- Born
- Died
- Birth nameDoris Mary Anne Kappelhoff
- Nicknames
- Do-Do
- Clara Bixby
- Eunice
- Eunice Blotter
- Height1.69 m
- One of America's most loved actresses was born Doris Mary Kappelhoff on April 3, 1922, in Cincinnati, Ohio, to Alma Sophia (Welz), a housewife, and William Joseph Kappelhoff, a music teacher and choir master. Her grandparents were all German immigrants. She had two brothers, Richard, who died before she was born and Paul, a few years older.
Her parents divorced while she was still a child, and she lived with her mother. Like most little girls, Doris liked to dance. At fourteen, she formed a dance act with a boy, Jerry Doherty, and they won $500 in a local talent contest. She and Jerry took a brief trip to Hollywood to test the waters. They felt they could succeed, so she and Jerry returned to Cincinnati with the intention of packing and making a permanent move to Hollywood. Tragically, the night before she was to move to Hollywood, she was injured riding in a car hit by a train, ending the possibility of a dancing career.
It was a terrible setback, but after taking singing lessons she found a new vocation, and at age 17, she began touring with the Les Brown Band. She met trombonist Al Jorden, whom she married in 1941. Jorden was prone to violence and they divorced after two years, not long after the birth of their son Terry. In 1946, Doris married George Weidler, but this union lasted less than a year. Day's agent talked her into taking a screen test at Warner Bros. The executives there liked what they saw and signed her to a contract (her early credits are often confused with those of another actress named Doris Day, who appeared mainly in B westerns in the 1930s and 1940s).
Her first starring movie role was in Romance à Rio (1948). The next year, she made two more films, Il y a de l'amour dans l'air (1949) and Les travailleurs du chapeau (1949). Audiences took to her beauty, terrific singing voice and bubbly personality, and she turned in fine performances in the movies she made (in addition to several hit records). She made three films for Warner Bros. in 1950 and five more in 1951. In that year, she met and married Martin Melcher, who adopted her young son Terry, who later grew up to become Terry Melcher, a successful record producer.
In 1953, Doris starred in La blonde du Far-West (1953), which was a major hit, and several more followed: Mademoiselle Porte-bonheur (1954), Les pièges de la passion (1955), L'homme qui en savait trop (1956) and what is probably her best-known film, Confidences sur l'oreiller (1959). She began to slow down her filmmaking pace in the 1960s, even though she started out the decade with a hit, Ne mangez pas les marguerites (1960).
In 1957, her brother Paul died. Around this time, her husband, who had also taken charge of her career, had made deals for her to star in films she didn't really care about, which led to a bout with exhaustion. The 1960s weren't to be a repeat of the previous busy decade. She didn't make as many films as she had in that decade, but the ones she did make were successful: Ne pas déranger S.V.P. (1965), La blonde défie le FBI (1966), Que faisiez-vous quand les lumières se sont éteintes? (1968) and Il y a un homme dans le lit de maman (1968). Martin Melcher died in 1968, and Doris never made another film, but she had been signed by Melcher to do her own TV series, Doris comédie (1968). That show, like her movies, was successful, lasting until 1973. After her series went off the air, she made only occasional TV appearances.
By the time Martin Melcher died, Doris discovered she was millions of dollars in debt. She learned that Melcher had squandered virtually all of her considerable earnings, but she was eventually awarded $22 million by the courts in a case against a man that Melcher had unwisely let invest her money. She married for the fourth time in 1976 and since her divorce in 1980 has devoted her life to animals.
Doris was a passionate animal rights activist. She ran Doris Day Animal League in Carmel, California, which advocates homes and proper care of household pets.
Doris died on May 13, 2019, in Carmel Valley Village, California. She was 97.- IMDb mini biography by: Denny Jackson and Sharon
- SpousesBarry Comden(April 14, 1976 - April 2, 1982) (divorced)Martin Melcher(April 3, 1951 - April 20, 1968) (his death)George Weidler(March 30, 1946 - May 31, 1949) (divorced)Albert Paul Jorden(April 17, 1941 - February 8, 1943) (divorced, 1 child)
- Children
- ParentsWilliam Joseph Kappelhoff
- RelativesMadison Marie Melcher(Great Grandchild)Paul Anthony Kappelhoff(Sibling)Richard William Kappelhoff(Sibling)
- Theme song "Whatever Will Be, Will Be (Que Sera', Sera')", which she introduced in the film L'homme qui en savait trop (1956)
- Portrayals of independent working women
- Her mother named her after her favorite silent film star, Doris Kenyon. By coincidence, in the mid-'70s when Day wrote her autobiography, Kenyon was her neighbor on Crescent Drive in Beverly Hills, CA.
- Her dreams of a dancing career were dashed when a car accident on October 13, 1937, badly damaged her legs. She spent most of her teenage years wheelchair-bound and during this time began singing on the radio.
- She turned down the role of Maria in La Mélodie du bonheur (1965) with the explanation: "I'm too American to play a nun from Austria.".
- Her son Terry Melcher had rented a house at 10050 Cielo Drive in Bel Air, CA, where Sharon Tate and her friends were murdered by the Charles Manson "Family". On March 23, 1969, Charles Manson had visited the house looking for Melcher, a music producer and composer who had worked with The Beach Boys, Bobby Darin, and The Byrds. The house was now sub-leased by Tate, and her photographer told Manson to leave by "the back alley", possibly giving Manson a motive for the later attack. Melcher had auditioned Manson for a recording contract but rejected him, and there was a rumor after the murders that Manson had intended to send a message to Melcher, a theory that police later discounted.
- Underwent a hysterectomy during the filming of Le diabolique Monsieur Benton (1956) after being diagnosed with a tumor the size of a grapefruit that was growing into her intestines.
- The happiest times in my life were the days when I was traveling with Les Brown and his band.
- The really frightening thing about middle age is the knowledge that you'll grow out of it.
- Some of the downbeat pictures, in my opinion, should never be made at all. Most of them are made for personal satisfaction, to impress other actors who say "Oh, God! what a shot, what camera work!". But the average person in the audience, who bought his ticket to be entertained, doesn't see that at all. He comes out depressed.
- I like joy; I want to be joyous; I want to have fun on the set; I want to wear beautiful clothes and look pretty. I want to smile and I want to make people laugh. And that's all I want. I like it. I like being happy. I want to make others happy.
- Learning a part was like acting out the lyrics of a song.
- Le Chou-chou du professeur (1958) - $220 .000 (+ 5% of the gross after $5.500.000)
- Pique-nique en pyjama (1958) - $250,000
- Les pièges de la passion (1956) - $150 .000 (+ 10% of the net gross)
- Un amour pas comme les autres (1954) - $100 .000
- Romance à Rio (1948) - $500 per week
Contribute to this page
Suggest an edit or add missing content