John Collier(1901-1980)
- Writer
British novelist, poet and occasional screenwriter, John Henry Noyes
Collier was best known as the author of macabre or bizarre short
stories with trick endings, akin to those of
Roald Dahl. The most widely read of these
were published under the title "Fancies and Goodnights" in 1951,
winning Collier the inaugural International Fantasy Award and an Edgar
from the Mystery Writers of America. Privately educated by his novelist
uncle Vincent (though he never subsequently attended college), he
became a published, but largely unsuccessful, poet by the age of 20. He
authored several novels in the 1930's (including the whimsical "His
Monkey Wife"), which established his reputation as being adroit and
possessed of a waspish wit. His books found a wider audience in the
United States, than in his own country. In 1935, Collier moved to
California, under contract to RKO. His first screenwriting assignment
was the adaptation of
Compton MacKenzie's novel
Sylvia Scarlett (1935). With a
meandering storyline and basically unsympathetic characters, the film
flopped at the box office to the tune of $363,000 and did much to
damage Katharine Hepburn's public
image at the time.
Collier promptly returned to Britain, where he had greater success with his subsequent endeavour, Elephant Boy (1937) for Alexander Korda's London Films. He returned to Hollywood only sporadically during the 1940's and 50's, his most notable contribution being the screenplay for the classic Bette Davis melodrama Jalousie (1946). He also penned original material for La Reine africaine (1951), which was not used in the final print. One of his short stories, "The Chaser", had the distinction of being the only episode of La quatrième dimension (1959) First Season, not written by either Rod Serling, Charles Beaumont or Richard Matheson. Other Collier stories were used effectively in Alfred Hitchcock présente (1955) and Bizarre, bizarre (1979). His last major film work was, in tandem with Millard Kaufman, Le seigneur de la guerre (1965) -- a medieval Technicolor romance starring Charlton Heston. For most of the decade, Collier laboured on an adaptation of John Milton's "Paradise Lost", which ended up in book form but never made it onto the screen. Collier divided much of his remaining life travelling between England, France and the U.S.. He also lived for a while in Mexico. At the time of his death, in April 1980, he resided in Pacific Palisades, California.
Collier promptly returned to Britain, where he had greater success with his subsequent endeavour, Elephant Boy (1937) for Alexander Korda's London Films. He returned to Hollywood only sporadically during the 1940's and 50's, his most notable contribution being the screenplay for the classic Bette Davis melodrama Jalousie (1946). He also penned original material for La Reine africaine (1951), which was not used in the final print. One of his short stories, "The Chaser", had the distinction of being the only episode of La quatrième dimension (1959) First Season, not written by either Rod Serling, Charles Beaumont or Richard Matheson. Other Collier stories were used effectively in Alfred Hitchcock présente (1955) and Bizarre, bizarre (1979). His last major film work was, in tandem with Millard Kaufman, Le seigneur de la guerre (1965) -- a medieval Technicolor romance starring Charlton Heston. For most of the decade, Collier laboured on an adaptation of John Milton's "Paradise Lost", which ended up in book form but never made it onto the screen. Collier divided much of his remaining life travelling between England, France and the U.S.. He also lived for a while in Mexico. At the time of his death, in April 1980, he resided in Pacific Palisades, California.
