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IMDbPro

John Barry(1935-1979)

  • Production Designer
  • Art Department
  • Art Director
IMDbProStarmeterSee rank
John Barry was a British production designer. Started his career in the art department of the movie Cleopatra (1963). He is known chiefly for his imaginative design work on "Star Wars" and "Superman: The Movie". Barry got the opportunity to direct the sci-fi movie "Saturn 3" but was replaced during filming. However, he returned to the Star Wars universe on "The Empire Strikes Back" as a second unit director. On May 31st 1979, (two weeks into filming) he collapsed on-set and was hospitalized as his temperature rose to 104 degrees. He died at 2am on June 1st, a victim of meningitis.
BornJuly 3, 1935
DiedJune 1, 1979(43)
BornJuly 3, 1935
DiedJune 1, 1979(43)
IMDbProStarmeterSee rank
Add photos, demo reels
  • Won 1 Oscar
    • 2 wins & 3 nominations total

Known for

Gene Hackman, Terence Stamp, Ned Beatty, Christopher Reeve, Jackie Cooper, Sarah Douglas, Jeff East, Margot Kidder, Jack O'Halloran, Valerie Perrine, and Susannah York in Superman (1978)
Superman
7.4
  • Production Designer
  • 1978
La Guerre des étoiles (1977)
La Guerre des étoiles
8.6
  • Production Designer
  • 1977
Malcolm McDowell in Orange mécanique (1971)
Orange mécanique
8.2
  • Production Designer
  • 1971
Harrison Ford, Anthony Daniels, Carrie Fisher, Mark Hamill, James Earl Jones, David Prowse, Billy Dee Williams, Kenny Baker, Jeremy Bulloch, and Peter Mayhew in L'Empire contre-attaque (1980)
L'Empire contre-attaque
8.7
  • Second Unit or Assistant Director(second unit)
  • 1980

Credits

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IMDbPro

Production Designer



  • Superman II (1980)
    Superman II
    6.8
    • Production Designer (production design)
    • 1980
  • Chuck Norris in Force One (1979)
    Force One
    5.1
    • Production Designer
    • 1979
  • Fast Break (1979)
    Fast Break
    6.1
    • Production Designer (uncredited)
    • 1979
  • Gene Hackman, Terence Stamp, Ned Beatty, Christopher Reeve, Jackie Cooper, Sarah Douglas, Jeff East, Margot Kidder, Jack O'Halloran, Valerie Perrine, and Susannah York in Superman (1978)
    Superman
    7.4
    • Production Designer
    • 1978
  • La Guerre des étoiles (1977)
    La Guerre des étoiles
    8.6
    • Production Designer
    • 1977
  • Gene Hackman, Burt Reynolds, and Liza Minnelli in Les aventuriers du Lucky Lady (1975)
    Les aventuriers du Lucky Lady
    5.2
    • Production Designer
    • 1975
  • Steven Warner in Le petit prince (1974)
    Le petit prince
    6.4
    • Production Designer
    • 1974
  • La Cible hurlante (1972)
    La Cible hurlante
    6.6
    • Production Designer (as Jonathan Barry)
    • 1972
  • Malcolm McDowell in Orange mécanique (1971)
    Orange mécanique
    8.2
    • Production Designer
    • 1971
  • De l'or pour les braves (1970)
    De l'or pour les braves
    7.6
    • Production Designer (as Jonathan Barry)
    • 1970

Art Department



  • Le dernier train du Katanga (1968)
    Le dernier train du Katanga
    6.8
    • assistant art director (uncredited)
    • 1968
  • La belle et le serpent (1967)
    La belle et le serpent
    6.2
    • assistant art director
    • 1967
  • It's All Over Town (1964)
    It's All Over Town
    5.3
    • assistant art director
    • 1964
  • David Gregory in The Marked One (1963)
    The Marked One
    5.8
    • assistant art director (uncredited)
    • 1963
  • Meurtre au galop (1963)
    Meurtre au galop
    7.2
    • assistant art director (uncredited)
    • 1963

Art Director



  • Phase IV (1974)
    Phase IV
    6.4
    • Art Director
    • 1974
  • Felix Aylmer, Colin Blakely, and Geneviève Page in L'Amateur (1968)
    L'Amateur
    5.6
    • Art Director
    • 1968

Personal details

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  • Alternative name
    • Jonathan Barry
  • Born
    • July 3, 1935
    • London, England, UK
  • Died
    • June 1, 1979
    • London, England, UK(infectious meningitis)

Did you know

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  • Trivia
    Education: Sherwood Park Primary School, Mitcham County Grammar Boys' School, Kingston College (Architecture).
  • Quotes
    Movie-goers are skilfully manipulated by film-makers. It's our job to execute effortlessly the 'sleight of hand', if you will. Images flash across the silver screen pretty quickly and audiences shouldn't have time to dwell on what they see.

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