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IMDbPro

Hector Chevigny(1904-1965)

  • Writer
IMDbProStarmeterSee rank
Hector Chevigny was born on 28 June 1904. He was a writer, known for You Can't Escape Forever (1942), Hallmark Hall of Fame (1951) and Lux Video Theatre (1950). He died on 20 April 1965 in New York City, New York, USA.
BornJune 28, 1904
DiedApril 20, 1965(60)
BornJune 28, 1904
DiedApril 20, 1965(60)
IMDbProStarmeterSee rank
Add photos, demo reels

Known for

George Brent and Brenda Marshall in You Can't Escape Forever (1942)
You Can't Escape Forever
6.1
  • Writer
  • 1942
Hallmark Hall of Fame (1951)
Hallmark Hall of Fame
8.1
TV Series
  • Writer
Lux Video Theatre (1950)
Lux Video Theatre
7.4
TV Series
  • Writer
Kraft Television Theatre (1947)
Kraft Television Theatre
8.0
TV Series
  • Writer

Credits

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IMDbPro

Writer



  • Lux Video Theatre (1950)
    Lux Video Theatre
    7.4
    TV Series
    • screenplay
    • 1956
  • The Halls of Ivy (1954)
    The Halls of Ivy
    7.8
    TV Series
    • story
    • 1954
  • Hallmark Hall of Fame (1951)
    Hallmark Hall of Fame
    8.1
    TV Series
    • written by
    • 1952
  • Kraft Television Theatre (1947)
    Kraft Television Theatre
    8.0
    TV Series
    • writer
    • 1952
  • CBS Television Workshop (1952)
    CBS Television Workshop
    6.6
    TV Series
    • story
    • 1952
  • Hal Baylor, Hans Conried, and Chuck Hicks in Schlitz Playhouse of Stars (1951)
    Schlitz Playhouse of Stars
    7.5
    TV Series
    • original teleplay
    • 1951
  • The Chevrolet Tele-Theatre (1948)
    The Chevrolet Tele-Theatre
    7.6
    TV Series
    • writer
    • 1949
  • George Brent and Brenda Marshall in You Can't Escape Forever (1942)
    You Can't Escape Forever
    6.1
    • screenplay
    • 1942

Personal details

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  • Born
    • June 28, 1904
  • Died
    • April 20, 1965
    • New York City, New York, USA

Did you know

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  • Trivia
    American novelist and radio and television dramatist.
  • Quotes
    My parents, born in French Canada, settled in western Montana in its rawer territorial days, my one sister and I being born late in their lives. Father was a carpenter and contractor. Missoula was our home town but we also lived in Butte and much of my childhood I passed near Frenchtown, in a rugged mountain valley homesteaded by relatives in the 1870s. That now I write television plays, having known in my own life a period when even rural electrification seemed a wild dream, appears to me less cause for wonder, however, than the fact it seems to give no cause for wonder at all. I am constrained to wonder how I became a writer only because others have done so. Perhaps the family propensity for wandering had something to do with it. Wandering can take place over the cultural map too. More probably it was the influence of the Carnegie library system, the effect of which on communities like Missoula social historians overlook. I was often ill, was forever immersed in a sea of print. They call what I had nowadays allergic. My people called it le riffe and some tried dog-grease on it.

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