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Jerry Adler, the star who left an indelible mark on cinema with his unparalleled talent, especially after starting acting at the age of 62, was reported to have passed away on Saturday, August 23, 2025. No immediate cause of death was revealed for the late actor, whose net worth has been estimated at around $4 million, per Celebrity Net Worth.

Per his representative’s statement to Page Six, the New York resident, born to Pauline and Philip Adler of the famed theatrical Adler family, “passed peacefully in his sleep in New York City.” His family said in an obituary (via Dignity Memorial),

Jerry Adler passed away on August 23, 2025, at the age of 96. Born on...

With her nomination this year for “The Journey” from the Netflix historical drama The Six Triple Eight, Diane Warren has now contended 16 times at the Oscars, including the last eight years in a row, for Best Original Song. But the veteran artist — who has a Grammy, an Emmy, and two Golden Globes in her trophy case — has yet to score a competitive Oscar. Could this be her year?

Warren does, however, have an Honorary Oscar, which she collected in 2022 for her impressive body of work. That made her the first and currently only songwriter to receive that recognition from the Motion Picture Academy.

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Her 15 previous nominations are as follows:

“Nothing’s Gonna Stop Us Now” from Mannequin (1987)

Lost to: “(I’ve Had) The Time of My Life” from Dirty Dancing

“Because You Loved Me” from Up Close and Personal (1996)

Lost...

Jack Jones, a singer who found fame and chart success on the easy-listening side of the street in the 1960s, and who later became etched in television-watching America’s psyche with the “Love Boat” theme, died Wednesday at 86.

Jones died of leukemia at a hospital in Rancho Mirage, Calif., his wife of 15 years, Eleanora Jones, said.

Jones had hits on Billboard’s Hot 100 chart, but his highest chart numbers could be found on what was then known as the easy listening chart, which later became adult contemporary. In the easy listening format, he had No. 1 singles with “The Race is On” in 1965, “The Impossible Dream (The Quest)” in 1966 and “Lady” in 1967.

In particular, “The Impossible Dream” — a cover of the most popular song from the 1965 Broadway musical “Man of La Mancha” — became culturally ubiquitous, through Jones’ frequent TV appearances, even though it peaked at No. 35 on the Hot 100, where it...

"Joker 2," or "Joker: Folie à Deux" as absolutely nobody calls it, is finally here! And the results ... are mixed (although you can read our pretty positive review right here). For the sequel to his billion dollar hit "Joker," director Todd Phillips has made a film that deliberately sets out to interrogate the audience of the first film. "Oh, you liked Arthur Fleck?" Phillips is asking here. "Why??" In theory, this is a fascinating idea. I'm all for sequels that try to deconstruct and re-contextualize what came before. On top of that, "Joker 2" is a musical! All of this sounds great on paper.

Unfortunately, the film is a bit of a slog. It's so joyless and dour that watching it begins to feel like a chore. On top of that, Phillips seems genuinely afraid of embracing the musical aspect of the movie — which makes you wonder why the hell...

Andrew Bird has announced his latest album, Sunday Morning Put-On, due out May 24th via Loma Vista Recordings. Recorded alongside the artist’s Andrew Bird Trio project, today’s announcement comes accompanied by two songs from the record, “I Fall in Love Too Easily” and “I’ve Grown Accustomed to Her Face.”

Bird has billed Sunday Morning Put-On as a tribute to mid-century, small group jazz, with the tracklist featuring compositions by musicians like Cole Porter, Duke Ellington, Rodgers and Heart, and more. Drummer Ted Poor and bassist Alan Hampton join bird on the recordings, with additional contributions coming from Jeff Parker and Larry Goldings.

Get Andrew Bird Tickets Here

“Most Saturday nights [in my 20s], I’d stay up listening to a radio show called ‘Blues Before Sunrise’ on Wbez from 12:00 to 4:00 a.m,” the artist said of the album’s inspiration. “The DJ, Steve Cushing, played old, rare 78rpm records of blues,...

Steve Lawrence, a king among easy-listening crooners who rocketed to fame in the ’50s and ’60s as half of the duo Steve and Eydie, died Thursday at age 88. Lawrence died at home in Los Angeles, and the cause of death was complications from Alzheimer’s disease, according to a spokesperson for the family, Susan DuBow.

Lawrence’s Alzheimer’s diagnosis had finally put an end to his touring career in 2019, after a run in the public eye that spanned six and a half decades.

Lawrence was preceded in death in 2013 by his wife, Eydie Gormé, with whom he enjoyed nearly unparalleled success as a performing couple during their heyday as touring artists and TV stars in the ’50s, ’60s and ’70s. The couple had continued to tour together through 2009.

His colleagues began to weigh in Thursday. “Steve was one of my favorite guests on my variety show,” Carol Burnett said,...

Steve Lawrence, the charismatic Grammy- and Emmy-winning crooner who delighted audiences for decades in nightclubs, on concert stages and in film and television appearances, died Thursday. He was 88.

Lawrence, who partnered in a popular act with his wife of 55 years, the late Eydie Gormé, died of complications from Alzheimer’s disease, a publicidst announced.

With his boyish good looks, silky voice and breezy personality, Lawrence broke into show business when he won a talent competition on Arthur Godfrey’s CBS show and signed with King Records as a teenager. The singer chose to stay old school and resist the allure of rock ‘n’ roll.

“It didn’t attract me as much,” Lawrence once said. “I grew up in a time period when music was written by Irving Berlin and Cole Porter and George and Ira Gershwin and Jerome Kern and Oscar Hammerstein and Richard Rodgers and Lorenz Hart and Sammy Cahn and Julie Stein.

Frank Sinatra went through phases like he went through wives. The legendary crooner and movie star could exhibit impeccable taste for what people wanted to see and hear, and then, in a few year's time, completely lose his grasp of the zeitgeist.

Sinatra was threatening to enter one of his down periods in the mid-1960s. The popular music scene was in the throes of Beatlemania, while moviegoers were tiring of the Rat Pack's antics. Who wanted to see Sinatra and the gang saunter their way through Western and gangster pastiches like "4 for Texas" and "Robin and the 7 Hoods" when they could watch Elvis Presley set the screen ablaze with Ann-Margret in "Viva Las Vegas"?

To be fair, Sinatra was still Sinatra, but after giving one of his finest performances in John Frankenheimer's "The Manchurian Candidate," he started playing it way too safe. Bud Yorkin and...

The year may be coming to an end, but that doesn’t mean Luis Miguel‘s tour is.

After a month-long tour in South America, Miguel began the North American leg of the Luis Miguel 2023-24 concert tour on September 15, 2023, in Las Vegas at Dolby Live.

As he finishes off his 2023 leg this month, the “La Incondicional” singer is also preparing to welcome 2024 with more tour dates. Miguel will be performing on New Year’s Eve to ring in the new year before heading off to the Dominican Republic in mid-January.

Miguel is scheduled to stay in Latin America for the second leg of his tour until the end of March and is set to return to North America in April, where he will be performing in Seattle.

>Get Luis Miguel Concert Tickets!

Remaining 2023 Tour Dates:

12-02 Aguascalientes, Mexico — Estadio Victoria

12-04 San Luis Potosí, Mexico— Estadio Alfonso Lastras

12-05 León,...

James Fitzgerald, a Hollywood publicist and manager who represented his wives Jane Powell and Erin O’Brien as well as Rock Hudson, Louella Parsons, Chuck Connors and Howard Keel, has died. He was 91.

Fitzgerald died Sunday of natural causes at an assisted living facility in Canoga Park, his son Greg Fitzgerald told The Hollywood Reporter.

Fitzgerald also assisted the careers of John Raitt, Engelbert Humperdinck, Anna Maria Alberghetti, Jimmy Van Heusen and The Burgundy Street Singers, among others. And when he was promoting the Sammy Cahn song “High Hopes” — a big hit for Frank Sinatra that won an Oscar in 1960 — he got to meet Eleanor Roosevelt, who performed the lyrics during an interview with him, as she did here.

Fitzgerald was married to singer-actress O’Brien (77 Sunset Strip, Onionhead) from 1951 until their 1963 divorce and to Seven Brides for Seven Brothers standout Powell from 1965 until their 1975 divorce (he was the third...

Burt Bacharach, the singularly gifted and popular composer and Oscar winner who delighted millions with the quirky arrangements and unforgettable melodies of Walk on By, Do You Know the Way to San Jose and dozens of other hits, has died at 94.

Bacharach died Wednesday at home in Los Angeles of natural causes, publicist Tina Brausam said Thursday.

Over the past 70 years, only Lennon-McCartney, Carole King and a handful of others rivalled his genius for instantly catchy songs that remained performed, played and hummed long after they were written. He had a run of top 10 hits from the 1950s into the 21st century, and his music was heard everywhere from movie soundtracks and radios to home stereo systems and iPods, whether Alfie and I Say a Little Prayer or I’ll Never Fall in Love Again and This Guy’s in Love with You.

Read more: Christina Applegate hints at retiring...

Would “The Sopranos” finale have been as impactful if it hadn’t included Journey’s “Don’t Stop Believin’”? And what would “Grey’s Anatomy” be without its frequent use of the Snow Patrol song “Chasing Cars”? These and many more unforgettable musical TV moments all occurred before the establishment of the Best Music Supervision Emmy category. Since 2017, the award has served the purpose of honoring the people who enhance TV shows by incorporating existing songs into episodes and thus stirring up viewers’ emotions.

This year, Amazon Prime Video’s “The Marvelous Mrs. Maisel” could pull off its fourth win in this category after taking the prize every year from 2018 to 2020. It is being challenged for the third time each by “Better Call Saul” (AMC) and “Stranger Things” (Netflix) and for the second time by “Euphoria” (HBO). The 2022 lineup’s remaining two slots are filled by “Ozark” (Netflix) and “The White Lotus...

Apple TV +’s “Schmigadoon” is the musical equivalent to a warm, happy smile. The six-part limited series that premiered on the streaming service last July is a smart, clever and fun parody of the classic musicals of the 1940s and 1950s. It was a golden era of the Broadway musical dominated by such influential, eminent composers as Irving Berlin, Cole Porter, Alan Jay Lerner Lerner & Frederick Loewe, Richard Rodgers & Oscar Hammerstein II, Leonard Bernstein & Stephen Sondheim, Meredith Willson, and Richard Adler & Jerry Ross.

Cecily Strong and Keegan-Michael Key star as two doctors who have grown tired in their relationship and decide to get on a camping retreat. Before you can say “Brigadoon” they get lost in the woods only to cross a bridge into a Hallmark Card of a town where every day is a musical. But checking out of Schmigadoon is no easy task. They can’t leave...

For Seth MacFarlane, “blue” means less balladic. He’s announcing a new album on the way, “Blue Skies,” and says it marks a return to a more swinging style than the softer approach he employed on his last record.

Out May 20, the seventh album from the “Family Guy” creator and jazz cat will again see him working with a catalog of classics, and again see him working closely with arranger and conductor Andrew Cottee. Still, it’ll mark a turnaround from their previous release.

“I have long been a fan of Andrew Cottee’s supremely artful and buoyant orchestrations,” MacFarlane tells Variety. “So after our last collaboration, ‘Once in A While,’ a ballad-themed record, I really wanted to hear what he could do with an up-tempo album. As always, Andrew did not disappoint. His arrangements of these 14 songs, carefully selected by the two of us, are yet another shining example...

To commemorate the 100th birthday of screen legend Doris Day, Turner Classic Movies (North America) will celebrate by showing a selection of her films and some extremely rare TV specials on April 3.

Here is TCM's promotional information, written by Raquel Stecher:

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With her dreamy voice, natural self-confidence and charisma, Doris Day lit up the screen in the 39 films she made during her three decade run in Hollywood. She sang in glossy Warner Bros. musicals, starred opposite Rock Hudson in a trio of sex comedies and showcased her acting chops in a variety of serious dramas. Day demonstrated that she had the talent and versatility to make a success out of any project she was assigned. The sheer magnitude of her fame and success that she achieved throughout the 1950s and 1960s is unmatched. At one time in her career she was the...

Diane Warren is in an elite club. Her 13th Oscar nomination in the Best Original Song category puts her among some of the greatest songwriters of all time. Sammy Cahn (23 nominations), Johnny Mercer (18 nods), Alan Menken (14 nominations), and even Randy Newman (13 nominations). In fact, she’s been recognized by her peers in the Academy more than legends such as Henry Mancini (11 nods), Burt Bacharach (5 nods), or Elton John (4 nods), among others.

Continue reading Diane Warren On Her 13 Oscar Nominations: “I’ve Already Won” [Interview] at The Playlist.

“I’m filthy — period!” With an ideal cast — Rock Hudson, Lauren Bacall, Robert Stack and Dorothy Malone — director Douglas Sirk tells a tale with everything the ’50s wouldn’t allow — lust, nymphomania, impotence, the works. It’s perhaps Sirk’s most accomplished, self-contained masterpiece — a glamorous soap with absorbing characters caught in a cycle of unfulfilled desires. An oil dynasty comes tumbling down because the heir is “tortured by a secret that made him lash out at all he loved!” I keep expecting bathos, but this great show makes its world come alive.

Written on the Wind

Blu-ray

The Criterion Collection 96

1956 / Color / 1:85 widescreen / 99 min. / available through The Criterion Collection / Street Date February 1, 2022 / 39.95

Starring: Rock Hudson, Lauren Bacall, Robert Stack, Dorothy Malone, Robert Keith, Grant Williams, Robert J. Wilke, Edward Platt, Harry Shannon, John Larch, Joseph Granby, Roy Glenn, Maidie Norman, William Schallert, Kevin Corcoran, Cynthia Patrick.

Cinematography: Russell Metty

Art Directors: Robert Clatworthy,...

Every Academy Awards season provides a little slice of history, but more Oscar records could fall with Tuesday’s announcement of the nominations. Here are some of the landmarks that could conceivably be reached:

• If Kenneth Branagh is nominated for both Best Picture and Best Original Screenplay for “Belfast,” he’ll break the record for nominations in the largest number of different categories. Branagh has previously been nominated in five different categories: Best Actor (“Henry V”), Best Supporting Actor (“My Week With Marilyn”), Best Director (“Henry V”), Best Adapted Screenplay (“Hamlet”) and Best Live Action Short (“Swan Song”). George Clooney, Alfonso Cuarón and Walt Disney have all been nominated in six different categories.

• If Jane Campion is nominated for Best Director for “The Power of the Dog,” she’ll become the first woman ever nominated twice in the category. (She was previously nominated for 1993’s “The Piano.”)

• If “The Power of the Dog,...

With the Oscars coronating another winner for best original song, it’s an occasion to look back at 20 of the times when the golden guy got it most right with the tune he carried, from “Lullaby of Broadway” to “Lose Yourself.”

1: “White Christmas”

from “Holiday Inn” (1942), by Irving Berlin

It always feels strange watching the “Holiday Inn” scene where Bing Crosby, playing a songwriter, teaches this song to Marjorie Reynolds as something that had recently come off the top of his head, because implicit in the scene is the idea that “White Christmas” was written by a human, not God. The same could be said of its status of an Oscar winner, which never fails to surprise younger generations: Isn’t it from a hymnal of some sort? If it’s true that Berlin said at the time that it wasn’t just the best song he ever wrote...

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“The Pellet With The Poison”

By Raymond Benson

Danny Kaye was not only a brilliant triple-threat (actor/singer/dancer), but he was a stand-up comic, an expert chef, a writer, a pilot, a baseball enthusiast, a notable philanthropist, a Unicef ambassador, and an honorary member of the American College of Surgeons and American Academy of Pediatrics (!). His decades-long career on stage, in film, and on television speaks for itself, but one of his most beloved screen vehicles was The Court Jester, a 1956 picture that was shockingly ignored at the Oscars that year.

Even more disturbing is the fact that it was allegedly the most expensive comedy film ever produced up to that time and was a box office failure (perhaps that’s the reason there was no Oscar love). Nevertheless, time has been extremely kind to the movie through revivals and television broadcasts.

How the 1940s standard “Happiness Is a Thing Called Joe” failed to be adapted into a Joe Biden campaign song until now is a mystery, but Cher recognized the obvious pairing of classic song and candidate and has recorded her rewrite of the tune, which was originally sung by Ethel Waters in the 1943 film “Cabin in the Sky.”

The song, with music by Harold Arlen and lyrics by E.Y. Harburg, was nominated for an Oscar after Waters sang it in the Black-themed Vincente Minnelli film. Many of the original lyrics would not do — Waters refers to “little Joe” in the film version, which sounds more like a nickname Donald Trump would apply to the candidate than something they’d want in a campaign anthem. So that reference gets changed to “president Joe” in Cher’s version, among other alterations.

Cher introduced the song Sunday night in closing “I Will Vote,...

This CinemaScope musical remake of 1939’s The Women is highly watchable, especially in this flawless digital remaster. The actresses that bare their claws, compete for husbands and just plain cat-fight are a choice batch, with favorites from the ’50s the ’40s the ’30s — plus a few wildflowers that bloomed cinematically for only a few years (Dolores Gray) and one that somehow managed immortality (Joan Collins). It’s highly watchable despite, or maybe because of, its criminally outdated recipe for marital bliss. Did women really go for this fantasy — did anybody ever really live like this?

The Opposite Sex

Blu-ray

Warner Archive Collection

1956 / Color / 2:35 widescreen / 116 min. / Street Date October 27, 2020 / available through the WBshop / 21.99

Starring: June Allyson, Joan Collins, Dolores Gray, Ann Sheridan, Ann Miller, Leslie Nielsen, Jeff Richards, Agnes Moorehead, Charlotte Greenwood, Joan Blondell, Sam Levene, Alice Pearce, Barbara Jo Allen, Sandy Descher, Carolyn Jones, Jerry Antes, Harry James, Art Mooney,...

Doris Day in Romance On The High Seas is available on Blu-ray From Warner Archive. Ordering info can be found Here

Bon voyage! Georgia Garrett’s singing career may not be going anywhere, but she is. She’s on a cruise, sailing under the name Mrs. Elvira Kent while the real Elvira secretly stays home to spy on her presumably philandering hubby. Meanwhile, the husband hires a spy to snoop on his supposedly voyaging wife. Doris Day makes her maiden film voyage, debuting as Georgia in a colorful bauble afloat on romantic seas. The studio surrounds the sunny overnight screen sensation with top talent: Michael Curtiz directs, the Epstein brothers provide the script, Busby Berkeley guides musical numbers, Jule Styne and Sammy Cahn create the tunes, and costars include Oscar Levant and Jack Carson. “It’s Magic,” Day sings. Yes, it is.

Doris Day dazzles in her screen debut in this Michael Curtiz directed musical comedy.

Robert Lopez and Kristen Anderson-Lopez are in the hunt for their third Best Original Song Oscar, for “Into the Unknown” from “Frozen II,” but there would be another noteworthy achievement on top of that potential victory. This marks the husband-and-wife songwriting duo’s third nomination, which means they could have a perfect 3-for-3 record in the category at the end of the season.

The Lopezes won on their first two bids for “Let It Go” from “Frozen” (2013) and “Remember Me” from “Coco” (2017) — wins that made Robert, then 39, the youngest and fastest (in 10 years) to Egot and the first double EGOTer. They share a 2-for-2 record at the moment with Giorgio Moroder, who prevailed for “Flashdance… What a Feeling” from “Flashdance” (1983) and “Take My Breath Away” from “Top Gun” (1986).

No one has been able to remain undefeated at three nominations or more. Should they walk away with the gold again, the Lopezes would join Tim Rice,...

James Taylor will take on the Great American Songbook on the singer’s upcoming album American Standard, due out February 28th. The LP is Taylor’s first since 2015’s Before This World and 19th overall.

“I’ve always had songs I grew up with that I remember really well, that were part of the family record collection — and I had a sense of how to approach, so it was a natural to put American Standard together,” Taylor said in a statement. “I know most of these songs from the original...

Lan O’Kun, a multi-talent whose long collaboration with sister-in-law and entertainer Shari Lewis brought to life Lamb Chop and other beloved characters, died Jan. 9 at his home in Malibu. He was 87 and passed from heart failure.

A composer, lyricist, writer, performer, storyteller, and pianist, O’Kun created hundreds of scripts and songs for ventriloquist Shari Lewis and her puppets Lamb Chop, Charlie Horse, and Hush Puppy.,

Born January 13, 1932 in New York City, O’Kun was enrolled in New York’s High School of Music and Art. He graduated from Syracuse University in New York.

His career as a writer includes scripts for “The New Twilight Zone,” “Star Trek: The Next Generation,” “The Love Boat,” “Highway to Heaven,” “Apple’s Way,” “That Was the Week That Was,” and many episodes of the award-winning “Insight” anthology series. His Hallmark Hall of Fame special “The Littlest Angel” is regarded as a TV classic, as is his children’s series,...

The original “Aladdin” (1992) brought Alan Menken two of his eight Oscars — for Best Original Score and Best Original Song for “A Whole New World”) — and now the 2019 version can help him break some longstanding records.

Menken, who returned to compose new music for the live-action remake, could add a ninth Oscar to his collection for the new Jasmine anthem “Speechless,” which he co-wrote with fellow Oscar winners Benj Pasek and Justin Paul. That would give him the solo record for the most victories for Best Original Song at five, tie him for the most Oscars in the music categories, and extend his own record for the most Oscars won by a living person.

Menken is in a four-way tie with four wins in Best Original Song with Sammy Cahn, Johnny Mercer and Jimmy Van Heusen. The prolific composer and songwriter garnered all of his awards during the Disney Renaissance for...

“See Rome And Find A Husband!”

By Raymond Benson

The title of this review is admittedly facetious, but let’s be honest—it’s what this movie is about!

The time is 1954, the Eisenhower years, and America is at the crossroads of remaining in a conservative, sexually repressed era in which women, regardless if they had a career or not, were supposed to be more interested in finding husbands. Things wouldn’t change until the revolutionary 1960s. Hollywood mainstream pictures perpetuated this notion in the 50s with fare like Three Coins in the Fountain, an extremely popular romantic comedy upon its release. In fact, it received an Academy Award nomination for Best Picture.

Three American women, Frances (Dorothy McGuire), Anita (Jean Peters), and Maria (Maggie McNamara), all have jobs working for an American company located in Rome, Italy. One would think that would be fulfilling enough… but, no, all three...

Doris Day, one of Hollywood’s most popular stars of the 1950s and ’60s who was Oscar-nommed for “Pillow Talk” and starred in her own TV show, has died. She was 97.

The Doris Day Animal Foundation confirmed the legendary actress-singer died on Monday at her Carmel Valley, Calif. home.

Though she was marketed as a wholesome girl-next-door type, the comedies for which she was most well-known were actually sexy and daring for their time, and her personal life was tumultuous, with four marriages and a notorious lawsuit.

The vivacious blonde, who also had a successful singing career, teamed with Rock Hudson in “Pillow Talk” and other lighthearted romantic comedies including “Lover Come Back” and “Send Me No Flowers.” Her other significant screen roles included Alfred Hitchcock thriller “The Man Who Knew Too Much” (1956), co-starring James Stewart and featuring Day’s Oscar-winning song “Que Sera Sera; and “The Pajama Game” (1957), based on the Broadway musical.

This article marks Part 13 of the Gold Derby series analyzing 84 years of Best Original Song at the Oscars. Join us as we look back at the timeless tunes recognized in this category, the results of each race and the overall rankings of the winners.

The 1974 Oscar nominees in Best Original Song were:

“I Feel Love” from “Benji”

“Blazing Saddles” from “Blazing Saddles”

“Wherever Love Takes Me” from “Gold”

“Little Prince” from “The Little Prince”

“We May Never Love Like This Again” from “The Towering Inferno”

Won: “We May Never Love Like This Again” from “The Towering Inferno”

Should’ve won: “I Feel Love” from “Benji”

While 1973 marked perhaps the strongest Best Original Song line-up of the decade, 1974 nearly competes with the truly dreadful 1972 as the decade’s bottom of the barrel in original music for the big screen. If not for a couple of these nominees, this category would be...

This article marks Part 12 of the Gold Derby series analyzing 84 years of Best Original Song at the Oscars. Join us as we look back at the timeless tunes recognized in this category, the results of each race and the overall rankings of the winners.

The 1973 Oscar nominees in Best Original Song were:

“(You’re So) Nice to Be Around” from “Cinderella Liberty”

“Live and Let Die” from “Live and Let Die”

“Love,” from “Robin Hood”

“All That Love Went to Waste” from “A Touch of Class”

“The Way We Were” from “The Way We Were”

Won and should’ve won: “The Way We Were” from “The Way We Were”

The title song from “The Way We Were,” composed by the brilliant, Egot-winning Marvin Hamlisch, alongside Alan and Marilyn Bergman, is a dreamy, haunting, immensely moving piece, performed splendidly by the incomparable Barbra Streisand. The film’s leading lady strikes just the right notes here,...

Nexstar Media Group CEO Perry Sook is taking a friendly approach to the FCC and other regulators as he begins the PR effort to secure federal approval of the Texas-based broadcaster’s $6.4 billion acquisition of Tribune Media.

The deal unveiled Monday morning will make Nexstar the nation’s largest owner of TV stations by total volume, with an estimated 216 stations in 118 markets. The size and scope of the company will surely spark opposition from media watchdog groups concerned about increasing concentration in the ownership of local TV stations. Nexstar, based in Irving, Texas, has been one of the industry’s fastest growing station groups since it was founded by Sook in 1996 with one station in Scranton, Pa.

Nexstar’s deal with Tribune comes about four months after Tribune’s planned acquisition by Sinclair Broadcast Group was torpedoed by public opposition and Sinclair’s aggressive approach to handling the divestitures necessary...

This article marks Part 4 of the Gold Derby series analyzing 84 years of Best Original Song at the Oscars. Join us as we look back at the timeless tunes recognized in this category, the results of each race and the overall rankings of the Academy Awards winners.

The 1946 Oscar nominees in Best Original Song were:

“You Keep Coming Back Like a Song” from “Blue Skies”

“Ole Buttermilk Sky” from “Canyon Passage”

“All Through the Day” from “Centennial Summer”

“I Can’t Begin to Tell You” from “The Dolly Sisters”

“On the Atchison, Topeka and the Santa Fe” from “The Harvey Girls”

Won and should’ve won: “On the Atchison, Topeka and the Santa Fe” from “The Harvey Girls”

1946 marks a very obscure and awfully modest year in Best Original Song. There’s not really a rotten apple in the bunch, but there’s also nothing to get terribly head over heels about.

Updated with SAG-AFTRA statement: Nanette Fabray, a Tony Award winner at 28 and the TV moms of The Mary Tyler Moore Show and One Day at a Time in the 1970s, died Thursday at her Palos Verdes, CA home. She was 97, and her death was confirmed by her son, Dr. Jamie MacDougall. Fabray’s stage successes were many and spanned decades. She won the Tony at 28 for the Alan Jay Lerner/Kurt Weill show Love Life, followed by Jule Styne/Sammy Cahn’s High Button Shoes. Other stage…...

Nanette Fabray, a Tony Award winner at 28 and the TV moms of The Mary Tyler Moore Show and One Day at a Time in the 1970s, died Thursday at her Palos Verdes, California home. She was 97, and her death was confirmed by her son, Dr. Jamie MacDougall. Fabray’s stage successes were many and spanned decades. She won the Tony at 28 for the Alan Jay Lerner/Kurt Weill show Love Life, followed by the Jule Styne/Sammy Cahn High Button Shoes. Other stage credits in the ’40s and ’50s…...

Friars have socialized and been entertained by every major Broadway and Great American Songbook composer starting with Friar George M. Cohan, who in addition to writing over 50 Broadway shows and 300 songs happened to pen Over There at a table during lunch at the Friars Club. Last night continuing this tradition, and in the same building that Friar Irving Berlin, Sammy Cahn and countless luminaries have performed, musical theatre legends Richard Maltby Jr. and David Shire entertained The Friars with a major dose of Maltby amp Shire music.

When Debbie Reynolds died on Wednesday at the age of 84, she had been famous for more than 65 years. A multi-talented star who fixed her place in the Hollywood firmaments when she was just 19 years old (the same age that her daughter, the late Carrie Fisher, was introduced to the world as Princess Leia), Reynolds’ life was the stuff of Tinseltown legend, and she never seemed to grow tired of the spotlight. On the contrary, she was a force of nature until the bitter end, brightening almost every corner of showbiz at one point or another during her decades on stage and screen.

Read More: Debbie Reynolds’ Co-Stars and More Celebrities Mourn Her Passing on Twitter

A hit recording artist, an Oscar (and Tony)-nominated leading lady, a Las Vegas lounge sensation, and a dedicated collector of movie memorabilia (some of her most heroic efforts were dedicated to the preservation of...

Dolores Hart, Pamela Tiffin and Lois Nettleton are flight attendants aiming to snag three attractive, wealthy husbands right out of the air -- Karl Boehm, Hugh O'Brien and Karl Malden. There's more social comment in this 'coffee, tea or me' romantic comedy than can be found in a graduate thesis about the sexual habits of liberated stewardesses. And Hey, Frankie Avalon warbles the classy title tune! Come Fly with Me DVD-r The Warner Archive Collection 1963 / Color / 2:35 enhanced widescreen / 109 min. / Street Date June 30, 2015 / available through the WBshop / 18.49 Starring Dolores Hart, Hugh O'Brian, Karlheinz Bohm, Pamela Tiffin, Lois Nettleton, Karl Malden, Dawn Addams, Richard Wattis, Andrew Cruickshank, James Dobson, Lois Maxwell, John Crawford, Robert Easton, Maurice Marsac, George Coulouris, Ferdy Mayne. Cinematography Oswald Morris Film Editor Frank Clarke Original Music Lyn Murray Written by William Roberts from a book by Bernard Glemser Produced by Anatole De Grunwald Directed by Henry Levin

Reviewed by Glenn Erickson

What?...

By Anjelica Oswald

Managing Editor

Songwriter Diane Warren earned her seventh Oscar nomination this year for “Grateful” from Beyond the Lights. The song, which will be performed by Rita Ora at the Oscar ceremony, is Warren’s first nomination in 13 years. With a Grammy and a Golden Globe under her belt, she has yet to win an Oscar and is one of two Oscar-nominated songwriters to have at least seven nominations and not a single win. The other songwriter is Mack David.

Warren received her first nomination in 1988 for the song “Nothing’s Gonna Stop Us Now,” which she co-wrote with Albert Hammond, from the movie Mannequin. The song was a No. 1 Billboard Hot 100 Hit in 1987.

She next landed four consecutive nominations nine years later starting with 1997’s nomination of “Because You Loved Me” from Up, Close & Personal. Though the song didn’t win an Oscar, it did score a Grammy.

The 2 famous songwriters who penned one of the most famous Christmas classics ever are at each other's throats -- beyond the grave -- 70 years after they dropped the tune."Let it Snow! Let It Snow! Let It Snow!" -- which has been covered by Garth Brooks, Patsy Cline, Dean Martin, Carly Simon and many others -- has made untold millions over the years.  The songwriters -- Sammy Cahn and Jule Styne -- are long dead,...

In an evening, conceived and directed by Tony Award winner Scott Wittman, LuPone will perform an eclectic collection of torch songs by songwriters including Arthur Schwartz, Howard Dietz, Jule Styne, Sammy Cahn,Billy Barnes, Harold Arlen, George and Ira Gershwin, and Cole Porter. Don Heckman of The Los Angeles Times described the show as 'a beautifully paced, marvelously delivered torch-song exploration of the pleasures and pains of love LuPone's remarkable, larger-than-life qualities and stunning musicality are distilled into the pure essence of her art.' BroadwayWorld was there for a special press preview with Patti and you can check out a sneak peek of the concert below...

Actor, musician and writer Peter Gallagher makes his debut at the Annenberg Theater in Palm Springs with his one-man show, 'How'd All You People Get In My Room,' on Saturday, February 22 at 800 pm. Gallagher will share real-life stories from his early days starting out as a young actor in New York, to working with legends like Jack Lemmon, Tom Stoppard, Mike Nichols, Robert Altman, Peter O'Toole and more. Joined by his band, Gallagher brings his experiences to life with songs ranging from Broadway, to music from the hit television show 'The Oc,' to classics from Sammy Cahn, Jules Styne, Burt Bacharach and Van Morrison. Gallagher made his Broadway debut in 1977 as Danny Zuko in 'Grease'. He later starred as Sky Masterson in the 1992 Tony-Winning revival of 'Guys And Dolls' , as well as the musicals 'Pal Joey' and 'Annie Get Your Gun'. I had the...

54 Below, Broadway's Supper Club, presents Cabaret and Broadway favorites Jeff Harnar, Linda Hart, Nicolas King and Jennifer Sheehan in 'Come Fly With Me' on November 21, 2013. The evening is a centenary celebration of the lyrics of Sammy Cahn and the music of Jimmy Van Heusen and was conceived and directed by Grammy and Emmy Award winner, John McDaniel, during his first season as artistic director of the O'Neill Theater Center's Cabaret and Performance conference. Mr. McDaniel makes his New York directorial debut with this show.

Fans flocked to Star Trek Into Darkness this weekend, determined to outrace the energy ribbon of spoilers rolling through the universe and ruining the surprise that Benedict Cumberbatch plays late Sinatra lyricist Sammy Cahn. (“You’ve got high hopes, Captain. High, apple-pie-in-the-sky hopes,” a wrathful Cahn growled before several million moviegoers this weekend, then fired his apple-pie torpedoes.) And yet, even though J.J. Abrams’ sequel has already brought in $84.1 million since it opened last Wednesday—easily topping the box office—its performance is still considered a relative disappointment, given that its predecessor managed $86.7 million in ...

Tonight, March 8, 2013, one of Broadway's favorite leading men, Ryan Silverman, will appear with The New York Pops for Come Fly With Me The Songs of Sammy Cahn. Mr. Silverman has previously appeared in The Phantom of the Opera Raoul, Cry-Baby Cry-Baby us, Music in the Air Karl at New York City Center's Encores, and The Most Happy Fella Al at New York City Opera. Mr. Silverman joins previously announced guest artist Megan Hilty, Broadway singer and star of the television show Smash.

Last surviving member of the wartime swing trio the Andrews Sisters, whose hits included Boogie Woogie Bugle Boy

Patty Andrews, who has died aged 94, was the lead singer and soloist with the Andrews Sisters. The swinging American trio, comprising Patty and her older siblings, Laverne and Maxene, achieved their greatest success in the 1940s, contributing to the war effort with catchy songs including Boogie Woogie Bugle Boy, Don't Sit Under the Apple Tree (With Anyone Else But Me) and, with Bing Crosby, Don't Fence Me In.

The Andrews Sisters performed at military bases and raised money for war bonds; their hits were sung by the troops and by women working in factories. Patty, Laverne and Maxene accompanied the most popular singers and big bands of the day; enjoyed success not just on radio but also in musical comedy films; and spawned a host of other sister acts – not all of whom were real siblings.

Los Angeles — Patty Andrews, the last surviving member of the singing Andrews Sisters trio whose hits such as the rollicking "Boogie Woogie Bugle Boy of Company B" and the poignant "I Can Dream, Can't I?" captured the home-front spirit of World War II, died Wednesday. She was 94.

Andrews died of natural causes at her home in the Los Angeles suburb of Northridge, said family spokesman Alan Eichler in a statement.

Patty was the Andrews in the middle, the lead singer and chief clown, whose raucous jitterbugging delighted American servicemen abroad and audiences at home.

She could also deliver sentimental ballads like "I'll Be with You in Apple Blossom Time" with a sincerity that caused hardened GIs far from home to weep.

"When I was a kid, I only had two records and one of them was the Andrews Sisters. They were remarkable. Their sound, so pure," said Bette Midler, who...

Patty Andrews: Last Surviving member of The Andrews Sisters dead at 94 Patty Andrews, the lead vocalist and last surviving member of the Andrews Sisters musical trio, died of "natural causes" earlier today at her home in the Los Angeles suburb of Northridge, in the San Fernando Valley. Andrews, who was also the youngest sister, was 94. (Photo: The Andrews Sisters: Laverne Andrews, Patty Andrews, Maxene Andrews.) Born in Minnesota into a Greek-Norwegian family, the Andrews Sisters began their show business career in the early ’30s, while both Maxene and Patty were still teenagers. Their first big hit came out in 1938: the English version of the Yiddish song "Bei Mir Bistu Shein" (aka "Bei mir bist du schön"), with lyrics — "To me, you’re grand" — by Sammy Cahn and Saul Chaplin. (The song made into the movies that same year, but Warner Bros. star Priscilla Lane is the one singing it in Love,...

Dann Cahn, a pioneer of the three-camera method of filming and editing TV sitcoms, has died. Cahn also was the last surviving member of the original creative team behind the landmark series I Love Lucy. He was 89 and died Wednesday of natural causes at his home in west Los Angeles. Cahn worked on Lucy‘s entire six-season run from 1951 to 1957. Unlike series that preceded it, Lucille Ball and Desi Arnaz’s show used three motion picture cameras instead of one. The multicamera technique allowed for a show to be filmed continuously and in sequence, like a stage play. The amount of footage overwhelmed editors at the time, according to the La Times, and they located a cutting-edge device that had been created for the quiz show Truth Or Consequences. When it was delivered to Desilu, Cahn called it a “monster” because it wouldn’t fit into the editing room so...

Los Angeles—Using a newly developed editing machine that he dubbed the “three-headed monster,” Dann Cahn pioneered multi-camera editing on sitcoms in the 1950s while helping to craft a classic, I Love Lucy. Lucy broke ground in television by employing three cameras instead of one for filming, a then-novel system that allowed an episode to be filmed as though it were a stage play — continuously and in sequence. But the abundance of footage overwhelmed editors, who quickly sought out a cutting-edge contraption that was being created for the game show Truth or Consequences, Cahn later

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