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Roberta Findlay

Biography

Roberta Findlay

Edit

Overview

  • Born
    December 30, 1943 · Bronx, New York
  • Birth name
    Roberta Hershkowitz
  • Nicknames
    • Anna Riva
    • Robin Aden
    • Robert Marx
    • Frederick Douglass
    • Robert W. Brinar
    • Robby Chipitoff
    • Bob W. Davis
    • R. Findlay
    • Anna Riva Hindgrind
    • Harold Hindgrind
    • Robert W. Norman
    • Linda Michaels
    • Roberto Herz Kowicz
    • Anna Riv
    • Robert Norman
    • Ann A. Rifkin
    • Anna Rivas
    • Walter D. Roberts
    • Harold Hindgrind and the Cosmic Seven
    • Robert R. Walters
    • Robert Walters
    • Robert D. Walters
  • Height
    1.57 m

Biography

    • Noted adult and exploitation cinema filmmaker Roberta Findlay was born Roberta Hershkowitz in 1943 in New York City. The youngest in a family of three children, Roberta grew up in a tenement apartment in the Bronx. Findlay's Hungarian immigrant parents wanted her to be a pianist. Roberta met her husband Michael Findlay while a student at the City College of New York after she volunteered to be the accompanying pianist for a silent movie program that Michael was running on campus. Roberta married Michael at age eighteen. The couple collaborated on several sleazy and sadistic exploitation features together in the 1960's which include the notoriously nasty "Flesh" trilogy. After parting ways with Michael in the early 1970's, Roberta went on to direct a handful of explicit hardcore movies for producer and distributor Allan Shackleton. Moreover, Findlay also worked on various films as an editor, composer, producer, and cinematographer. Roberta ended her directing career toiling away on low-budget horror and grindhouse fare throughout the mid to late 1980's. In addition, Findlay and her late partner Walter E. Sear founded the recording studio Sear Sound in New York City.
      - IMDb mini biography by: woodyanders

Family

  • Spouse
      Michael Findlay(? - May 16, 1977) (his death)

Trivia

  • Profiled in the book "Golden Goddesses: 25 Legendary Women of Classic Erotic Cinema, 1968-1985" by Jill C. Nelson.
  • Was the Studio Manager of Sear Sound (Recording Studio in NYC).
  • Attended both the Manhattan School of Music and the College of the City of New York.
  • Her parents wanted her to be a pianist.
  • The youngest in a family of three children.

Quotes

  • [on being considered a groundbreaking feminist] I hadn't thought at the time that I was a female in a male-dominated field. I wasn't aware of what you guys now call sexism. I never had any trouble with male crews, ever, or with anybody I dealt with, which was 99% men. I didn't have any experience as a feminist. If you choose to put me into the field of feminists or think I was or groundbreaking or something, okay, but that was not the truth of it as far as I personally was concerned.
  • [on Michael Findlay] He was a film nut. A true cinephile. He knew more about film history than anybody I've ever met.
  • [why she directed sexploitation films] I made these films for two reasons: One, to make money, which we did. And I liked to shoot as a cameraman. That's what I liked best, being behind the camera.
  • [feminism] I'm not a feminist. I don't feel responsible for any other woman in the world. I've gotten to where I am all by myself, and if anyone had helped me, it was my husband - and he's no woman.
  • [people who watch and admire her films] They seem to have deep psychological problems.

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