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There will always be an interest and allure in banned media, which, for many, raises questions like "Why do they not want me to see this?" This often comes with boundary-pushing cinema that challenges social norms and political powers or goes to such extremes that those in charge of distribution deem it inappropriate to share with the masses.
Are all banned films great? Looking through the video nasties catalog, some of the films only became notorious because they made the infamous list of banned media. Yet, at the same time, others like Salo: The 120 Days of Sodom or Ken Russel's The Devils have garnered such acclaim that they have transcended their initial ban.
There is one notable British film that...
There will always be an interest and allure in banned media, which, for many, raises questions like "Why do they not want me to see this?" This often comes with boundary-pushing cinema that challenges social norms and political powers or goes to such extremes that those in charge of distribution deem it inappropriate to share with the masses.
Are all banned films great? Looking through the video nasties catalog, some of the films only became notorious because they made the infamous list of banned media. Yet, at the same time, others like Salo: The 120 Days of Sodom or Ken Russel's The Devils have garnered such acclaim that they have transcended their initial ban.
There is one notable British film that...
- 7/14/2024
- by Adam Symchuk
- MovieWeb
This week the Guardian’s film critic presented his shortlist of 2017’s most awards-worthy movies, directors and actors. Here, he talks to arts editor Liese Spencer about the realities of reviewing, the worst thing he’s watched, and getting it wrong …
The Braddies 2017: Peter Bradshaw nominates his films of the year
Q: How did you become a film reviewer?
A: Weirdly, I’d never reviewed a film before I came to the Guardian. I read English at Cambridge in the 1980s when there was no such thing as film studies (the subject was frowned on the way English was frowned on in the era when studying classics was the only respectable thing). In the 90s I was a general Europhile columnist and journalist on the London Evening Standard writing about books, politics, TV … almost anything but cinema. Then I had a footnote in journalistic history when I became the...
The Braddies 2017: Peter Bradshaw nominates his films of the year
Q: How did you become a film reviewer?
A: Weirdly, I’d never reviewed a film before I came to the Guardian. I read English at Cambridge in the 1980s when there was no such thing as film studies (the subject was frowned on the way English was frowned on in the era when studying classics was the only respectable thing). In the 90s I was a general Europhile columnist and journalist on the London Evening Standard writing about books, politics, TV … almost anything but cinema. Then I had a footnote in journalistic history when I became the...
- 12/9/2017
- by Peter Bradshaw and Liese Spencer
- The Guardian - Film News
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