We love this Fritz Lang western even though it’s not particularly good; only in hindsight do we realize that the brilliant director’s intentions may have been compromised. High-key lighting does Marlene Dietrich no favors, but she scores good scenes performing with Arthur Kennedy (revenged crazed cowpoke) and Mel Ferrer (tranquilized gunslinger). Lang fans will be impressed by the gaudy, over-bright restored Technicolor, and we can always blame Howard Hughes.
Rancho Notorious
Blu-ray
Warner Archive Collection
1952 / Color / 1:37 Academy / 89 min. / Available at Amazon.com / General site Wac-Amazon / Street Date January 10, 2023 / 21.99
Starring: Marlene Dietrich, Arthur Kennedy, Mel Ferrer, Lloyd Gough, William Frawley, Jack Elam, George Reeves, Frank Ferguson, Dan Seymour, John Doucette, Dick Elliott, Russell Johnson, Charlita.
Cinematography: Hal Mohr
Production Designer: Wiard Ihnen
Dietrich’s wardrobe designed by: Don Loper
Editorial Supervisor: Otto Ludwig
Original Music: Emil Newman
Written by Daniel Taradash, Silvia Richards
Produced by Howard Welsch
Directed...
Rancho Notorious
Blu-ray
Warner Archive Collection
1952 / Color / 1:37 Academy / 89 min. / Available at Amazon.com / General site Wac-Amazon / Street Date January 10, 2023 / 21.99
Starring: Marlene Dietrich, Arthur Kennedy, Mel Ferrer, Lloyd Gough, William Frawley, Jack Elam, George Reeves, Frank Ferguson, Dan Seymour, John Doucette, Dick Elliott, Russell Johnson, Charlita.
Cinematography: Hal Mohr
Production Designer: Wiard Ihnen
Dietrich’s wardrobe designed by: Don Loper
Editorial Supervisor: Otto Ludwig
Original Music: Emil Newman
Written by Daniel Taradash, Silvia Richards
Produced by Howard Welsch
Directed...
- 1/31/2023
- by Glenn Erickson
- Trailers from Hell
Desperate
Directed by Anthony Mann
Screenplay by Harry Essex
U.S.A., 1947
One of film noir’s strongest, most unique qualities is its malleability. A film which fans and scholars deem as part of the genre need not be especially violent, nor especially thrilling, nor especially long, nor especially short, etc. Despite that so many take pleasure in listing the many ingredients they deem ‘essential’ for a movie to be described as noir, the reality is that the possibilities to play around with the elements allows for remarkable freedom for writers and directors. Anthony Mann is a name that should be very familiar with any self described noir buff, having directing more than a handful, among them brilliant gems such as Side Street and Border Incident. Much like in the latter of the the two mentioned pictures, the director takes noir by the horns and creates a sharp, tough story...
Directed by Anthony Mann
Screenplay by Harry Essex
U.S.A., 1947
One of film noir’s strongest, most unique qualities is its malleability. A film which fans and scholars deem as part of the genre need not be especially violent, nor especially thrilling, nor especially long, nor especially short, etc. Despite that so many take pleasure in listing the many ingredients they deem ‘essential’ for a movie to be described as noir, the reality is that the possibilities to play around with the elements allows for remarkable freedom for writers and directors. Anthony Mann is a name that should be very familiar with any self described noir buff, having directing more than a handful, among them brilliant gems such as Side Street and Border Incident. Much like in the latter of the the two mentioned pictures, the director takes noir by the horns and creates a sharp, tough story...
- 3/17/2012
- by Edgar Chaput
- SoundOnSight
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