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  • Biography
IMDbPro

Mary Cathcart Borer(1906-1994)

  • Writer
IMDbProStarmeterSee rank
Mary Cathcart Borer was born on 3 February 1906 in Hackney, London, England, UK. Mary Cathcart was a writer, known for Castle Sinister (1948), Trapped by the Terror (1949) and The Little Ballerina (1947). Mary Cathcart was married to Oliver Humphrys Myers. Mary Cathcart died on 2 December 1994 in St Albans, Hertfordshire, England, UK.
BornFebruary 3, 1906
DiedDecember 2, 1994(88)
BornFebruary 3, 1906
DiedDecember 2, 1994(88)
IMDbProStarmeterSee rank
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Known for

Castle Sinister (1948)
Castle Sinister
3.6
  • Writer(as Egan Storm)
  • 1948
Trapped by the Terror (1949)
Trapped by the Terror
  • Writer
  • 1949
The Little Ballerina (1947)
The Little Ballerina
5.4
  • Writer
  • 1947
Adrienne Corri, Lisa Gastoni, and Thorley Walters in Second Fiddle (1957)
Second Fiddle
5.3
  • Writer
  • 1957

Credits

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IMDbPro

Writer



  • Amy Dalby, Vanda Godsell, Mervyn Johns, Mary Merrall, Conrad Phillips, Ellen Pollock, Natasha Pyne, and Joan Sanderson in Who Killed the Cat? (1966)
    Who Killed the Cat?
    6.7
    • stage play: "Tabitha"
    • 1966
  • Eagle Rock (1964)
    Eagle Rock
    6.5
    • based on a story by
    • 1964
  • Treasure in Malta (1963)
    Treasure in Malta
    8.1
    • adaptation
    • 1963
  • The Rescue Squad (1963)
    The Rescue Squad
    6.6
    • treatment (as Mary C. Borer)
    • 1963
  • Masters of Venus (1962)
    Masters of Venus
    6.1
    • adaptation
    • 1962
  • Rachel Clay, Ronald Howard, Terry Raven, and Michael Wade in The Monster of Highgate Ponds (1961)
    The Monster of Highgate Ponds
    5.8
    • film script
    • 1961
  • The Secret of the Nubian Tomb
    TV Series
    • script
    • 1961
  • The Missing Note (1961)
    The Missing Note
    6.9
    • original screenplay
    • 1961
  • The Fifth Form at St. Dominic's
    TV Series
    • adaptation
    • 1961
  • Four Feather Falls (1960)
    Four Feather Falls
    7.4
    TV Series
    • screenplay by
    • 1960
  • Peter Butterworth and Michael Crawford in Blow Your Own Trumpet (1958)
    Blow Your Own Trumpet
    6.7
    • written by
    • 1958
  • Ali Allen, Mandy Harper, Frazer Hines, and Christopher Warbey in La Bande des brocanteurs (1958)
    La Bande des brocanteurs
    5.9
    • story by
    • 1958
  • Adrienne Corri, Lisa Gastoni, and Thorley Walters in Second Fiddle (1957)
    Second Fiddle
    5.3
    • story by
    • 1957
  • Treasure at the Mill (1957)
    Treasure at the Mill
    7.1
    • adaptation
    • 1957
  • John Pike in One Wish Too Many (1956)
    One Wish Too Many
    7.1
    • adaptation
    • 1956

Personal details

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  • Alternative names
    • M. Cathcart Borer
  • Born
    • February 3, 1906
    • Hackney, London, England, UK
  • Died
    • December 2, 1994
    • St Albans, Hertfordshire, England, UK
  • Spouse
    • Oliver Humphrys Myers1935 - 1966 (his death)

Did you know

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  • Quotes
    Towards the end of the war, conditions for children in London were at their worst. Many who had been evacuated to the country, on the outbreak of hostilities, had come back. Fathers were away, mothers working; schools were disorganized and under-staffed and there was not nearly enough discipline. The Odeon and Gaumont Saturday morning cinema clubs were re-opened and managers complained that the children were badly in need of some form of moral training. The comptroller of the Odeon group suggested that a one-reeler film be made, showing that stealing by finding was as bad as any other kind of stealing, and I was asked to write the script. When it was shown, the effect was astonishing. Managers reported that their cinemas had come to look like lost property offices with all the things children found and brought to them. It was the effect of this film, which today would seem unbelievably corny, which made me realize how we have wasted and misused the enormous potential of the screen. I have for long advocated the harmfulness of indoctrinating children (or adults either, for that matter) with scenes of crime and violence. Much has been said and written about the harmful effects of television on morals and outlook, but very little about the good it could do. It obviously does have an effect, so why not a good one instead of a bad one?

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