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Ally Walker

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Ally Walker

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  • I loved my soap days. I really loved them. A Martinez and Marcy Walker taught me how to act, basically. All those people pulled together and helped get me started. Like, showed me how to hit my mark, made me do this, made me do that. That was my first long-running professional gig. And it was like, they were just -- great, great with me.
  • I'm probably going to go more the feature film route for a while, just so I have more time on my hands. If I did go back to television, I'd do a comedy, a half hour. Or I'd go back on an hour long if it was ensemble, if I had a smaller role, if I could work less days. Being a main character and carrying an hour and being pregnant and having a new baby and a new marriage was like -- I'm tired. I've got to be honest with you, I'm really tired.
  • Well, I worked with Cameron Crowe, and I'd love to work with him again. Jim Brooks (James L. Brooks) has always been really cool to me, I wrote a script he wanted to do, and those are my two favorite directors, so far. There are a lot of good people, though -- I love Mark Illsley, who I just worked with on Happy, Texas (1999), and I'd work with him and Ed Dunagan in a heartbeat. There's a woman (Bronwen Hughes), who did Un vent de folie (1999), who I think is brilliant. She's from Toronto, and I'd love to work with her. I think she's really talented. I'd love to work with her.

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