Sidney Franklin(1893-1972)
- Director
- Producer
- Writer
Sidney Franklin was involved in amateur filmmaking while still at
school. With his brother
Chester M. Franklin, he wrote,
directed and edited a short film,
The Baby (1915), at a cost of $400.
Somehow it attracted the interest of
D.W. Griffith, who decided to put
the brothers to work making children's films for the Triangle Film
Corporation. After three years they went their separate ways. Sidney
ended up with the more successful career. He established his reputation
with La victoire du coeur (1922), and
went on to direct some of the great female stars of the silent era,
including Norma Talmadge,
Mary Pickford and
Greta Garbo. He joined MGM in 1926 and
remained affiliated with the studio until his departure in 1958.
A protégé of the similarly inclined chief of production at MGM,Irving Thalberg, Franklin was thought of as a "literate" filmmaker. He was at his best bringing classics to the screen, like the Noël Coward adaptation of Vies privées (1931); Une soirée à Vienne (1933), based on a play by Robert E. Sherwood; Rudolph Besier's period melodrama Miss Barrett (1934) or Pearl S. Buck's tale of struggling Chinese farmers, La terre chinoise (1937). All were lavishly produced as A-grade features, with A-grade budgets.
From 1939 Sidney spent most of his time as producer on similarly prestigious films, with a strong inclination towards sentimental melodrama. The biggest box-office hits were La valse dans l'ombre (1940), Prisonniers du passé (1942), Madame Curie (1943),Les Blanches Falaises de Douvres (1944) and Madame Miniver (1942), a picture he thought would lose money but needed to be made. It turned out to be the most popular picture of the year and contributed in no small way to Sidney winning the Irving Thalberg Memorial Award in 1943, for "consistent high quality of production and achievement".
A protégé of the similarly inclined chief of production at MGM,Irving Thalberg, Franklin was thought of as a "literate" filmmaker. He was at his best bringing classics to the screen, like the Noël Coward adaptation of Vies privées (1931); Une soirée à Vienne (1933), based on a play by Robert E. Sherwood; Rudolph Besier's period melodrama Miss Barrett (1934) or Pearl S. Buck's tale of struggling Chinese farmers, La terre chinoise (1937). All were lavishly produced as A-grade features, with A-grade budgets.
From 1939 Sidney spent most of his time as producer on similarly prestigious films, with a strong inclination towards sentimental melodrama. The biggest box-office hits were La valse dans l'ombre (1940), Prisonniers du passé (1942), Madame Curie (1943),Les Blanches Falaises de Douvres (1944) and Madame Miniver (1942), a picture he thought would lose money but needed to be made. It turned out to be the most popular picture of the year and contributed in no small way to Sidney winning the Irving Thalberg Memorial Award in 1943, for "consistent high quality of production and achievement".
