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By Hank Reineke

Though heavyweights Columbia and Universal produced as many serials as Republic Pictures from 1929-1956, the latter studio is generally best known for its exciting sound-era chapter-plays. Universal and the less widely known Mascot Pictures were in the game the earliest; both studios began releasing their sound serials in 1929. Mascot would only last six years or so. Universal – choosing to concentrate exclusively on the production of feature films – effectively got out of the serial business in 1946. Republic and Columbia hung on to the production of chapter-plays the longest; they released their final serials in 1955 and 1956, respectively.

Republic wasn’t only a serials factory. The studio was in the low budget feature filmmaking business as well, busily churning out a dizzying array of westerns, adventure pictures, and mysteries. They would test the box-office potentials of the horror film market during the 1940s with limited success. As a second-tier “Poverty Row” studio,...

Robot roll call! This also-ran robotic fantasy from the 1950s is precisely the kind of movie one would expect from Republic, a two-fisted anti-Commie tract for juveniles. The studio comes up with an impressive robo-hero, but short-changes us when it come time for action thrills. Still, as pointed out in Richard Harland Smith’s new commentary, Tobor filled the the kiddie hunger for sci-fi matinees, at least until Robby the Robot came along.

Tobor the Great

Blu-ray

Kl Studio Classics

1954 / B&W / 1:85 widescreen / 77 min. / Street Date September 12, 2017 / available through Kino Lorber / 29.95

Starring: Charles Drake, Karin Booth, Billy Chapin, Taylor Holmes, Steven Geray, Hal Baylor, Alan Reynolds, Peter Brocco, Robert Shayne, Lyle Talbot, William Schallert

Cinematography: John L. Russell

Production Design: Gabriel Scognamillo

Special Effects: Howard and Theodore Lydecker

Film Editor: Basil Wrangell

Original Music: Howard Jackson

Written by Philip MacDonald, Carl Dudley

Produced by Richard Goldstone

Directed by Lee Sholem...

Paul Henreid: From Eleanor Parker to ‘The Four Horsemen of the Apocalypse’ (photo: Paul Henreid and Eleanor Parker in ‘Between Two Worlds’) Paul Henreid returns this evening, as Turner Classic Movies’ Star of the Month of July 2013. In Of Human Bondage (1946), he stars in the old Leslie Howard role: a clubfooted medical student who falls for a ruthless waitress (Eleanor Parker, in the old Bette Davis role). Next on TCM, Henreid and Eleanor Parker are reunited in Between Two Worlds (1944), in which passengers aboard an ocean liner wonder where they are and where the hell (or heaven or purgatory) they’re going. Hollywood Canteen (1944) is a near-plotless, all-star showcase for Warner Bros.’ talent, a World War II morale-boosting follow-up to that studio’s Thank Your Lucky Stars, released the previous year. Last of the Buccaneers (1950) and Pirates of Tripoli (1955) are B pirate movies. The former is an uninspired affair,...