Dick Smith(1922-2014)

Make-Up Department
Additional Crew
Special Effects

Makeup artist Dick Smith receives his Governors Award.

Play clip4:39

Dick Smith Is Introduced by Rick Baker

Dick Smith was born on 26 June 1922 in Larchmont, New York, USA. He is known for L'Exorciste (1973), Au-delà du réel (1980) and Scanners (1981). He was married to Jocelyn DeRosa. He died on 30 July 2014 in Los Angeles, California, USA.

IMDbProStarmeter See rank

Won 1 Oscar
- 8 wins & 9 nominations total

Photos18

+ 10

Known for

L'Exorciste

8.1

Movie

Makeup Department

1973

Au-delà du réel

6.9

Movie

Makeup Department

1980

Scanners

6.7

Movie

Makeup Department

1981

Amadeus

8.4

Movie

Makeup Department(old Salieri)

1984

Credits

Edit

IMDbPro

Makeup Department

La Maison de l'horreur
5.6
- special makeup effects design: eyeless apparition
- 1999
Betrayal of the Dove
4.6
- assistant hair
- assistant makeup (as Richard Smith)
- 1993
Forever Young
6.4
- special makeup effects artist
- 1992
La mort vous va si bien
6.7
- makeup designer
- 1992
Compte à rebours
5.2
TV Series
- special makeup effects consultant
- 1991
Monsters
7.3
TV Series
- special effects makeup consultant
- special effects makeup consultant: series
- 1988–1991
Darkside, les contes de la nuit noire
6.2
- makeup effects consultant
- 1990
Mon père
6.3
- makeup artist: Jack Lemmon
- 1989
Sweet Home
6.5
- special makeup effects head (as Dikku Sumisu)
- 1989
Histoire d'un champion
6.2
- special makeup design
- 1988
Poltergeist III
4.7
- special makeup consultant
- 1988
Nord et sud II
8.0
TV Mini Series
- makeup artist: Abraham Lincoln makeup
- 1986
Nord et sud
8.1
TV Mini Series
- special makeup effects artist: Abraham Lincoln makeup
- 1985
Starman
7.0
- starman transformation
- 1984
Amadeus
8.4
- makeup: old Salieri
- 1984

Additional Crew

Special Effects

Trivia
His 2011 Honorary Academy Award was presented by his protégé Rick Baker.

Quotes
[on how to make wrinkles:] It's simple. We stipple a special latex formula on with a sponge, then while it's drying, we stretch the actor's own skin -- you know, maybe pull it up from the cheekbones. We use a hair dryer to dry the latex quickly and when we let go of the real skin, the face will be as wrinkled as a prune. If we want deeper wrinkles, we just add another layer of liquid latex. [New York Sunday News, July 13, 1958]