[go: up one dir, main page]

    Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsPride MonthAmerican Black Film FestivalSummer Watch GuideSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Biography
  • Awards
  • Trivia
  • FAQ
IMDbPro
Robert Altman

Biography

Robert Altman

Edit

Overview

  • Born
    February 20, 1925 · Kansas City, Missouri, USA
  • Died
    November 20, 2006 · Los Angeles, California, USA (complications from leukemia)
  • Birth name
    Robert Bernard Altman
  • Nickname
    • Bob
  • Height
    1.83 m

Biography

    • Robert Altman was born on February 20th, 1925 in Kansas City, Missouri, to B.C. (an insurance salesman) and Helen Altman. He entered St. Peters Catholic school at the age six, and spent a short time at a Catholic high school. From there, he went to Rockhurst High School. It was then that he started exploring the art of exploring sound with the cheap tape recorders available at the time. He was then sent to Wentworth Military Academy in Lexington, Missouri where he attended through Junior College. In 1945, he enlisted in the US Army Air Forces and became a copilot of a B-24. After his discharge from the military, he became fascinated by movies and he and his first wife, LaVonne Elmer, moved to Hollywood, where Altman tried acting (appearing in the film La vie secrète de Walter Mitty (1947)), songwriting (he wrote a musical intended for Broadway, "The Rumors are Flying"), and screen-writing (he co-wrote the screenplay for the film Bodyguard (1948) and wrote the story (uncredited) for Christmas Eve (1947)), but he could not get a foot hold in Tinseltown. After a brief fling as publicity director with a company in the business of tattooing dogs, Altman finally gave up and returned to his hometown of Kansas City, where he decided he wanted to do some serious work in filmmaking. An old friend of his recommended him to a film production company in Kansas City, the Calvin Co., who hired him in 1950. After a few months of work in writing scripts and editing films, Altman began directing films at Calvin. It was here (while working on documentaries, employee training films, industrial and educational films and advertisements) that he learned much about film making. All in all, Altman pieced together sixty to sixty-five short films for Calvin on every subject imaginable, from football to car crashes, but he kept grasping for more challenging projects. He wrote the screenplay for the Kansas City-produced feature film Corn's-A-Poppin' (1955), he produced and directed several television commercials including one with the Eileen Ford Agency, he co-created and directed the TV series The Pulse of the City (1953) which ran for one season on the independent Dumont network, and he even had a formative crack at directing local community theater. His big-screen directorial debut came while still at Calvin with The Delinquents (1957) and, by 1956, he left the Calvin Co., and went to Hollywood to direct Alfred Hitchcock's TV show. From here, he went on to direct a large number of television shows, until he was offered the script for M*A*S*H (1970) in 1969. He was hardly the producer's first choice - more than fifteen other directors had already turned it down. This wasn't his first movie, but it was his first success. After that, he had his share of hits and misses, but The Player (1992) and, more recently, Gosford Park (2001) were particularly well-received.
      - IMDb mini biography by: Christopher W. Johnson <johnsocw@craft.camp.clarkson.edu>

Family

  • Spouses
      Kathryn Reed(April 1, 1959 - November 20, 2006) (his death, 2 children)
      Lotus Corelli(November 21, 1952 - 1959) (divorced, 2 children)
      LaVonne Elmer(June 8, 1946 - 1951) (divorced, 1 child)
  • Children
      Robert Reed Altman
      Matthew R. Altman
      Stephen Altman
      Christine Altman
      Mike Altman

Trademark

  • His movies often contain overlapping dialogue, where several characters speak at once.
  • In his films, we often see and hear characters from outside a window, or from a distance.
  • Frequently directs large ensemble pieces
  • Social commentary themes
  • Using zoom lenses.

Trivia

  • His son, Mike Altman, wrote the lyrics for "Suicide is Painless," the theme song for M*A*S*H (1970), when he was only 14 years old.
  • Paul Thomas Anderson was employed as a standby director for The Last Show (2006) for insurance purposes, and in the event that ailing 80-year-old Altman was unable to finish shooting.
  • He came up with a scheme to "Identi-Code" pets. He would tattoo a number on the cat or dog. Somehow, he managed to tattoo President Harry S. Truman's dog.
  • Directed 6 different actresses in Oscar-nominated performances: Sally Kellerman, Julie Christie, Ronee Blakley, Lily Tomlin, Helen Mirren and Maggie Smith.
  • While working on John McCabe (1971), he and Warren Beatty hated each other so much that Beatty later admitted that, had he produced the film himself, he would have killed Altman.

Quotes

  • What is a cult? It just means not enough people to make a minority.
  • I fiddle in the corner where they throw the coins. Where I can get my work done.
  • I've about had it - the agencies, the winking, the networks, the ratings. Anyone who thinks TV is an art medium is crazy - it's an advertising medium.
  • [interview in the London Times, 1/22/02] When I see an American flag flying, it's a joke.
  • [about his relationship with mainstream Hollywood] We're not against each other. They sell shoes and I make gloves.

Salary

  • M*A*S*H (1970) - $75,000

Contribute to this page

Suggest an edit or add missing content
  • Learn more about contributing
Edit page

More from this person

  • View agent, publicist, legal and company contact details on IMDbPro

More to explore

Recently viewed

Please enable browser cookies to use this feature. Learn more.
Get the IMDb App
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb App
For Android and iOS
Get the IMDb App
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.