Irwin Allen(1916-1991)
- Writer
- Producer
- Director
Although originally a journalist by trade, Allen had always loved the
movies and had wished to be a part of them. In the process, he became
one of the biggest names in show business during the 1970s, producing
and directing some of its most popular films. After working in
magazines and advertising, he produced the documentary,
Cette mer qui nous entoure (1953). This
excellent film won an Academy Award for Best Documentary, and he
decided to branch out into commercial film. His spoof of history,
L'histoire de l'humanité (1957),
was a critical and commercial disaster, but he scored box office
success with Le cirque fantastique (1959)
and Le monde perdu (1960), a
remake of a silent classic, and
Le sous-marin de l'apocalypse (1961).
As the 1960s emerged, he became interested in science fiction, and scored considerable success. The TV takeoff of Voyage au fond des mers (1964) struck a cord with TV audiences, and so did Perdus dans l'espace (1965), Au coeur du temps (1966) and Land of the Giants (1968).
However, it was during the 1970s that Allen became became a household name. Noting the massive box office success of Airport (1970), he immediately branched out into disaster movies and was able to obtain star-studded casts. L'aventure du Poséidon (1972), about passengers abroad a capsized cruise liner, was one of the biggest box office hits of the year, and its theme song, "The Morning After", by Maureen McGovern, won an Academy Award for Best Song. He followed up that triumph by producing and co-directing the smash, La tour infernale (1974), about a group of people trapped in a burning skyscraper, which also drew huge audiences and profits. In his personal life, at that time, he fell in love with actress Sheila Allen (Sheila Matthews), whom he married in 1974. He returned briefly to television with the series, Les Robinson suisses (1975), but the familiar story only lasted two seasons. It was then that his popularity was at its peak, and he had become known as "The Master of Disaster". He then produced and directed the killer bee film, L'Inévitable Catastrophe (1978). In spite of a big budget and star-studded cast, the poor special effects and dialog made it a complete flop. The following year, he made produced and co-directed, Le dernier secret du Poséidon (1979), which audiences found dull and implausible. In 1980, he attempted a comeback with Le jour de la fin du monde (1980), about tourists and natives struggling to escape a volcano eruption. The film drew attention when Mount St. Helens in Washington state erupted during its release, but the lavishly financed film was a box office disaster. After three expensive films lost vast sums of money, Allen was never able again to make films on such a grand scale. He remained active in the entertainment industry during the 1980s, however. He designed a special effects ride at the Universal Studios Theme Park, and also produced some TV mini-series. He passed away in 1991. His widow helps run a website dedicated to his memory.
As the 1960s emerged, he became interested in science fiction, and scored considerable success. The TV takeoff of Voyage au fond des mers (1964) struck a cord with TV audiences, and so did Perdus dans l'espace (1965), Au coeur du temps (1966) and Land of the Giants (1968).
However, it was during the 1970s that Allen became became a household name. Noting the massive box office success of Airport (1970), he immediately branched out into disaster movies and was able to obtain star-studded casts. L'aventure du Poséidon (1972), about passengers abroad a capsized cruise liner, was one of the biggest box office hits of the year, and its theme song, "The Morning After", by Maureen McGovern, won an Academy Award for Best Song. He followed up that triumph by producing and co-directing the smash, La tour infernale (1974), about a group of people trapped in a burning skyscraper, which also drew huge audiences and profits. In his personal life, at that time, he fell in love with actress Sheila Allen (Sheila Matthews), whom he married in 1974. He returned briefly to television with the series, Les Robinson suisses (1975), but the familiar story only lasted two seasons. It was then that his popularity was at its peak, and he had become known as "The Master of Disaster". He then produced and directed the killer bee film, L'Inévitable Catastrophe (1978). In spite of a big budget and star-studded cast, the poor special effects and dialog made it a complete flop. The following year, he made produced and co-directed, Le dernier secret du Poséidon (1979), which audiences found dull and implausible. In 1980, he attempted a comeback with Le jour de la fin du monde (1980), about tourists and natives struggling to escape a volcano eruption. The film drew attention when Mount St. Helens in Washington state erupted during its release, but the lavishly financed film was a box office disaster. After three expensive films lost vast sums of money, Allen was never able again to make films on such a grand scale. He remained active in the entertainment industry during the 1980s, however. He designed a special effects ride at the Universal Studios Theme Park, and also produced some TV mini-series. He passed away in 1991. His widow helps run a website dedicated to his memory.
