Biography

February 2, 1882 · St. Louis, Missouri, USA

May 7, 1967 · Woodland Hills, Los Angeles, California, USA (undisclosed)

Was the first woman to be nominated for, and the first woman to win the Best Film Editing Oscar.

Member of A.C.E. (American Cinema Editors).

She and DeMille received Academy Award nominations (Best Picture and Best Film Editing) for their final collaboration, Les Dix Commandements (1956).

In his 1959 autobiography, Cecil B. DeMille wrote: "In every contract I sign to produce a picture one essential clause is that Anne Bauchens will be its editor. That is not sentiment, or at least not only sentiment. She is still the best film editor I know".

Edited all four of DeMille's biblical epics.

Many people ask me what film editing is. I would say it is very much like a jigsaw puzzle, except that in a jigsaw puzzle the little pieces are all cut out in the various forms and you try to fit them together to make a picture, while in cutting films you have to cut your pieces first and then put them together.

We must reinterpret the material given us by the director so that the strips of film will assume a rhythmic flow. Our work is highly individual; no two editors work alike. We must rely on our instinct and previous experience to create the pattern. We must maintain the whole greater than the sum of its parts. If the film is poorly cut, the whole sense of the story is lost. If it is well cut, the effectiveness of the story will be considerably increased and it will possess a new unity which would otherwise exist in the director's mind alone.

Some directors stop work on a picture after the last scene has been shot. Then the producer takes the responsibility and does all the editing with the cutter or editor in the projection room. Other directors work very closely with the cutter and follow the film through until after the preview. A few insist on cutting their own pictures. But they are very scarce.

Le Roi des rois (2004) - $100 per week