The 2024 edition of the Valladolid International Film Week, also known as Seminci, wrapped on Saturday (October 26), giving its top award, the Golden Spike, to Misericordia by Alain Guiraudie.
Misericordia tells the story of a man who returns to his hometown for the funeral of his former boss, the village baker, and decides to stay for a few days with the man’s widow, getting involved in a series of unexpected events.
Guiraudie also won the best screenplay award.
The members of the Valladolid jury, Greek director Sofía Exarchou; Spanish actress Aida Folch; American critic Devika Girish; Spanish filmmaker Luis López Carrasco...
Misericordia tells the story of a man who returns to his hometown for the funeral of his former boss, the village baker, and decides to stay for a few days with the man’s widow, getting involved in a series of unexpected events.
Guiraudie also won the best screenplay award.
The members of the Valladolid jury, Greek director Sofía Exarchou; Spanish actress Aida Folch; American critic Devika Girish; Spanish filmmaker Luis López Carrasco...
- 10/27/2024
- ScreenDaily
Carlos Marques-Marcet’s Toronto-winning musical drama They Will Be Dust, will open the 69th edition of the Valladolid International Film Week, also known as the Seminci, on October 18.
The end of life drama starring Alfredo Castro and Angela Molina won the Platform section at TIFF last month.
Valladolid, headed by José Luis Cienfuegos for a second year, is a key launchpad into the Spanish market for local and international films.
There are a total of 22 titles in the running for the festival’s top prize, the Golden Spike that comes with a €70,000 award for the Spanish distributor. The Silver Spike...
The end of life drama starring Alfredo Castro and Angela Molina won the Platform section at TIFF last month.
Valladolid, headed by José Luis Cienfuegos for a second year, is a key launchpad into the Spanish market for local and international films.
There are a total of 22 titles in the running for the festival’s top prize, the Golden Spike that comes with a €70,000 award for the Spanish distributor. The Silver Spike...
- 10/16/2024
- ScreenDaily
Write about what you know, the old adage runs. In “Rita,” her debut as a writer-director-producer, Spain’s Paz Vega has certainly taken that to heart. Years before breaking out with 2001’s “Sex and Lucia,” then starring opposite Adam Sandler in 2004’s “Spanglish,” Vega grew up in Triana, a district of Seville, in Spain’s Andalusia.
Set in 1984 in an unpretentious part of Vega’s native city, “Rita” co-stars Paz, one of Spain’s best-known faces in international cinema, but it’s a literally self-effacing turn. Although she plays Rita’s mother Mari, and she’s present in multiple scenes, her face is not seen until minute 14 of the film. The focus is on Rita, 7, just one year younger than Vega in real-life in 1984, and her little brother, Lolo, 5.
This is for the most part, or the earlier part of the “Rita,” a nostalgic recreation of Paz’s childhood whose...
Set in 1984 in an unpretentious part of Vega’s native city, “Rita” co-stars Paz, one of Spain’s best-known faces in international cinema, but it’s a literally self-effacing turn. Although she plays Rita’s mother Mari, and she’s present in multiple scenes, her face is not seen until minute 14 of the film. The focus is on Rita, 7, just one year younger than Vega in real-life in 1984, and her little brother, Lolo, 5.
This is for the most part, or the earlier part of the “Rita,” a nostalgic recreation of Paz’s childhood whose...
- 8/5/2024
- by John Hopewell
- Variety Film + TV
Leticia Dolera, co-writer, lead director and star of the Movistar Plus-HBO Max produced “Perfect Life,” a 2019 double Canneseries winner, is developing a new series, “Puberty,” which looks sure to be one of the hottest titles at this month’s Conecta Fiction & Entertainment.
Now in development, “Puberty” will be presented in Conecta Fiction’s High-End Series section.
Penned by Dolera and writer-producer Almudena Monzú and to be directed by Dolera, “Puberty” (“Pubertat”) turns on an alleged sexual assault among adolescents, which sheds light on the sexual taboos of the adults in charge of them.
“Can a 13-year-old boy be a sexual aggressor? And who’s responsible? The under-age boy, his family or society? Surely all of them,” the synopsis runs.
“‘Puberty’ talks about the weight of taboo and how this is transmitted between generation and generation, at a cultural, emotional and psychological level,” Dolera commented. “One of the big taboos...
Now in development, “Puberty” will be presented in Conecta Fiction’s High-End Series section.
Penned by Dolera and writer-producer Almudena Monzú and to be directed by Dolera, “Puberty” (“Pubertat”) turns on an alleged sexual assault among adolescents, which sheds light on the sexual taboos of the adults in charge of them.
“Can a 13-year-old boy be a sexual aggressor? And who’s responsible? The under-age boy, his family or society? Surely all of them,” the synopsis runs.
“‘Puberty’ talks about the weight of taboo and how this is transmitted between generation and generation, at a cultural, emotional and psychological level,” Dolera commented. “One of the big taboos...
- 6/6/2022
- by John Hopewell
- Variety Film + TV
Barcelona-based studio Filmax has acquired international sales rights to Avelina Prat’s feature-debut “Vasil,” which is currently in pre-production. Filmax also handles Spanish distribution.
“Vasil” is produced by Barcelona-based Distinto Films, which backed Patricia Ferreira’s “The Wild Children,” in co-production with Bulgaria’s Activist 38, which made Mina Mileva and Vesela Kazakova’s “Cat in the Wall.”
“This new Distinto Films’ project tackles very contemporary European issues , with a very personal and deep insight into the story’s characters,” said Filmax CEO Carlos Fernández.
Inspired by the director’s own experiences, the feature follows Vasil, a chess and bridge champion arriving in Spain from Bulgaria. He meets Maureen, an Irish woman who decides to help him, Yorgos, a Greek who gives him work; and Alfredo, who offers his sofa as a temporary home.
Principal photography is scheduled from May in Valencia and Barcelona.
Ivan Barnev, a best actor winner...
“Vasil” is produced by Barcelona-based Distinto Films, which backed Patricia Ferreira’s “The Wild Children,” in co-production with Bulgaria’s Activist 38, which made Mina Mileva and Vesela Kazakova’s “Cat in the Wall.”
“This new Distinto Films’ project tackles very contemporary European issues , with a very personal and deep insight into the story’s characters,” said Filmax CEO Carlos Fernández.
Inspired by the director’s own experiences, the feature follows Vasil, a chess and bridge champion arriving in Spain from Bulgaria. He meets Maureen, an Irish woman who decides to help him, Yorgos, a Greek who gives him work; and Alfredo, who offers his sofa as a temporary home.
Principal photography is scheduled from May in Valencia and Barcelona.
Ivan Barnev, a best actor winner...
- 11/10/2019
- by Emilio Mayorga
- Variety Film + TV
This year started off with a Bang (with a capital 'B') for Latino film festivals. Although Latino representation at Miami is a given, it wasn't as obvious at Sundance as in previous years and is a ghost town at Tribeca leaving SXSW, as always, to pick up the slack for the “mainstream” festivals. But, it was the Latino film festivals that really pushed the rainbow of Latino cinema upon the festival landscape. San Diego Latino (Sdlff) had, in my opinion, its strongest lineup in many years. They celebrated their 20th anniversary by showcasing classics that Sdlff had screened over the years, giving the audience a chance to fall in love with them on the big screen all over again. CineFestival in Tejas, who has always played by the beat of their own drum, dropped the mic on everyone by announcing the Latino Writers Project Lab, a collaboration with Sundance Institute’s Feature Film Program, which will give filmmakers telling 'American Latino' stories a venue to have their projects mentored. Next up we have three diverse festivals with the Chicago Latino Film Festival celebrating its 29th year, Cine Las Americas in Austin, TX who very much embody their local community with an 'Hecho en Texas' and Youth specific programs, and then there's a new kid on the block in Philly, the Filadelfia Latin American Film Festival. In only its 2nd year, they have put together a two day event to bring Latino films to an underserved vibrant city. LatinoBuzz painstakingly selected our personal top picks that we think are a “must-see.” But don't just take our word for it, check out their websites for full listings and see for yourself how fly Latino cinema really is!
Chicago Latino Film Festival
The Precocious and Brief Life of Sabina Rivas (La Vida Precoz y Breve de Sabina Rivas) – Mexico
Dir. Luis Mandoki
Honduran teenager Sabina Rivas intends to get to the United States, harboring dreams of becoming a famous singer and distancing herself from her former young lover, Jovany, now a vicious gang member.
The Wild Ones (Los niños salvajes) – Spain
Dir. Patricia Ferreira
Alex, Oky and Gabi are three angry, misunderstood teens from Barcelona who have to deal with parents who have completely forgotten that they too were once teens; parents who, on most occasions, blame their children for their unfulfilled dreams. The trio has dreams and ambitions of their own and they love to test the limits imposed by society. But push comes to shove and Oky commits an unforgivable act that will leave many in shock in this thoughtful and sober drama.
Nevertheless (Y Sin Embargo) - Cuba
Dir. Rudy Mora
Lapatun is late for his math exam at a music school; to justify his tardiness he invents a wild story about having seen a UFO and spoken with its crew. The school is turned upside down by Lapatun’s claims; with some students demanding his expulsion and some teachers questioning the role creativity plays in a child’s education.
Cine Las Americas
Dust (Polvo) – Guatemala
Dir. Julio Hernández Cordón
In a small Guatemalan village where many were "disappeared" during the country's civil war, a troubled young man struggles with the memory of his murdered father — and the nearby presence of the man who turned his father in.
From Tuesday To Sunday (De Jueves A Domingo) – Chile
Dir. Dominga Sotomayor
Two children travel with their parents from Santiago Chile to the north of Chile for a family holiday. The landscape's loneliness and the car's confinement help bring out the couple's troubles and the children learn that this might turn out to be their father's farewell and their last family vacation.
Delusions of Grandeur – USA
Dir. Iris Almaraz, Gustavo Ramos
In the mid-1990s a medicated grungy girl stopped taking her medication (Prozac), crossed over a rainbow, and became a woman in a crazy, wonderful place called San Francisco. Lulu, Rocio, and Illusion are struggling with the sexuality and gender roles that we all play. It is said that there is someone for everyone, and the heroines in this story put that theory to the test in a city with a history of love at its core - but will they respect themselves in the morning?
Filadelfia Latin American Film Festival
Violeta Went to Heaven (Violeta Se Fue A Los Cielos) – Chile
Dir. Andres Wood
Violeta Went To Heaven tells the story of the iconic Chilean singer and folklorist Violeta Parra, tracing her evolution from impoverished child to international sensation and Chile's national hero, while capturing the swirling intensity of her inner contradictions, fallibilities, and passions.
Lemon – USA
Dir. Laura Brownson, Beth Levison
Three-time felon. One-time Tony award winner. Lemon Andersen is a pioneering poet whose words speak for a generation. But Lemon has landed back in the 'hood, living in the projects with thirteen family members and desperate for a way out. So he turns to the only thing he has left, his pen and his past
7 Boxes (7 Cajas) – Paraguay
Dir. Juan Carlos Maneglia, Tana Schémbor
Víctor receives an unusual proposal, to carry 7 boxes of unknown content through the Market Number 4 but things get complicated along the way.
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook.
Chicago Latino Film Festival
The Precocious and Brief Life of Sabina Rivas (La Vida Precoz y Breve de Sabina Rivas) – Mexico
Dir. Luis Mandoki
Honduran teenager Sabina Rivas intends to get to the United States, harboring dreams of becoming a famous singer and distancing herself from her former young lover, Jovany, now a vicious gang member.
The Wild Ones (Los niños salvajes) – Spain
Dir. Patricia Ferreira
Alex, Oky and Gabi are three angry, misunderstood teens from Barcelona who have to deal with parents who have completely forgotten that they too were once teens; parents who, on most occasions, blame their children for their unfulfilled dreams. The trio has dreams and ambitions of their own and they love to test the limits imposed by society. But push comes to shove and Oky commits an unforgivable act that will leave many in shock in this thoughtful and sober drama.
Nevertheless (Y Sin Embargo) - Cuba
Dir. Rudy Mora
Lapatun is late for his math exam at a music school; to justify his tardiness he invents a wild story about having seen a UFO and spoken with its crew. The school is turned upside down by Lapatun’s claims; with some students demanding his expulsion and some teachers questioning the role creativity plays in a child’s education.
Cine Las Americas
Dust (Polvo) – Guatemala
Dir. Julio Hernández Cordón
In a small Guatemalan village where many were "disappeared" during the country's civil war, a troubled young man struggles with the memory of his murdered father — and the nearby presence of the man who turned his father in.
From Tuesday To Sunday (De Jueves A Domingo) – Chile
Dir. Dominga Sotomayor
Two children travel with their parents from Santiago Chile to the north of Chile for a family holiday. The landscape's loneliness and the car's confinement help bring out the couple's troubles and the children learn that this might turn out to be their father's farewell and their last family vacation.
Delusions of Grandeur – USA
Dir. Iris Almaraz, Gustavo Ramos
In the mid-1990s a medicated grungy girl stopped taking her medication (Prozac), crossed over a rainbow, and became a woman in a crazy, wonderful place called San Francisco. Lulu, Rocio, and Illusion are struggling with the sexuality and gender roles that we all play. It is said that there is someone for everyone, and the heroines in this story put that theory to the test in a city with a history of love at its core - but will they respect themselves in the morning?
Filadelfia Latin American Film Festival
Violeta Went to Heaven (Violeta Se Fue A Los Cielos) – Chile
Dir. Andres Wood
Violeta Went To Heaven tells the story of the iconic Chilean singer and folklorist Violeta Parra, tracing her evolution from impoverished child to international sensation and Chile's national hero, while capturing the swirling intensity of her inner contradictions, fallibilities, and passions.
Lemon – USA
Dir. Laura Brownson, Beth Levison
Three-time felon. One-time Tony award winner. Lemon Andersen is a pioneering poet whose words speak for a generation. But Lemon has landed back in the 'hood, living in the projects with thirteen family members and desperate for a way out. So he turns to the only thing he has left, his pen and his past
7 Boxes (7 Cajas) – Paraguay
Dir. Juan Carlos Maneglia, Tana Schémbor
Víctor receives an unusual proposal, to carry 7 boxes of unknown content through the Market Number 4 but things get complicated along the way.
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on Twitter and Facebook.
- 4/17/2013
- by Juan Caceres
- Sydney's Buzz
A look back at 2012 reveals an undeniable fact, it has been a great year for Latino film. Sundance started the year off strong with films like Aurora Guerrero’s sweet and tender Mosquita y Mari and Marialy Rivas’ rambunctious Joven y Alocada (Young & Wild). Gina Rodriguez broke out in Filly Brown, as a rapper who needs to make it big so she can raise money to get her mom out of jail. In the film, Jenni Rivera played the part of Filly’s mom in her first, and sadly last, movie role.
There was also a strong Latin American presence at Cannes this past summer, boasting films from Mexico, Brazil, Uruguay, and Argentina. It might as well have been called Mexi-Cannes, with Mexican films winning awards across all main sections of the festival. Carlos Reygadas was honored as the Best Director for his controversial film Post Tenebras Lux, despite having received boos at its premiere screening. The prize for the Critics’ Week section went to Aquí y Allá (Here and There) and Después de Lucía (After Lucia) won the top prize for Un Certain Regard.
It’s been an especially favorable year for Chilean cinema. The New York Film Festival, in its 50th edition this past Fall, included three highly anticipated films by Pablo Larraín, Valeria Sarmiento, and the late Raúl Ruiz. And Chile continued to outshine the rest of the region by winning two top spots at the Festival Internacional de Nuevo Cine Latino de La Habana (the Havana Film Festival) just a few days ago. Pablo Larraín’s No, starring Gael Garcia Bernal, won the First Coral Prize. It’s a brilliant take on the real life story of an advertising campaign that ousted General Pinochet from power during a shining moment in Chilean politics. Violeta se fue a los cielos (Violeta Went To Heaven), a biopic about internationally famous Violeta de la Parra, a Chilean singer, songwriter, and poet won the Second Prize.
Whether it was at Cannes, Sundance, or countless other festivals, Latino films were winning award after award this year and even getting distribution (albeit usually in limited release). With the flurry of activity surrounding the region’s filmmaking, it can be hard to keep up with it all. Thankfully, there are professionals who get paid to keep track of what movies are receiving accolades, have the most buzz, and got picked up for distribution. LatinoBuzz went straight to the experts, film programmers, to ask, “What’s your top 5 Latino films of 2012?”
Carlos Gutierrez, Co-Founder and Director of Cinema Tropical
In no particular order, a list of five Latin American films that made it to Us screens in the past year (some of them are a couple of years old), which I highly recommend.
De Jueves a Domingo (Thursday Till Sunday), Director: Dominga Sotomayor, Chile
O Som ao Redor (Neighboring Sounds), Director: Kleber Mendonça Filho, Brazil
El Estudiante, Director: Santiago Mitre, Argentina
El Velador, Director: Natalia Almada, Mexico
El Lugar Más Pequeño (The Tiniest Place), Director: Tatiana Huezo, Mexico/El Salvador
Juan Caceres, Director of Programming at the New York International Latino Film Festival
Mosquita y Mari is a gorgeous film full of heart. Marialy Rivas (Director of Joven y Alocada) is an incredibly exciting new voice in Latin American cinema. She's fearless and full of love. I'm a huge fan of Lucy Mulloy (Director of Una Noche). She draws these wonderful performances from non-professional actors. A natural at using the lens to tell a story. In Las Malas Intenciones Fatima Buntinx plays the lead perfectly. Andres Wood made a beautiful film called 'Machuca', that captured the soul of Chile in the 70's and he does the same with a bio-pic of Violeta Parra, a folk singer who was a part of 'La Nueva Canción Chilena'.
Mosquita y Mari, Director: Aurora Guerrero, USA
Joven y Alocada (Young and Wild), Director: Marialy Rivas, Chile
Una Noche, Director: Lucy Mulloy, Cuba
Violeta Se Fue A Los Cielos (Violeta Went to Heaven), Director: Andrés Wood, Chile
Las Malas Intenciones (The Bad Intentions), Director: Rosario García-Montero, Perú
Christine Davila, Programming Associate at Sundance Film Festival
There are way too many Latino films and not enough coverage on American Latino films so with that -- mine are going to be strictly American Latino films.
Los Chidos, Director: Omar Rodriguez-Lopez, USA/Mexico
Mosquita y Mari, Director: Aurora Guerrero, USA
Elliot Loves, Director: Terracino, USA
Aquí y Allá (Here and There), Director: Antonio Méndez Esparza, USA/Spain/Mexico
Love, Concord, Director: Gustavo Guardado, USA
Lisa Franek, Artistic Director at the San Diego Latino Film Festival
Just 5?? That's tough! In Filly Brown, Gina Rodriguez turns in a great performance, and I expect to see more great things from her very soon. No, I saw at Cannes, and it was fascinating, especially in contrast to Larraín's previous (amazing) films. La Hora Cero has unforgettable scenes and characters! La Mujer de Ivan has amazing acting, and I believe Maria de Los Angeles Garcia is definitely a talent to watch. Reportero is also fantastic.
La Mujer de Iván, Director: Francisca Silva, Chile
No, Director: Pablo Larraín, Chile/France/USA
La Hora Cero, Director: Diego Velasco, Venezuela
Reportero, Director: Bernardo Ruiz, USA/Mexico
Filly Brown, Directors: Youssef Delara, Michael D. Olmos, USA
Marcela Goglio, Programmer for Latinbeat at The Film Society of Lincoln Center
Las Acacias, Director: Pablo Giorgelli, Argentina
As Cançoes (Songs), Director: Eduardo Coutinho, Brazil
Unfinished Spaces, Directors: Alyssa Nahmias & Benjamin Murray, USA
O Som ao Redor (Neighboring Sounds), Director: Kleber Mendonça Filho, Brazil
Aquí y Allá (Here and There), Director: Antonio Méndez Esparza, USA/Spain/Mexico
Pepe Vargas, Executive Director of the International Latino Cultural Center and Chicago Latino Film Festival
Not an easy task to come up with 5 titles - there are so many good movies.
La Piel que Habito (The Skin I Live In)
Director: Pedro Almodóvar, Spain
Salvando al Soldado Pérez, (Saving Private Perez)
Director: Beto Gómez, Mexico
Un Cuento Chino (Chinese Take-Out)
Director: Sebastián Borensztein, Argentina/Spain
Lobos de Arga (Game of Werewolves)
Director: Juan Martínez Moreno, Spain
Mariachi Gringo
Director: Tom Gustafson, USA/Mexico
Amalia Cordova, Coordinator of the Latin American Program at the Film and Video Center of the Smithsonian National Museum of the American Indian
Granito, Director: Pamela Yates, USA/Guatemala/Spain
Desterro Guarani, Directors: Patricia Ferreira y Ariel Duarte Ortega, Brazil
Violeta Se Fue A Los Cielos (Violeta Went to Heaven), Director: Andrés Wood, Chile
5 x Favela – Agora por nós Mesmos (5 x Favela, Now by Ourselves), Directors: Manaíra Carneiro, Wagner Novais, Cacau Amaral, Rodrigo Felha, Luciano Vidigal, Cadu Barcelos, and Luciana Bezerra, Brazil
Un Cuento Chino (Chinese Take-Out), Director: Sebastián Borensztein, Argentina/Spain
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on twitter.
There was also a strong Latin American presence at Cannes this past summer, boasting films from Mexico, Brazil, Uruguay, and Argentina. It might as well have been called Mexi-Cannes, with Mexican films winning awards across all main sections of the festival. Carlos Reygadas was honored as the Best Director for his controversial film Post Tenebras Lux, despite having received boos at its premiere screening. The prize for the Critics’ Week section went to Aquí y Allá (Here and There) and Después de Lucía (After Lucia) won the top prize for Un Certain Regard.
It’s been an especially favorable year for Chilean cinema. The New York Film Festival, in its 50th edition this past Fall, included three highly anticipated films by Pablo Larraín, Valeria Sarmiento, and the late Raúl Ruiz. And Chile continued to outshine the rest of the region by winning two top spots at the Festival Internacional de Nuevo Cine Latino de La Habana (the Havana Film Festival) just a few days ago. Pablo Larraín’s No, starring Gael Garcia Bernal, won the First Coral Prize. It’s a brilliant take on the real life story of an advertising campaign that ousted General Pinochet from power during a shining moment in Chilean politics. Violeta se fue a los cielos (Violeta Went To Heaven), a biopic about internationally famous Violeta de la Parra, a Chilean singer, songwriter, and poet won the Second Prize.
Whether it was at Cannes, Sundance, or countless other festivals, Latino films were winning award after award this year and even getting distribution (albeit usually in limited release). With the flurry of activity surrounding the region’s filmmaking, it can be hard to keep up with it all. Thankfully, there are professionals who get paid to keep track of what movies are receiving accolades, have the most buzz, and got picked up for distribution. LatinoBuzz went straight to the experts, film programmers, to ask, “What’s your top 5 Latino films of 2012?”
Carlos Gutierrez, Co-Founder and Director of Cinema Tropical
In no particular order, a list of five Latin American films that made it to Us screens in the past year (some of them are a couple of years old), which I highly recommend.
De Jueves a Domingo (Thursday Till Sunday), Director: Dominga Sotomayor, Chile
O Som ao Redor (Neighboring Sounds), Director: Kleber Mendonça Filho, Brazil
El Estudiante, Director: Santiago Mitre, Argentina
El Velador, Director: Natalia Almada, Mexico
El Lugar Más Pequeño (The Tiniest Place), Director: Tatiana Huezo, Mexico/El Salvador
Juan Caceres, Director of Programming at the New York International Latino Film Festival
Mosquita y Mari is a gorgeous film full of heart. Marialy Rivas (Director of Joven y Alocada) is an incredibly exciting new voice in Latin American cinema. She's fearless and full of love. I'm a huge fan of Lucy Mulloy (Director of Una Noche). She draws these wonderful performances from non-professional actors. A natural at using the lens to tell a story. In Las Malas Intenciones Fatima Buntinx plays the lead perfectly. Andres Wood made a beautiful film called 'Machuca', that captured the soul of Chile in the 70's and he does the same with a bio-pic of Violeta Parra, a folk singer who was a part of 'La Nueva Canción Chilena'.
Mosquita y Mari, Director: Aurora Guerrero, USA
Joven y Alocada (Young and Wild), Director: Marialy Rivas, Chile
Una Noche, Director: Lucy Mulloy, Cuba
Violeta Se Fue A Los Cielos (Violeta Went to Heaven), Director: Andrés Wood, Chile
Las Malas Intenciones (The Bad Intentions), Director: Rosario García-Montero, Perú
Christine Davila, Programming Associate at Sundance Film Festival
There are way too many Latino films and not enough coverage on American Latino films so with that -- mine are going to be strictly American Latino films.
Los Chidos, Director: Omar Rodriguez-Lopez, USA/Mexico
Mosquita y Mari, Director: Aurora Guerrero, USA
Elliot Loves, Director: Terracino, USA
Aquí y Allá (Here and There), Director: Antonio Méndez Esparza, USA/Spain/Mexico
Love, Concord, Director: Gustavo Guardado, USA
Lisa Franek, Artistic Director at the San Diego Latino Film Festival
Just 5?? That's tough! In Filly Brown, Gina Rodriguez turns in a great performance, and I expect to see more great things from her very soon. No, I saw at Cannes, and it was fascinating, especially in contrast to Larraín's previous (amazing) films. La Hora Cero has unforgettable scenes and characters! La Mujer de Ivan has amazing acting, and I believe Maria de Los Angeles Garcia is definitely a talent to watch. Reportero is also fantastic.
La Mujer de Iván, Director: Francisca Silva, Chile
No, Director: Pablo Larraín, Chile/France/USA
La Hora Cero, Director: Diego Velasco, Venezuela
Reportero, Director: Bernardo Ruiz, USA/Mexico
Filly Brown, Directors: Youssef Delara, Michael D. Olmos, USA
Marcela Goglio, Programmer for Latinbeat at The Film Society of Lincoln Center
Las Acacias, Director: Pablo Giorgelli, Argentina
As Cançoes (Songs), Director: Eduardo Coutinho, Brazil
Unfinished Spaces, Directors: Alyssa Nahmias & Benjamin Murray, USA
O Som ao Redor (Neighboring Sounds), Director: Kleber Mendonça Filho, Brazil
Aquí y Allá (Here and There), Director: Antonio Méndez Esparza, USA/Spain/Mexico
Pepe Vargas, Executive Director of the International Latino Cultural Center and Chicago Latino Film Festival
Not an easy task to come up with 5 titles - there are so many good movies.
La Piel que Habito (The Skin I Live In)
Director: Pedro Almodóvar, Spain
Salvando al Soldado Pérez, (Saving Private Perez)
Director: Beto Gómez, Mexico
Un Cuento Chino (Chinese Take-Out)
Director: Sebastián Borensztein, Argentina/Spain
Lobos de Arga (Game of Werewolves)
Director: Juan Martínez Moreno, Spain
Mariachi Gringo
Director: Tom Gustafson, USA/Mexico
Amalia Cordova, Coordinator of the Latin American Program at the Film and Video Center of the Smithsonian National Museum of the American Indian
Granito, Director: Pamela Yates, USA/Guatemala/Spain
Desterro Guarani, Directors: Patricia Ferreira y Ariel Duarte Ortega, Brazil
Violeta Se Fue A Los Cielos (Violeta Went to Heaven), Director: Andrés Wood, Chile
5 x Favela – Agora por nós Mesmos (5 x Favela, Now by Ourselves), Directors: Manaíra Carneiro, Wagner Novais, Cacau Amaral, Rodrigo Felha, Luciano Vidigal, Cadu Barcelos, and Luciana Bezerra, Brazil
Un Cuento Chino (Chinese Take-Out), Director: Sebastián Borensztein, Argentina/Spain
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on twitter.
- 12/19/2012
- by Vanessa Erazo
- Sydney's Buzz
The Spanish Institute for Film and Audiovisual Arts (Icaa) a part of the Ministry of Education, Culture and Sport, together with the American Cinematheque and Egeda (Audio-Visual Producers’ Rights Management Association) announce the 18th edition of Recent Spanish Cinema series that will showcase the most outstanding recent Spanish films at the American Cinematheque at the Egyptian Theatre in Los Angeles, October 11 – 14, 2012.
This 2012 series will be kicked off with the special opening premiere of the official Spanish Entry for Best Foreign Language Film for the Academy Awards 2013, Blancanieves (Snow White) directed by Pablo Berger and starring Maribel Verdú, Inma Cuesta & Macarena García.
This edition is honored with the attendance of directors Pablo Berger (Blancanieves), Benito Zambrano (The Sleeping Voice) and Patricia Ferreira (The Wild Ones).
Join us for our 18th annual showcase of the wildest, sexiest new films from Spain - on the big screen at the Egyptian Theatre in Hollywood. Included in this year's lineup are the 2012 Goya Best Film winner No Rest For The Wicked, a searing neo-noir from director Enrique Urbizu, starring Jose Coronado; Alberto Rodriguez's crime drama Unit 7 and Fernando Gonzalez Molina's coming of age drama and romance I Want You (the sequel to Three Steps Above Heaven, a selection from last year's Recent Spanish Cinema), both starring Spanish star Mario Casas. Also included are Ignacio Ferreras' stunning animated feature Wrinkles, based on Paco Roca’s comic of the same title; The Wild Ones, an elegant triptych of coming-of-age tales and winner of four awards at the Malaga Spanish Film Festival; and 2011’s much-lauded, multiple-Goya winner The Sleeping Voice, starring Maria Leon, Inma Cuesta, from director Benito Zambrano.
In addition to the lineup, the series will screen the short film Wings by José Villalobos, the winning entry from the New Filmmakers from Spain short film contest, a competition for Spanish film students living in USA.
For further details on the schedule, please check the Recent Spanish Cinema website
Venue: 6712 Hollywood Blvd, Los Angeles, CA 90028. Tickets: www.Fandango.com
Blancanieves (Snow White)
2012| Mama Films, Arcadia Motion Pictures, Motion Investment Group, Noodles Production|104 min.
Dir. Pablo Berger.
Cast: Maribel Verdú, Daniel Giménez Cacho, Ángela Molina, Inma Cuesta, Macarena García.
The Sleeping Voice (La Voz Dormida)
2011|Maestranza Films, Mirada Sur|128 min.
Dir. Benito Zambrano.
Cast: Inma Cuesta, María Leon, Marc Clotet, Daniel Holguín.
Unit 7 (Grupo 7)
2012|Atípica films, La Zanfoña Producciones, Sacromonte Films|96 min.
Dir. Alberto Rodríguez.
Cast: Mario Casas, Antonio de la Torre, Inma Cuesta.
Wrinkles (Arrugas)
2011|Perro Verde Films, Cromosoma |89 min.
Dir. Ignacio Ferreras
I Want You (Tengo Ganas De Ti)
2012|Zeta Audiovisual, Antena 3 Films|124 min.
Dir. Fernando González Molina.
Cast: Mario Casas, Clara Lago, María Valverde.
The Wild Ones (Els Nens Salvatges)
2012| Distinto Films, Aralan Films, La Femme Endormie Sarl |100 min.
Dir. Patricia Ferreira.
Cast: Marina Comas, Álex Monner, Albert Baró.
This 2012 series will be kicked off with the special opening premiere of the official Spanish Entry for Best Foreign Language Film for the Academy Awards 2013, Blancanieves (Snow White) directed by Pablo Berger and starring Maribel Verdú, Inma Cuesta & Macarena García.
This edition is honored with the attendance of directors Pablo Berger (Blancanieves), Benito Zambrano (The Sleeping Voice) and Patricia Ferreira (The Wild Ones).
Join us for our 18th annual showcase of the wildest, sexiest new films from Spain - on the big screen at the Egyptian Theatre in Hollywood. Included in this year's lineup are the 2012 Goya Best Film winner No Rest For The Wicked, a searing neo-noir from director Enrique Urbizu, starring Jose Coronado; Alberto Rodriguez's crime drama Unit 7 and Fernando Gonzalez Molina's coming of age drama and romance I Want You (the sequel to Three Steps Above Heaven, a selection from last year's Recent Spanish Cinema), both starring Spanish star Mario Casas. Also included are Ignacio Ferreras' stunning animated feature Wrinkles, based on Paco Roca’s comic of the same title; The Wild Ones, an elegant triptych of coming-of-age tales and winner of four awards at the Malaga Spanish Film Festival; and 2011’s much-lauded, multiple-Goya winner The Sleeping Voice, starring Maria Leon, Inma Cuesta, from director Benito Zambrano.
In addition to the lineup, the series will screen the short film Wings by José Villalobos, the winning entry from the New Filmmakers from Spain short film contest, a competition for Spanish film students living in USA.
For further details on the schedule, please check the Recent Spanish Cinema website
Venue: 6712 Hollywood Blvd, Los Angeles, CA 90028. Tickets: www.Fandango.com
Blancanieves (Snow White)
2012| Mama Films, Arcadia Motion Pictures, Motion Investment Group, Noodles Production|104 min.
Dir. Pablo Berger.
Cast: Maribel Verdú, Daniel Giménez Cacho, Ángela Molina, Inma Cuesta, Macarena García.
The Sleeping Voice (La Voz Dormida)
2011|Maestranza Films, Mirada Sur|128 min.
Dir. Benito Zambrano.
Cast: Inma Cuesta, María Leon, Marc Clotet, Daniel Holguín.
Unit 7 (Grupo 7)
2012|Atípica films, La Zanfoña Producciones, Sacromonte Films|96 min.
Dir. Alberto Rodríguez.
Cast: Mario Casas, Antonio de la Torre, Inma Cuesta.
Wrinkles (Arrugas)
2011|Perro Verde Films, Cromosoma |89 min.
Dir. Ignacio Ferreras
I Want You (Tengo Ganas De Ti)
2012|Zeta Audiovisual, Antena 3 Films|124 min.
Dir. Fernando González Molina.
Cast: Mario Casas, Clara Lago, María Valverde.
The Wild Ones (Els Nens Salvatges)
2012| Distinto Films, Aralan Films, La Femme Endormie Sarl |100 min.
Dir. Patricia Ferreira.
Cast: Marina Comas, Álex Monner, Albert Baró.
- 10/3/2012
- by Sydney Levine
- Sydney's Buzz
Berlin festival to give Gomez lifetime honor
MUNICH -- Berlin International Film Festival officials said Wednesday that at this year's festival, an honorary Golden Bear for lifetime achievement will go to Spanish actor Fernando Fernan Gomez and Berlinale Cameras will go to Japan's oldest film studio, Shochiku, and Helene Schwarz, former secretary of the German Film and Television Academy in Berlin. The Berlinale Special will screen Gomez's latest film, Something to Remember Me By, directed by Patricia Ferreira; Shochiku's 1954 classic Twenty-four Eyes; and Rosa von Praunheim's recent documentary Who Is Helene Schwarz? The Berlinale Special also will honor this year's jury president, Roland Emmerich, with a screening of his blockbuster The Day After Tomorrow, organizers said. And as tribute to cinematographer Carlo Di Palma, who died in July, the festival will screen Michelangelo Antonioni's The Red Desert.
- 1/27/2005
- The Hollywood Reporter - Movie News
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