for Ben-Hur (1959), Planète interdite (1956) and Le Magicien d'Oz (1939). He was married to Nell Hill, Ruth Elder and Dora Ingram. He died on 3 May 1978 in Los Angeles, California, USA.
BornOctober 14, 1899
DiedMay 3, 1978(78)
BornOctober 14, 1899
DiedMay 3, 1978(78)
IMDbProStarmeterSee rank
Add photos, demo reels
  • Won 3 Oscars
    • 4 wins & 9 nominations total

Known for

Ben-Hur (1959)
Ben-Hur
8.1
  • Visual Effects
  • 1959
Planète interdite (1956)
Planète interdite
7.5
  • Special Effects(uncredited)
  • 1956
Judy Garland, Ray Bolger, Jack Haley, Bert Lahr, Frank Morgan, Terry, and Josefine Balluck in Le Magicien d'Oz (1939)
Le Magicien d'Oz
8.1
  • Special Effects(as Arnold Gillespie)
  • 1939
La Mort aux trousses (1959)
La Mort aux trousses
8.3
  • Special Effects
  • 1959

Credits

Edit
IMDbPro

Special Effects



  • Off to See the Wizard (1967)
    Off to See the Wizard
    6.6
    TV Series
    • special effects
    • 1967
  • Atlantis, terre engloutie (1961)
    Atlantis, terre engloutie
    5.5
    • special effects
    • 1961
  • Glenn Ford and Maria Schell in La ruée vers l'Ouest (1960)
    La ruée vers l'Ouest
    6.4
    • special effects
    • 1960
  • Dean Martin, Judy Holliday, and Jean Stapleton in Un numéro du tonnerre (1960)
    Un numéro du tonnerre
    6.9
    • special effects
    • 1960
  • Les aventuriers du fleuve (1960)
    Les aventuriers du fleuve
    6.2
    • special effects
    • 1960
  • Gary Cooper and Charlton Heston in Cargaison dangereuse (1959)
    Cargaison dangereuse
    6.7
    • special effects
    • 1959
  • La Mort aux trousses (1959)
    La Mort aux trousses
    8.3
    • special effects
    • 1959
  • Audrey Hepburn and Anthony Perkins in Vertes Demeures (1959)
    Vertes Demeures
    5.3
    • special effects
    • 1959
  • Ernest Borgnine and Glenn Ford in La dernière torpille (1958)
    La dernière torpille
    6.4
    • special effects
    • 1958
  • Prenez garde à la flotte (1957)
    Prenez garde à la flotte
    6.1
    • special effects
    • 1957
  • Elvis Presley and Jennifer Holden in Le Rock du bagne (1957)
    Le Rock du bagne
    6.5
    • special effects
    • 1957
  • Paul Newman and Jean Simmons in Femmes coupables (1957)
    Femmes coupables
    6.5
    • special effects
    • 1957
  • Contrebande au Caire (1957)
    Contrebande au Caire
    6.1
    • special effects
    • 1957
  • Jack Palance and Barbara Lang in La cage aux hommes (1957)
    La cage aux hommes
    6.4
    • special effects
    • 1957
  • Stewart Granger and Rhonda Fleming in Terreur dans la vallée (1957)
    Terreur dans la vallée
    6.2
    • special effects
    • 1957

Visual Effects



  • La plus grande histoire jamais contée (1965)
    La plus grande histoire jamais contée
    6.6
    • special visual effects
    • 1965
  • La reine du Colorado (1964)
    La reine du Colorado
    6.6
    • special visual effects
    • 1964
  • Paul Newman, Diane Baker, and Elke Sommer in Pas de lauriers pour les tueurs (1963)
    Pas de lauriers pour les tueurs
    6.8
    • special visual effects
    • 1963
  • Doris Day, Stephen Boyd, Jimmy Durante, and Martha Raye in Jumbo, la sensation du cirque (1962)
    Jumbo, la sensation du cirque
    6.1
    • special visual effects
    • 1962
  • Les Révoltés du Bounty (1962)
    Les Révoltés du Bounty
    7.2
    • special visual effects
    • 1962
  • La Conquête de l'Ouest (1962)
    La Conquête de l'Ouest
    7.1
    • special visual effects
    • 1962
  • Jim Hutton, Paula Prentiss, and Miyoshi Umeki in La guerre en dentelles (1962)
    La guerre en dentelles
    5.8
    • special visual effects
    • 1962
  • Les quatre cavaliers de l'apocalypse (1962)
    Les quatre cavaliers de l'apocalypse
    6.5
    • special visual effects
    • 1962
  • Ben-Hur (1959)
    Ben-Hur
    8.1
    • special photographic effects
    • 1959
  • Clark Gable and Burt Lancaster in L'odyssée du sous-marin Nerka (1958)
    L'odyssée du sous-marin Nerka
    7.3
    • special photographic effects (as Arnold Gillespie)
    • 1958
  • Lionel Barrymore, Edward Arnold, Margaret O'Brien, and Lewis Stone in Three Wise Fools (1946)
    Three Wise Fools
    6.5
    • transparency projection shots (uncredited)
    • 1946
  • Lucille Ball, Van Johnson, Esther Williams, and Keenan Wynn in Ève éternelle (1946)
    Ève éternelle
    6.1
    • transparency projection shots (uncredited)
    • 1946
  • Wallace Beery and Margaret O'Brien in L'ange et le bandit (1946)
    L'ange et le bandit
    6.8
    • transparency projection shots (uncredited)
    • 1946
  • June Allyson, Jimmy Durante, Kathryn Grayson, Peter Lawford, and Lauritz Melchior in Du burlesque à l'opéra (1946)
    Du burlesque à l'opéra
    6.6
    • transparency projection shots (uncredited)
    • 1946
  • Lana Turner and John Garfield in Le facteur sonne toujours deux fois (1946)
    Le facteur sonne toujours deux fois
    7.4
    • miniatures
    • transparency projection shots (uncredited)
    • 1946

Art Department



  • Spencer Tracy, Lionel Barrymore, and Freddie Bartholomew in Capitaines courageux (1937)
    Capitaines courageux
    7.9
    • associate art director (as Arnold Gillespie)
    • 1937
  • Paul Muni and Luise Rainer in La terre chinoise (1937)
    La terre chinoise
    7.5
    • associate art director (as Arnold Gillespie)
    • 1937
  • Clark Gable and Jeanette MacDonald in San Francisco (1936)
    San Francisco
    7.1
    • associate art director (as Arnold Gillespie)
    • 1936
  • James Stewart and Wendy Barrie in Speed (1936)
    Speed
    5.7
    • associate art director (as Arnold Gillespie)
    • 1936
  • Robert Taylor and Janet Gaynor in La petite provinciale (1936)
    La petite provinciale
    6.5
    • associate art director (as Arnold Gillespie)
    • 1936
  • Rudolph Anders, Mala, and Lotus Long in Taro le païen (1935)
    Taro le païen
    6.0
    • associate art director (as Arnold Gillespie)
    • 1935
  • Clark Gable and Mamo Clark in Les révoltés du Bounty (1935)
    Les révoltés du Bounty
    7.6
    • associate art director (as Arnold Gillespie)
    • 1935
  • Nelson Eddy and Jeanette MacDonald in La fugue de Mariette (1935)
    La fugue de Mariette
    6.5
    • associate art director (as Arnold Gillespie)
    • 1935
  • Myrna Loy and William Powell in Le témoin imprévu (1934)
    Le témoin imprévu
    6.9
    • associate art director (as Arnold Gillespie)
    • 1934
  • Student Tour (1934)
    Student Tour
    5.1
    • associate art director (as Arnold Gillespie)
    • 1934
  • Lionel Barrymore, Jean Harlow, and Franchot Tone in J'épouserai un millionnaire (1934)
    J'épouserai un millionnaire
    6.6
    • associate art director (as Arnold Gillespie)
    • 1934
  • L'agent N° 13 (1934)
    L'agent N° 13
    5.9
    • associate art director (as Arnold Gillespie)
    • 1934
  • James Murray in La foule (1928)
    La foule
    8.0
    • settings (as Arnold Gillespie)
    • 1928
  • Jackie Coogan, Lars Hanson, and Eric Rohman in Va, petit mousse! (1927)
    Va, petit mousse!
    • sets (as Arnold Gillespie)
    • 1927
  • Londres après minuit (1927)
    Londres après minuit
    6.7
    • settings (as Arnold Gillespie)
    • 1927

Personal details

Edit
  • Alternative names
    • A.Arnold Gillespie
  • Height
    • 1.77 m
  • Born
    • October 14, 1899
    • El Paso, Texas, USA
  • Died
    • May 3, 1978
    • Los Angeles, California, USA(undisclosed)
  • Spouses
      Nell HillOctober 13, 1943 - ? (1 child)
  • Publicity listings
    • 1 Article

Did you know

Edit
  • Trivia
    His career at MGM was so long that he worked on the original Ben-Hur (1925) and its remake Ben-Hur (1959) and the original Les révoltés du Bounty (1935) and its remake Les Révoltés du Bounty (1962).
  • Quotes
    [on filming 'San Francisco'] The big-theater-nightclub set for this picture, in which Miss McDonald warbled her lovely lyric soprano, occupied all of Stage 12 at MGM. There had been some argument about the destructive movement of an earthquake. I supported the 'horizontal' theory, while others insisted that it was the vertical 'rolling-ups-and-downs' which caused the damage. An expert from California Polytechinc College in Pasadena was contacted, and I won. In fact, he commented that our 'schematic' for the set actually represented the very kind of an 'earthquake table' upon which, in small scale, Cal Tech experiments were conducted.
  • Nickname
    • Buddy

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