Leslie Arliss(1901-1987)
- Director
- Writer
- Producer
Former journalist and film critic Leslie Arliss began his film career
as a screenwriter in the 1930s, mainly for Gainsborough Pictures. He
continued as a writer for ten years, leaving Gainsborough in 1941 when
he was offered a chance to direct at Associated British. It wasn't long
before he returned to Gainsborough and brought with him a young actor
named James Mason, and the films
they made together there garnered both of them public recognition.
Their first,
L'homme en gris (1943), was quite
popular with wartime audiences, who found Mason's villainy just what
they needed to hiss at during the depths of the war. Their next two
films together, Love Story (1944) and
Le masque aux yeux verts (1945), were also
wildly successful, especially the latter with star
Margaret Lockwood gaining attention
for her appearance in a succession of low-cut (for 1945) dresses. It
became the #1 box-office film in Britain for 1946.
Arliss then left Gainsborough for London Films, producer Alexander Korda's company; unfortunately, his tenure there was anything but productive. He and Korda did not get along at all and fought constantly (he was taken off of Korda's La grande révolte (1948), which was completed by Anthony Kimmins--and even Korda himself--but to no avail; it was one of the major flops of 1948). Arliss left London Films under less-than-amicable conditions and it was three years before he made another film. His latter work was a considerable step down in quality from his earlier films, and he wound up his career directing television.
Arliss then left Gainsborough for London Films, producer Alexander Korda's company; unfortunately, his tenure there was anything but productive. He and Korda did not get along at all and fought constantly (he was taken off of Korda's La grande révolte (1948), which was completed by Anthony Kimmins--and even Korda himself--but to no avail; it was one of the major flops of 1948). Arliss left London Films under less-than-amicable conditions and it was three years before he made another film. His latter work was a considerable step down in quality from his earlier films, and he wound up his career directing television.
