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Chicago – The genius filmography of Italian filmmaker Federico Fellini is like a wave of cinematic truth that keeps washing ashore like a tide of humanity. Because for all of his disconnected characters and surreal sojourns, essentially he reflects our flawed human-ness back to us. Chicago’s historic Music Box Theatre is doing a week long retrospect of Fellini’s work, anchored by a new 35mm print of arguably the director’s pinnacle, the autobiographical “8 1/2” (1963). An audio review of “8 1/2” is below, and for tickets and more information, click Five By Fellini.

The other four films, all must sees, are “La Strada” (1954), “La Dolce Vita” (1960), “Amarcord” (1973) and City of Women (1980). The festival runs through July 10th, and film schedules and times are available by clicking the link above.

Rating: 5.0/5.0

In “8 1/2,” Long time Fellini collaborator Marcello Mastroianni is Guido, a film director who is creatively blocked, due to the pressures of an out-of-control...

Lea Massari, the Italian actress and European cinema icon famous for her roles in Michelangelo Antonioni‘s L’Avventura (1960), Dino Risi’s A Difficult Life (1961) and Louis Malle’s Murmur of the Heart (1971), has died. She was 91.

Massari died at her home in Rome on Monday, Italian media reported.

In a decades-long career that spanned films, television and theater, Massari played alongside the likes of Alain Delon, Jean Paul Belmondo, Michel Piccoli and Omar Sharif. She was a critical and audience favorite but shunned the spotlight. After retiring from acting more than 30 years ago, she rarely appeared in public.

Born Anna Maria Massatani on June 30, 1933 — she took the stage name Lea in honor of her fiancé, Leo, who died in an accident shortly before they were to be married — her childhood was spent across Europe as her family followed her father, an engineer, to positions in Spain, France and Switzerland.

Jon Gisby, chair ofBritish Screen Forum, is stepping down later this year after nine years in the role.

The process for selecting Gisby’s successor as chair of the invite-only body will begin shortly, with the hope that the next chair will be in place for autumn. It is a paid position.

Gisby is relocating to Canada to grow his advisory and coaching business, Swipefinder, on both sides of the Atlantic.

During Gisby’s time in post, the British Screen Forum has rebranded from the British Screen Advisory Council, broadened its membership to include all screen sector interests, curated policy...

Focus Features has scheduled a wide December 25 US release for the Neil Diamond tribute band drama Song Sung Blue starring Hugh Jackman and Kate Hudson.

The studio developed and holds worldwide rights to the film, based on Greg Kohs’ 2008 documentary of the same name.

Craig Brewer directed the new film about Lightning & Thunder, the married musical duo of Mike Sardina and Claire Sardina, a pair of down-on-their-luck performers who followed their dreams and experienced success and heartbreak.

Brewer, whose credits include Hustle & Flow, also produced alongside Davis Entertainment’s John Davis and John Fox. The cast includes Michael Imperioli,...

Cannes Film Festival has released dual posters for its 78th edition – the first time the festival has ever had two official posters.

The posters use two images from Claude Lelouch’s 1966 feature A Man And A Woman, depicting an embrace between Anouk Aimée’s Anne and Jean-Louis Trintignant’s Jean-Louis from two sides.

“Because it is undoubtedly the 7th Art’s most famous embrace, because you can’t separate a man and a woman who love each other, because you can’t separate that Man from that Woman, the Festival de Cannes has chosen for the first time in its...

Claude Lelouch’s 1966 romantic drama A Man and a Woman starring Anouk Aimée and Jean-Louis Trintignant is the inspiration behind the official posters for this year’s Cannes Film Festival, which revealed them Monday ahead of the fest’s 78th edition.

For the first time in Cannes’ history, the movie, which won the Palme d’Or that year, has spurred two official posters, both showing the film’s iconic embrace scene between Aimée’s Anne and Trintignant’s Jean-Louis on a deserted beach: one with Aimee’s face shown and one with Trintignant’s.

The film centered on Anne and Jean-Louis, a widow and a widower who find each other but who must tread carefully as they are haunted by their tragic past loves. After its Palme d’Or triumph, the pic won the Best Foreign Film and Screenplay Oscars, while Aimee (Best Actress) and Lelouch (Best Director) were nominated.

You probably know the iconic “A Man and a Woman” main theme written by Francis Lai, but when was the last time you actually saw the movie? Claude Lelouch’s 1966 Cannes Palme d’Or (and double) Oscar winner is led by French cinema icons Anouk Aimée (who died last year and strangely was not included in the Oscars’ 2025 In Memoriam segment) and Jean-Louis Trintignant (who died in 2022). The classic romance is now coming back to theaters, in a new restoration, courtesy of Rialto Pictures this April. IndieWire shares the exclusive trailer for the re-release below.

As IndieWire previously wrote in our ranking of all Cannes Palme d’Or winners: “From director Claude Lelouch comes this 1966 classic — a tender, visually stirring film of rejuvenating love between a widow and a widower: a race-car driver (Jean-Louis Trinignant) and a movie script girl (Anouk Aimee) share a candid romance while balancing the demands of career and parenthood.

The Oscars In Memoriam tribute, set to Mozart’s “Requiem in D Minor,” began with a tribute from Morgan Freeman to his “Unforgiven” and “Under Suspicion” co-star Gene Hackman. Hackman, who was 95, was found dead last week in his Santa Fe home along with his wife, Betsy Arakawa.

“I had the pleasure of working alongside Gene on ‘Unforgiven’ and ‘Under Suspicion.’ I learned he was a generous performer and a man whose gifts elevated everyone’s work,” said Freeman. “He received two Oscars. He won the hearts of film lovers all over the world. Gene always said, ‘I don’t think about legacy, I just think people remember me as someone who tried to do good work.'”

Hackman won Best Actor in a Supporting Role in 1993 for playing a sadistic sheriff in Clint Eastwood’s “Unforgiven.” He also won Best Actor in a Leading Role for playing a broken...

We lost some entertainment giants in 2024.

Among the big-screen legends who died during the past 12 months were Donald Sutherland, James Earl Jones, Maggie Smith, Carl Weathers, Shelley Duvall, Dabney Coleman, Teri Garr, Louis Gossett Jr., Anouk Aimée, Marisa Paredes and Gena Rowlands.

Related: Saying Goodbye: A Video Tribute To The Hollywood And Media Figures We’ve Lost In 2024

The TV world mourns the likes of Bob Newhart, John Amos, Phil Donahue, Linda Lavin, David Soul, Dr. Ruth Westheimer, Martin Mull, Shannen Doherty, Michael Cole, Richard Lewis, Richard Simmons, James B. Sikking, Peter Marshall and Joe Flaherty.

Filmmakers and producers who left us include Norman Jewison, Roger Corman, Al Ruddy, Jon Landau, Lynda Obst, Jim Abrahams, Charles Shyer, Irv Wilson and Paolo Taviani.

The industry also paid tribute to such top executives as Charles Dolan, Paula Weinstein, Jamie Kellner, Richard Parsons, Gerald Levin and Paul Fox.

Broadway’s lights were a...

The Oscars will continue their long-running tradition of honoring celebrated filmmakers with their "In Memoriam" segment on Sunday. ABC will broadcast the event hosted by Conan O'Brien with Hulu streaming the ceremony live at 7 p.m. Et; 4 p.m. Pt.

Among the Oscar winners and nominees who will have their lives celebrated are Teri Garr, Louis Gossett Jr., James Earl Jones, Jon Landau, David Lynch, Joan Plowright, Gena Rowlands, Albert S. Ruddy, David Seidler, Richard M. Sherman, Maggie Smith, Robert Towne, and honorary recipients Roger Corman, Quincy Jones, and Donald Sutherland.

There are more than 100 movie professionals who died since the last Academy Awards ceremony. Each person who was an Academy member is designated below with **. Keep in mind that producers usually choose between 40 and 50 for the segment and that a performer has not yet been confirmed.

Edited to add two-time Oscar winner Gene Hackman.

Jim Abrahams — Director/Writer

Anouk Aimée...

One of the most emotional segments of the annual SAG Awards ceremony is the “In Memoriam.” Netflix will live stream the Screen Actors Guild Awards on Sunday with host Kristen Bell.

Among the Oscar winners and nominees who will have their lives celebrated are Teri Garr, Louis Gossett, Jr., James Earl Jones, David Lynch, Joan Plowright, Gena Rowlands, Maggie Smith, and honorary recipient Donald Sutherland. Some of the past Primetime Emmy winners and nominees include John Amos, Dabney Coleman, Shelley Duvall, Linda Lavin, Martin Mull, Bob Newhart, and Alan Rachins,

Seesag Life Achievement award: Full gallery of recipients since 1995

There are more than 100 actors and actresses who died since the last SAG Awards ceremony:

Marla Adams

Anouk Aimée

Jean Allison

John Amos

Erich Anderson

John Aprea

Niels Arestrup

Erica Ash

John Ashton

Susan Backlinie

Barbara Baldavin

Bobby Banas

Terrence Beasor

Joan Benedict

Meg Bennett

Robyn Bernard

Mark Blankfield

Tom Bower...

Fernanda Torres and Karla Sofía Gascón made history on Thursday as the first pair of Best Actress Oscar nominees for non-English language performances in nearly 50 years. Torres stars in Sony Pictures Classics’ I’m Still Here from Brazil, while Gascón leads in Netflix’s Emilia Pérez from France. This marks the fourth time two actors have been nominated for non-English roles for different movies in the same year. They will compete against Cynthia Erivo (Wicked), Mikey Madison (Anora), and Demi Moore (The Substance). Both films are cited for Best International Feature and Best Picture while Emilia Pérez became the most-nominated international movie with 13 mentions.

In the Walter Salles‘ political biopic, Torres portrays Portuguese-speaking human rights activist Eunice Paiva, who searches for her missing husband, politician Rubens Paiva, during the Brazilian Military Dictatorship in 1971. Torres’ only precursor recognition was at the Golden Globes, where she surprised in Best Drama Actress. Despite missing at the Critics Choice,...

Fernanda Torres is going in the Golden Globes history books. The I’m Still Here star won the Best Drama Actress Golden Globe on Sunday, becoming the first Brazilian to win the prize.

Torres is only the second Brazilian to be nominated in the category, following her mother Fernanda Montenegro, who was nominated 26 years ago for Central Station; she lost to Cate Blanchett for Elizabeth. Torres dedicated her award to her mother, adding that her win is proof that “art can endure in life.”

The actress is also the fourth performer to win the category for a non-English language performance after Anouk Aimée (A Man and a Woman), Liv Ullman (The Emigrants), and Isabelle Huppert (Elle). I’m Still Here, Brazil’s international feature submission at the Oscars, is in Portuguese.

Torres was in third place in the odds behind Angelina Jolie (Maria) and Nicole Kidman (Babygirl). The category was unusually...

Although the extent to which the iconically dark-shaded and silver-streaked Guido Anselmi (Marcello Mastroianni) can truly be accepted as a Federico Fellini surrogate is a source of endlessly inconsequential debate, we tend to take the lightly fictive director at his word when he dismally claims that he had planned to make a truly honest and direct film this time around. 8½ represents the most unceremonious and abrupt transition in the development of Fellini’s cinema from putatively neorealist ideologies to unabashedly oneiric claptraps about the onus of an overly imaginative but waning masculinity—and it is, for all its Freudian bitchery and post-libidinous angst, one of the few personal statements in film utterly unhindered by stretches for social or cosmic relevance.

There are some aphoristic generalizations related to living the creative life, most of them articulated by Guidio’s lean script advisor and logos personification Daumier (Jean Rougeul)—“Destroying is better...

Niels Arestrup, the French-Danish actor and muse to Emilia Pérez director Jacques Audiard who appeared in international features including Steven Spielberg’s War Horse and Julian Schnabel’s The Diving Bell and the Butterfly, has died. He was 75.

Arestrup’s wife, Isabelle Le Nouvel, confirmed his death to Agence France-Presse on Sunday, saying he died “at the end of a courageous fight against illness.”

Arestrup will forever be linked to Audiard and his performances in the filmmaker’s The Beat That My Heart Skipped (2005) — playing the criminal father to Romain Duris’ would-be concert pianist — and A Prophet (2009), in which he embodies a terrifying Corsican mob boss who runs his operation from within prison.

Arestrup won best supporting acting César awards, France’s equivalent of the Oscar, for both roles, and the performances solidified his image as an onscreen villain with a piercing blue gaze who is barely holding back the violence within.

Five years ago, French writer-director Claude Lelouch returned, for the second time, to the site of his greatest career success with “The Best Years of a Life,” an autumnal sequel to his trend-setting 1966 romance “A Man and a Woman” that felt elegiac in multiple senses — not least since it turned out to be the final onscreen appearance for both its stars, Jean-Louis Trintignant and Anouk Aimée. Anyone who assumed it might be Lelouch’s sign-off, however, was quite mistaken. He’s made three features since, the latest of which, “Finally,” seems fashioned from its title down as a sort of career summation from the 86-year-old filmmaker, but not portentously so. A peculiar, weightless confection that bounces antically between narratives, perspectives, periods and varying grips on reality, it treats even grave mortal matters with near-cartoonish buoyancy.

Premiering out of competition at the Venice Film Festival, accompanying a career-achievement award presentation to Lelouch,...

French director Claude Lelouch first broke out internationally with 1966 romance A Man and a Woman, starring Anouk Aimee and Jean-Louis Trintignant as a widow and widower whose fledgling love story is held back by past personal tragedies.

Nearly 60 years later, the soundtrack by late composer Francis Lai – and in particular its title track, which is often referred to as ‘Chabadabada’ for its catchy refrain – remains as famous, if not more famous, than the Oscar and Cannes Palme d’Or-winning feature

That movie would mark the start of a 52-year, 35-picture collaboration between Lelouch and Lai, which was at the heart of a music-themed masterclass by Lelouch at the Venice Film Festival on Saturday.

The director is at the festival to receive the Cartier Glory To The Filmmaker Award as well as for the premiere of new work Finalement, starring an ensemble cast led by Kad Merad and also featuring Elsa Zylberstain,...

French director Claude Lelouch will be celebrated with the Cartier Glory To The Filmmaker Award at the upcoming 81st Venice Film Festival, running from August 28 to September 7.

He follows in the footsteps of Wes Anderson who was last year’s recipient of the award, dedicated to a personality who has made a particularly original contribution to the contemporary film industry.

The award ceremony will take place on September 2 ahead of the world premiere in an Out of Competition screening of Lelouch’s new work Finalement, starring an ensemble cast featuring Kad Merad, Elsa Zylberstain, Michel Boujenah, Sandrine Bonnaire, Barbara Pravi and Françoise Gillard.

One of France’s best loved directors, Lelouch first broke out internationally with his 1966 Oscar and Cannes Palme d’Or-winning romance A Man and a Woman, starring Anouk Aimee and Jean-Louis Trintignant as a widow and widower whose fledgling love story is held back by past personal tragedies.

French director Claude Lelouch (A Man and a Woman, Happy New Year, The Beautiful Story) will be honored at this year’s Venice Film Festival with the Cartier Glory to the Filmmaker Award, a prize dedicated to a “personality who has made a particularly original contribution to the contemporary film industry.”

Lelouch will receive the prize Monday, Sept. 2, at Venice’s Sala Grande ahead of the out-of-competition screening of his latest feature, Finalement, a musical fantasy starring Kad Merad (Welcome to the Sticks, The Chorus). Elsa Zylberstain, Michel Boujenah, Sandrine Bonnaire, Barbara Pravi and Françoise Gillard co-star. The film was produced by Les Films 13 in co-production with France 2 Cinéma and Laurent Dassault Rond-Point. Metropolitan Filmexport is handling international sales.

“Claude Lelouch is one of the top directors of French cinema, an excellent interpreter of its ‘quality,’ albeit alien to its main currents,” said Venice artistic director Alberto Barbera.

French director Claude Lelouch will receive the Glory to the Filmmaker award at the 81st Venice Film Festival (August 28-September 7).

The filmmaker, known for his Oscar-winning 1967 drama A Man And A Woman, will be presented with the award on September 2 ahead of the premiere of his Out of Competition title Finalement.

The award is given to an individual who has made an especially original contribution to modern cinema.

Lelouch was last in Venice in 2002 for the multi-collaboration September 11, which won the Unesco award, while his 1996 drama Men, Women: A User’s Manual won the Little Golden Lion. His other notable credits include 1995’s Les Miserables,...

Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSNo Other Land.The Berlin-Brandenburg Broadcasting Corporation (rbb), a state institution, has withdrawn funding for the €40,000 Berlinale Documentary Film Prize. The prize was most recently awarded to No Other Land (2024), which depicts the displacement of Palestinians in the West Bank by the Israeli military. While accepting the award, co-directors Basel Adra and Yuval Abraham called for a ceasefire in Gaza and an end to the occupation of Palestine, statements which were met with opprobrium by German state officials.After more than three months of contract negotiations, IATSE has reached a tentative agreement with AMPTP, including structured wage increases matching those won by SAG-AFTRA last year and new streaming residuals to address the union’s pension and health plan shortfall.

The star of La Dolce Vita and A Man and a Woman, who has died aged 92, had a unique screen presence that was at once alluring and forbidding

The superbly aquiline beauty and patrician style of Anouk Aimée made her a 60s movie icon in France, Italy and everywhere else with a presence at once alluring and forbidding. She had something of the young Joan Crawford, or Marlene Dietrich, or her contemporary, the French model and actress Capucine. Aimée radiated an enigmatic sexual aura flavoured with melancholy, sophistication and worldly reserve. Hers was not a face that could simper or pout: it was the entranced men around her who were more likely to be doing that. Hirokazu Kore-eda once wrote an amusing line that all the great French movie actresses have surnames that begin with the same letter as their first names: Danielle Darrieux, Simone Signoret, Brigitte Bardot … and of...

Anouk Aimée, the enigmatic French actress known for her work in Federico Fellini’s La Dolce Vita (1960), Jacques Demy’s Lola (1961), George Cukor’s Justine (1969), and Bernardo Bertolucci’s Tragedy of a Ridiculous Man (1981) died on Tuesday. She was 92. Aimée’s daughter, Manuela Paptakis, confirmed her death in a post on Instagram. “With my daughter, Galaad, and my granddaughter, Mila, we have great sadness to announce the departure of my mother Anouk Aimée,” she wrote. “I was right by her side when she passed away this morning at her home in Paris.” See the post below. Well-regarded for her “striking features” and her beauty, the internationally-acclaimed actress first struck American audiences for her performance in A Man and a Woman, the Palme d’Or-winning 1966 French romance film directed by Claude LeLouch in which she played a young widow who forms a budding relationship with a widower she meets at her son’s boarding school.

Anouk Aimée in The Best Years Of A Life with Jean-Louis Trintignant, reprising their characters 53 years on from A Man And A Woman. Director Claude Lelouch said: 'It was wonderful for us all to get together again. It was as though something had been left unfinished, and none of us wanted it to end.' Photo: UniFrance Jean-Louis Trintignant as Jean-Louis and Anouk Aimée is Anne in A Man And A Woman One of the most revered icons of French cinema, Anouk Aimée who starred opposite Jean-Louis Trintignant in one of the most successful French films of all time, A Man And A Woman, by Claude Lelouch, has died today at the age of 92. The news was revealed by her daughter Manuella Papatakis.

The poet and screenwriter Jacques Prévert was so entranced with her that he gave her the name Anouk Aimée (she was born Françoise Sorya), and cast her...

Anouk Aimée, the French star of classic titles like Federico Fellini’s La Dolce Vita and Jacques Demy’s Lola has died. She was 92.

Aimée’s daughter, Manuela Papatakis, shared the news with a post on social media Tuesday morning. Aimée’s cause of death has yet to be announced.

“With my daughter, Galaad, and my granddaughter, Mila, we have great sadness to announce the departure of my mother Anouk Aimée,” the statement read. “I was right by her side when she passed away this morning at her home in Paris.”

View this post on Instagram

A post shared by Manuela Papatakis (@manuelapapatakis)

Aimée clocked almost 100 credits during her decades-long career. She is perhaps best known for her role in Federico Fellini’s seminal thriller La Dolce Vita. She later re-teamed with Fellini for his enigmatic epic 8½. She went on to work with some of world cinema’s leading new-wave filmmakers,...

Anouk Aimee, the French actress who received a best actress Oscar nomination in 1967 for A Man And A Woman, has died aged 92.

Aimee died at her home in Paris. Her death was confirmed by an Instagram post from her daughter Manuela Papatakis, which read, “With my daughter, Galaad, and my granddaughter, Mila, we have great sadness to announce the departure of my mother Anouk Aimée.”

Born Nicole Francoise Florence Dreyfus in Paris in 1932, she made her film debut aged 14 in the role of Anouk in Henri Calef’s The House Under The Sea. She kept the name for her career,...

Anouk Aimee, the French actress who received a best actress Oscar nomination in 1967 for A Man And A Woman, has died aged 92.

Aimee died at her home in Paris. Her death was confirmed by an Instagram post from her daughter Manuela Papatakis, which read, “With my daughter, Galaad, and my granddaughter, Mila, we have great sadness to announce the departure of my mother Anouk Aimée.”

Born Nicole Francoise Florence Dreyfus in Paris in 1932, she made her film debut aged 14 in the role of Anouk in Henri Calef’s The House Under The Sea. She kept the name for her career,...

The French actor was one of the key faces of the New Wave, starring in classics by directors including Federico Fellini, Jacques Demy and Claude Lelouch

• Peter Bradshaw on Anouk Aimée: an entrancing 60s movie icon with an air of glamorous unknowability

• Anouk Aimée – a life in pictures

Anouk Aimée, the French star of European New Wave classics including La Dolce Vita, A Man and a Woman and Lola, has died aged 92. Her daughter Manuela Papatakis announced the news on social media on Tuesday.

Papatakis said: “We have the immense sadness to announce the departure of my mother … I was close to her when she passed away this morning, at her home in Paris.”...

Anouk Aimée, the French actress known for her elegance and cool sophistication in films including Claude Lelouch’s “A Man and a Woman” (1966), Fellini classics “La Dolce Vita” (1960) and “8½” (1963) and Jacques Demy’s “Lola” (1961), died on Tuesday. She was 92.

Aimée’s daughter, Manuela Papatakis, confirmed her death in a post on Instagram.

“With my daughter, Galaad, and my granddaughter, Mila, we have great sadness to announce the departure of my mother Anouk Aimée,” she wrote. “I was right by her side when she passed away this morning at her home in Paris.”

Fairly described in one encyclopedia as an “an aloof but alluring presence on the screen,” Aimée was frequently described as ““regal,” “intelligent” and “enigmatic,” giving the actress, according to journalist Sandy Flitterman-Lewis, “an aura of disturbing and mysterious beauty that has earned her the status of one of the hundred sexiest stars in film history (in a...

Actress Anouk Aimée, the sophisticated French beauty who graced the films of Federico Fellini, Jacques Demy, Sidney Lumet, Bernardo Bertolucci and Claude Lelouch, has died. She was 92.

Aimee’s daughter said in an Instagram post on Tuesday that the star died at her home in Paris without providing further details.

Perhaps best known for her role opposite Jean-Louis Trintignant in Lelouch’s A Man and a Woman (1966) — for which she received an Oscar nomination for best actress and won a Golden Globe — Aimée also starred in such art house standouts as Fellini’s La Dolce Vita (1960) and 8 1/2 (1963), Demy’s Lola (1961), Jacques Becker’s Montparnasse 19 (1958) and Bertolucci’s Tragedy of a Ridiculous Man (1981).

Her career kicked off in the late 1940s and lasted all the way through a reunion with Trintignant in The Best Years (Les Plus belles annees), Lelouch’s 2019 epilogue to A Man and a Woman.

With more than 80 feature credits,...

Exclusive: Miramax’s high-profile TV series remake of Robert Altmann’s Prêt-à-Porter has shifted development from Paramount+ to the BBC.

Deadline understands the project from The Great writer Ava Pickett is now in early-stage development with the British public broadcaster and Paramount+ is no longer involved. The BBC project is in its early stages and hasn’t yet set cast.

Titled Ready to Wear in the U.S., Altmann’s Prêt-à-Porter celebrates its 30th anniversary next year and the movie featured an ensemble cast including Sophia Loren, Kim Basinger, Lauren Bacall, Julia Roberts, Tim Robbins, Forest Whitaker, Katarzyna Figura, Anouk Aimée, François Cluzet, Marcello Mastroianni and Tracey Ullman. The Miramax-distributed film chronicled the interconnected lives of a group of people in the lead-up to the Paris Fashion Week, where models, designers, reporters and fashion editors gather to present next year’s trends.

The BBC version is understood to be seeking...

Studiocanal has signed a deal with Metropolitan Filmexport for worldwide rights to the entire film catalog of acclaimed French director Claude Lelouch.

The deal, announced at the Cannes Film Market on Saturday, includes more than 40 films, among them such French classics as A Man and a Woman (1966) — winner of the 1966 Palme d’Or, as well as two Oscars, for best international film and best original screenplay — Live for Life (1967), Love Is a Funny Thing (1969), The Crook (1970), Money Money Money (1972), Happy New Year (1973), Bolero (1981), Itinerary of a Spoilt Child (1988) and Les Misérables (1995).

Studiocanal has been handling French TV rights for the Lelouch catalog for the past seven years. The new deal will give the group exclusive worldwide distribution rights to the director’s vast catalog, as well as SVOD, free-on-demand and AVOD rights in France. Metropolitan will continue to distribute Lelouch’s films in theaters, on video and through transactional video-on-demand (Tvod) in France.

It was a great night for Disney as Indiana Jones and the Dial of Destiny had a smash debut in its world premiere Thursday evening at the Cannes Film Festival. The June 30 release received a warm five-minute standing ovation, especially for Harrison Ford in his swan song in the title role he started playing 40-plus years ago.

There noticeably to witness the French love and affection was none other than Disney boss Bob Iger, attending his first Cannes festival (believe it or not) and even taking his own photos during the ovation for the movie. At the Carlton Beach afterparty, I told him Deadline had just been the first to post its review, a rave (from our colleague Stephanie Bunbury) and you could see the absolute relief on his face. “You have made me very happy to hear that,” he told me, and he meant it. All this came on...

Christophe Honoré selected Catherine Breillat’s 36 Fillette: “Her work is very important for French cinema.” Photo: Anne-Katrin Titze

Jacques Demy’s Lola (starring Anouk Aimée with Marc Michel), Wim Wenders’ Paris, Texas, Zhangke Jia and composer Yoshihiro Hanno, Yves Robert’s La Guerre des Boutons, Alain Resnais’ Providence and L'Année Dernière à Marienbad, Kenneth Lonergan’s Manchester By The Sea, Sophie's Misfortunes, and Catherine Breillat’s 36 Fillette all came up in our discussion.

Christophe Honoré with Anne-Katrin Titze on why Alain Resnais is a king: “I’m interested in narrative play and people who have a ludic relationship to storytelling.” Photo: Anne-Katrin Titze

Christophe Honoré was in New York to present Winter Boy, starring Paul Kircher, Vincent Lacoste, Juliette Binoche, and Erwan Kepoa Falé, shot by Rémy Chevrin (Guermantes, [film]On...

Spanish-born fashion designer Paco Rabanne, who was best known for his metallic space-age outfits, has died in France at the age of 88 years old.

The self-taught designer broke into the Parisian Haute Couture scene in the early 1960s with a collection composed of 12 unwearable experimental metallic dresses.

His designs soon became favorites with stars and models of the time such as France’s Anouk Aimée, Françoise Hardy, Brigitte Bardot and the U.K.’s Twiggy.

He soon connected with the cinema world, designing the iconic costumes for Jane Fonda in Roger Vadim’s 1968 cult film Barbarella, which are still on display in MoMA in New York.

Other cinema credits included Roberto Enrico’s The Last Adventure and Joël Le Moigné’s Les Ponyettes.

Rabanne also created individual pieces for Jean-Luc Godard’s 1967 drama Two Or Three Things I Know About Her…, Stanley Donen’s Two For The Road and John Huston’s Casino Royale.

Rabanne retired in 1999 but his mothballed label was revived by Spanish company Puig in 2011, which relaunched it as a fashion house and fragrance business that it now controls.

“The House of Paco Rabanne wishes to honour our visionary designer and founder who passed away today at the age of 88,” the company said in a statement posted on its website.

“Among the most seminal fashion figures of the 20th century, his legacy will remain a constant source of inspiration.”...

Gina Lollobrigida, the 1950s Italian bombshell who starred in films including “Fanfan la Tulipe,” “Beat the Devil,” “Trapeze” and “Buona Sera, Mrs. Campbell,” has died. She was 95.

According to Italian news agency Lapresse, Lollobrigida died in a clinic in Rome. No cause of death has been cited. In September she had had surgery to repair a thigh bone broken in a fall, but she recovered and competed for a Senate seat in Italy’s elections held last year in September, though she did not win.

After resisting Howard Hughes’ offer to make movies in Hollywood in 1950, Lollobrigida starred with Gerard Philipe in the 1952 French swashbuckler “Fanfan la Tulipe,” a fest winner and popular favorite.

Her first American movie, shot in Italy, was John Huston’s 1953 film noir spoof “Beat the Devil,” in which she starred with Humphrey Bogart and Jennifer Jones. The same year she starred with Vittorio De Sica in Luigi Comencini’s “Bread,...

When we discuss French New Wave, I feel our idea of what that means tends to be fairly narrow. We think of the young renegade filmmakers, like the recently departed Jean-Luc Godard, who broke the formal rules of what narrative cinema had been up until the late 1950s and told stories of young people navigating politics, life, and sex. Pictures like "Breathless" and "Jules and Jim" became figureheads for the movement, but they only represent a portion of what the New Wave was bringing. 

Take the work of Jacques Demy. Every director in the French New Wave was obsessed with Hollywood filmmaking, but while most wanted to subvert those conventions, Demy fully embraced them. This is particularly evident in his early movie musicals like "The Umbrellas of Cherbourg" and especially "The Young Girls of Rochefort," which are entirely indebted to the work of Stanley Donen and Vincente Minnelli. Gene Kelly even appears in "Rochefort.

Chicago – Patrick McDonald of HollywoodChicago.com audio Blu-ray DVD review of “La Dolce Vita,” the Federico Fellini film masterpiece that introduced the 1960s to itself, and the term “Paparazzi” to the language, now available through Paramount Pictures wherever Blu-rays are sold.

Rating: 5.0/5.0

This is the story of Marcello (Marcello Mastroianni), a tabloid journalist who lives the “La Dolce Vita” … the luxurious but self indulgent life. The story is split into seven days in his timeline, not consecutive days, in which he wrestles the themes of his existence – religion, sex, family and death – the usual things. Along the way his fiancee Emma (Yvonne Furneaux) is angry at him; he’s also trying to seduce a gorgeous starlet (Anita Ekberg), who is ignoring him; a religious miracle turns out not to be a miracle; and his estranged Dad (Annibale Ninchi) wants to hang out with him. His times, they are a-changin’.

La Dolce Vita...

Jean-Louis Trintignant and Anouk Aimée when they reteamed three years ago for The Best Years Of A Life Photo: UniFrance The world of French cinema today is mourning the loss of one its most enduring denizens Jean-Louis Trintignant who died yesterday (17 June) at the age of 91.

Jean-Louis Trintignant: 'Perhaps I should have made 11 films instead of 110' Photo: UniFrance He was a reluctant and sometimes reclusive focus of attention over more than four decades and came to the fore internationally in the Sixties and Seventies when he played the lovelorn racing driver opposite Anouk Aimée in Claude Lelouch’s A Man And A Woman; a mysterious prosector in Costa-Gavras’s Z, a twisted assassin in Bernardo Berloucci’s The Conformist and in the romantic drama (opposite Françoise Fabian) in My Night With Maude by Eric Rohmer.

When he was 82 he emerged from a self-declared “retirement” to rediscover career glory all...

Celebrated actor was married three times, loved motor racing.

Jean-Louis Trintignant, a leading light of the French New Wave who broke out in Claude Lelouch’s A Man And A Woman and later in life starred in Michael Haneke’s Amour, has died. He was 91.

According to Agence France-Presse Trintignant died on Friday (June 17) at his home in the southern region of Gard. His wife Marianne Hoepfner was with him.

Trintignant was born on December 11 1930 in the southern Vaucluse region to businessman Raoul and Claire. As a shy man in his 20s – his personality would inform a personal aversion to...

Jean-Louis Trintignant, the Cesar-winning actor and star of French classics such as Amour, Z and The Conformist, has died aged 91.

The iconic actor, also known for Three Colors: Red and A Man and a Woman, died on Friday at his home in southern France, his wife and agent Marianne Hoepfner confirmed to Agence France Presse.

Hollywood & Media Deaths In 2022: Photo Gallery

In a long and varied career, he appeared in more than 130 films and played numerous stage roles. He was a three-time Cesar Best Actor winner — for Three Colors: Red, Fiesta and Amour, his most recent win in 2013. He was also named Best Actor at the Cannes Film Festival in 1969 for political thriller Z.

Trintignant shot to fame in 1966 playing opposite Anouk Aimée in the double-Oscar winning A Man and a Woman (1966), which won Academy Awards for best screenplay and foreign-language film. In 2019, his final role was a reprisal of the character.

French film great Jean-Louis Trintignant, best known for his roles in “A Man and a Woman,” “Z,” and “The Conformist,” died Friday. He was 91.

Trintignant died at his home in southern France, his wife, Marianne, and agent told the Agence France-Presse.

Trintignant was more recently known for roles in Krzysztof Kieslowski’s “Red” and for starring opposite Emmanuelle Riva in Michael Haneke’s “Amour,” winner of the 2013 Oscar for best foreign film.

Taciturn and enigmatic, the “reluctant” actor, who came by his profession by accident and several times announced he was quitting, returned time and again to appear in more than 100 films and achieve international stardom over of a period of more than 40 years working with some of the world’s great directors including Claude Chabrol, Abel Gance, Bernardo Bertolucci, Costa-Gavras, Ettore Scola and Francois Truffaut, as well as Kieslowski and Haneke.

Though he claimed to prefer racing cards, he once told an interviewer,...

Jean-Louis Trintignant in Amour Photo: Unifrance/Films du losange/Denis Manin French star Jean-Louis Trintignant, whose film career spanned more than six decades, has died "peacefully, of old age", at 91.

Trintignant, who most recently garnered critical acclaim for his role in Michael Haneke's dementia drama Amour and the director's 2017 drama Happy End.

Jean-Louis Trintignant as Jean-Louis and Anouk Aimée is Anne in A Man And A Woman The versatile actor first rose to prominence as part of the nouvelle vague, starring alongside Brigit Bardot in Roger Vadim's And God Created Woman, also starring in the director's later Dangerous Liaisons and then finding international fame with A Man And A Woman with Anouk Aimée.

Other key films, included Claude Chabrol's Les Biches and, in 1970, Bernardo Bertolucci's The Conformist. He also worked with Francois Truffaut, starring in the director's last film Finally, Sunday in 1983 and found more critical...

Jean-Louis Trintignant, the thoughtful French actor who headlined such art house classics as A Man and a Woman, My Night at Maud’s, The Conformist, Three Colors: Red and Amour, has died. He was 91.

Trintignant died Friday at his home in the Gard region of southern France, his wife, Marianne, and agent told the Agence France-Presse.

Trintignant received a number of accolades throughout his 60-plus-year career, including the best actor prize from Cannes in 1969 for Costa-Gavras’ political thriller Z and a Cesar Award in 2013 for Michael Haneke’s Amour, which also won the Oscar for best foreign-language film.

With more than 130 screen and 50-plus stage credits to his name, Trintignant was a highly prolific and respected talent who could perform anything from Shakespeare to commercial French comedies, from art house favorites by Bertolucci, Kieślowski and Truffaut to popular romances and sci-fi flicks — as...

Fifteen years have passed since Penélope Cruz broke new ground as the first Spanish woman to receive an Oscar nomination for Best Actress. Although her performance in Pedro Almodóvar’s Spanish-language film “Volver” was passed over in favor of Helen Mirren’s in “The Queen,” she bounced back two years later by triumphing in the supporting category for “Vicky Cristina Barcelona.” Now, based on her work in Almodóvar’s “Parallel Mothers” (their seventh collaboration), she may have another shot at lead glory. If she does land in the lineup, she will join an exclusive club as the fifth leading lady to be recognized for two non-English language performances.

The first woman to accomplish this feat was Sophia Loren, who was nominated for “Marriage Italian Style” (1965) after winning for “Two Women” (1962). Both are Italian-language films directed by Vittorio De Sica. After losing on her second outing to Julie Andrews (“Mary Poppins...

The festival is running in Nyon, Switzerland, from April 7-17.

Italian director, screenwriter and producer Marco Bellocchio is to be given an honorary award at the 53rd edition of documentary festival Visions du Réel, taking place in Nyon, Switzerland, from April 7-17.

Bellocchio is attending the festival in person as the guest of honour, and the tributes to the filmmaker will include a masterclass with Bellocchio and a retrospective of around 10 selected works, plus a screening of his latest project, Cannes premiere Marx Can Wait, about his twin brother’s suicide.

Bellocchio was born in northern Italy on the eve of the Second World War,...

Maverick director Robert Aldrich’s one foray into grand-scale epic filmmaking is returned to crystal clarity in this fine import disc, a restoration from original Italian film elements. Stewart Granger’s Lot allies his Hebrew tribe with the notorious cities of evil, and almost loses his soul to Anouk Aimée’s wicked Queen Bera. Pier Angeli is the slave who becomes Lot’s wife, and Rossana Podestà is the daughter taken by Stanley Baker’s rapacious prince. Second unit director Sergio Leone whips up a terrific battle scene (maybe), Ken Adam provides the spectacular sets and Miklós Rózsa the powerful music score. And yes, the explosive finish involves hellfire, brimstone and the Biblical Pillar of Salt.

Sodom and Gomorrah

Explosive Media

All-region Blu-ray

1962 / Color / 1:85 widescreen / 154 and 117 min. / Street Date December 9, 2021 / Available from Amazon.de /

Starring: Stewart Granger, Pier Angeli (Anna Maria Pierangeli), Anouk Aimée, Stanley Baker, Rossana Podestà, Rik Battaglia,...

Robert Altman’s 1994 fashion industry satire Prêt-à-Porter is getting a TV series adaptation. Paramount+ is developing a series based on the feature comedy-drama, sources said. It comes from Miramax Television.

Co-written, directed and produced by Altman, the Miramax-distributed film, released in the U.S. as Ready to Wear (Prêt-à-Porter), chronicles the interconnected lives of a group of people in the lead-up to the 1994 Paris Fashion Week, where models, designers, reporters and fashion editors gather to present next year’s trends. (Watch the film’s trailer below.)

Written by Ava Pickett, I hear the series will focus on the next generation, revolving around young people on the first rung of success’ ladder. It is envisioned as an aspirational series about ambition thwarted, youth culture and identity in crisis, and fighting for what you want. Reps for Paramount+ and Miramax TV declined comment.

Like the movie, which featured a star-studded international ensemble cast including Sophia Loren,...

Cinema Retro has received the following press release:

Joining in the international celebration of Federico Fellini's 100th birthday, Criterion is thrilled to announce Essential Fellini, a fifteen-Blu-ray box set that brings together fourteen of the director's most imaginative and uncompromising works for the first time. Alongside new restorations of the theatrical features, the set also includes short and full-length documentaries about Fellini's life and work, archival interviews with his friends and collaborators, commentaries on six of the films, video essays, the director's 1968 short Toby Dammit, and much more.

The edition is accompanied by two lavishly illustrated books with hundreds of pages of notes and essays on the films by writers and filmmakers, as well as dozens of images of Fellini memorabilia. Essential Fellini is a fitting tribute to the maestro of Italian cinema!

Fifteen-blu-ray Special Edition Collector's Set Features

New 4K restorations of 11 theatrical features, with uncompressed monaural soundtracks for...

On the day their gorgeous Agnès Varda box set arrives, The Criterion Collection has announced details on their next director collection. In celebration of his 100th birthday this year, Federico Fellini will be receiving a 15-disc box set featuring fourteen of his films, set for a release on November 24, 2020.

Titled Essential Fellini, the release features new restorations of the theatrical features, as well as short and full-length documentaries about Fellini’s life and work, archival interviews with his friends and collaborators, commentaries on six of the films, video essays, the director’s 1968 short Toby Dammit, and much more. It also includes two illustrated books with hundreds of pages of notes and essays on the films by writers and filmmakers, plus memorabilia. Check out a list of films and special features below.

List of Films

Variety Lights (1950)The White Sheik (1952)I Vitelloni (1953)LA Strada (1954)Il Bidone (1955)Nights Of Cabiria (1957)LA Dolce Vita...