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Biography

Geoffrey Burgon

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Overview

  • Born
    July 15, 1941 · Hambledon, Hampshire, England, UK
  • Died
    September 21, 2010 · London, England, UK
  • Birth name
    Geoffrey Alan Burgon

Biography

    • Geoffrey Burgon was born on July 15, 1941 in Hambledon, Hampshire, England, UK. He was a composer, known for Monty Python : La Vie de Brian (1979), The Forsyte Saga (2002) and Longitude (2000). He was married to Jacqueline Kroft and Janice Garwood. He died on September 21, 2010 in London, England, UK.

Family

  • Spouses
      Jacqueline Kroft(1992 - September 21, 2010) (his death, 1 child)
      Janice Garwood(1963 - ?) (divorced, 2 children)

Trivia

  • He attended the Guildhall School of Music in London.
  • Burgon was chosen to work on the Docteur Who (1963) serials Terror of the Zygons: Part One (1975) and The Seeds of Doom: Part One (1976) because the director of those stories, Douglas Camfield, didn't want to work with the series' regular composer, Dudley Simpson.
  • Early in his career, he composed mostly music for ballet and modern dance.
  • The 1976 performance of his "Requiem" at the Three Choirs Festival made him famous, and led to several major commissions.
  • Despite his numerous highly-regarded compositions for TV programs and film, his main focus was concert music.

Quotes

  • Being asked to write music for Docteur Who (1963) came out of the blue and as a complete surprise. I had previously written only two scores for television, but it was the second of these that attracted director Douglas Camfield. It was a ghost story, the music of which was scored for a small and unusual group of instruments, plus two countertenors. The supernatural quality of the score appealed to Douglas, and I imagine it was the small number of musicians that appealed to the producer, because the Docteur Who (1963) budget ran to just four players, plus myself on whatever I could play, and access to the Radiophonic Workshop. I used the latter quite sparingly, mostly putting selected instruments through a ring modulator to make them sound quite unlike the original, thereby creating a bigger sounding group than I actually had. It was a great experience for an emerging composer, and I am terribly gratified to have been part of such a legendary television phenomenon.

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