Les Bowie(1913-1979)

Before the advent of computer-generated special effects, pioneers in the field managed to create movie magic, despite often restrictive budgets. Les Bowie was one of the best. He began work as a scenic artist at Denham, Pinewood and Shepperton studios in 1946, under the auspices of W. Percy Day. Bowie made his initial mark by developing a faster technique for creating matte shots in a single day. He was rewarded by being pushed up the ladder to chief matte artist for the Rank Organisation. In 1950, Bowie turned freelance and established his own FX unit in partnership with Vic Margutti and A. Val Elsey. This was later expanded to become Bowie Films Ltd., ultimately Britain's leading FX unit, with a staff of 75 people at work creating miniatures, mechanical devices, trick photography and matte paintings.

Bowie was best known for his work at Hammer, beginning with Le Monstre (1955), for which he created the monster. He worked on many of the best films for the studio, producing innovative re-usable models. He was also responsible for numerous clever trick effects, including the demises of Count Dracula and assorted minions. Bowie did superb matte work on Les Maîtresses de Dracula (1960), La Nuit du loup-garou (1961), Le fascinant capitaine Clegg (1962), to mention but a few. He also supervised the creation of earth in just six days (on a budget of 1,000 pounds) for Un million d'années avant J.C. (1966) and destroyed it in Le Jour où la Terre prit feu (1961). Bowie's ambition to work on an A-grade production was finally fulfilled, when he was tasked with making models, mattes and composites for Superman (1978). Sadly he died just minutes before receiving his Special Achievement Award at the Oscars.