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Shortly after 9/11, and very definitely as a personal response to that event, I wrote an article about Requiems for Cdnow, where I worked at the time (just a few blocks away from Ground Zero; fortunately our workday started at 10 Am, so I wasn't there yet that day, but in the weeks that followed there were days where, if the wind came from the wrong direction, we would go home early, it made us so sick). In the years since, I have written about music composed in response to that tragedy, such as John Adams's On the Transmigration of Souls. But now I find myself being drawn back to the Requiem idea. Here's a much-expanded take on it.

This roughly chronological list confines itself to works with a sacred basis, though the 20th century yielded secular Requiems, most notably Paul Hindemith's When Lilacs Last in the Door-yard Bloom...

Director best known for the visually splendid and energetic Zorba the Greek

Although the first Greek films appeared in 1912, long periods of war and instability crippled any attempts at forming a national film industry. This meant that few features were produced until the 1950s, when the director Michael Cacoyannis, who has died aged 90, became the embodiment of Greek cinema, giving it an international reputation which reached a peak of popularity with his Zorba the Greek (1964).

Based on Nikos Kazantzakis's novel, the film burst on to the screen with extraordinary energy and visual splendour. It brilliantly combined the rhythmic music of Mikis Theodorakis and the Oscar-winning black-and-white cinematography of Walter Lassally with indelible performances by Anthony Quinn, Alan Bates, Irene Papas and Lila Kedrova (who won the Oscar for best supporting actress).

The film celebrated joie de vivre, yet there was an underlying pessimism and an echo of Greek tragedy...