[go: up one dir, main page]

    Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Biography
  • Awards
  • Trivia
  • FAQ
IMDbPro
Russ Meyer

Biography

Russ Meyer

Edit

Overview

  • Born
    March 21, 1922 · Oakland, California, USA
  • Died
    September 18, 2004 · Hollywood Hills, Los Angeles, California, USA (complications from pneumonia)
  • Birth name
    Russell Albion Meyer
  • Nicknames
    • The Rural Fellini
    • King Leer
    • The Breastman
    • The King of the Nudies
  • Height
    1.85 m

Biography

    • Russell Albion Meyer was born in San Leandro, California, to Lydia Lucinda (Hauck), a nurse, and William Arthur Meyer, a police officer, who divorced during his childhood. His parents were both of German descent. Meyer began winning prizes at 15 with his amateur films. He spent World War II in Europe as a combat cameraman. After the war, he became a professional photographer, shooting some of the earliest Playboy centerfolds. He made his film directorial debut with L'immoral M. Teas (1959), the first nudie (softcore sex) film to make a profit over a million dollars, which led to a string of self-financed films that gradually became more bizarre, violent, and cartoonish. In the mid-1960s, he established his style with his Gothic period, a quartet of black-and-white films: Lorna, l'incarnation du désir (1964), Le désir dans les tripes (1965), Le gang sauvage (1965), and Faster, Pussycat! Kill! Kill! (1965) that many consider to be his best work. After the blockbusting Vixen! (1968), he was hired by 20th-Century Fox to make studio pictures. The first of these, La vallée des plaisirs (1970), was an enormous hit, but after the lukewarm reception of the uncharacteristically serious The Seven Minutes (1971), Meyer returned to the sex-and-violence films that made his name, culminating in the delirious Ultra Vixens (1979). He spent the 1980s working on various autobiographies, both in film (Breast of Russ Meyer) and print ("A Clean Breast").
      - IMDb mini biography by: Michael Brooke <michael@everyman.demon.co.uk>

Family

  • Spouses
      Edy Williams(June 27, 1970 - November 7, 1975) (divorced)
      Eve Meyer(April 2, 1952 - 1969) (divorced)
      Betty Valdovinos(1947 - 1948) (divorced)
  • Parents
      William Arthur Meyer
      Lydia Lucinda Hauck

Trademarks

  • Often casts women with abnormally large breasts
  • Usually ends his films with some type of violence
  • Almost never pans or tilts or dollies his camera, suggests movement through editing, specifically montage.
  • Often collaborated with Roger Ebert.

Trivia

  • Told New York Times that the first time he visited a whorehouse, as a soldier in France during World War II, he was taken there by Ernest Hemingway.
  • His films have influenced both John Waters and John Landis. Waters has often cited him as inspiration for his female characters.
  • His works were considered pornographic at the time of their release, but contain very little graphic sexual content by today's standards.
  • Famous for his breast fetish, Meyer would often cast women in their first trimester of pregnancy as their breasts would have ballooned even further. He also had a dislike for augmented breasts and would not be featured in his films until Ultra Vixens (1979).
  • While bivouacked at Moberley House, Manchester, sometime in May 1944, he was assigned by Col. Laughton, of the US Army Pictorial Service (London), to film a group of GI prisoners being trained in a stockade near Southampton. The Military Police guards told Meyer that they had been convicted of capital crimes and had been sentenced to death, but had agreed to be parachuted behind enemy lines prior to D-Day in a daring sabotage mission. He was driven there by his army driver, Charles E. Sumners, filmed the 12 dirty, uncooperative prisoners (one of whom was an American Indian and one of whom was black) for about 40 minutes, then returned to his unit. He sent the 200-foot reel to headquarters and later received the usual critique by Capt. Fred F. Fox on his work. Meyer encountered Col. Laughton near Metz, after the invasion, and was told the men had been parachuted into France, but had not been heard from since. Meyer told this story to his friend Eric Michael Nathanson, who was impressed by it, and used the story as the basis for his novel (as E.M. Nathanson) "The Dirty Dozen", which became the monster hit movie Les douze salopards (1967).

Quotes

  • I love big-breasted women with wasp waists. I love them with big cleavages.
  • The girls kick the hell out of the guys. I've always played well at the Ivy League . . . Cornell, Dartmouth. I have never encountered a berating woman.
  • [commenting on his third marriage] I'm a serial bigamist.
  • I'd rather play cards if I can't have a lady with big boobs.
  • I always had a tremendous interest in big boobs.

Contribute to this page

Suggest an edit or add missing content
  • Learn more about contributing
Edit page

More from this person

  • View agent, publicist, legal and company contact details on IMDbPro

More to explore

Recently viewed

Please enable browser cookies to use this feature. Learn more.
Get the IMDb App
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb App
For Android and iOS
Get the IMDb App
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.