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Andrzej Zulawski(1940-2016)

  • Writer
  • Director
  • Second Unit Director or Assistant Director
IMDbProStarmeterSee rank
Andrzej Zulawski
Born in Lviv, Ukraine; then he moved with his father Miroslaw Zulawski to Czechoslovakia and later Poland. In the late 1950s, he studied cinema in France. In the 1960s, he was an assistant of the famous Polish film director Andrzej Wajda. His feature debut La troisième partie de la nuit (1971) was an adaptation of his father's novel. His second feature Le diable (1972) was prohibited in Poland, and Zulawski went to France. After the success of his French debut L'important c'est d'aimer (1975) in 1975, he returned to Poland where he spent two years in making Sur le globe d'argent (1988). The work on this film was brutally interrupted by the authorities. After that, Zulawski moved to France where he became known for his highly artistic, controversial, and very violent films. Zulawski is well known for his ability to discover and "rediscover" actresses: Romy Schneider, Isabelle Adjani, Valérie Kaprisky and Sophie Marceau played their best roles in his films.
BornNovember 22, 1940
DiedFebruary 17, 2016(75)
BornNovember 22, 1940
DiedFebruary 17, 2016(75)
IMDbProStarmeterSee rank
  • Awards
    • 10 wins & 11 nominations total

Photos2

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Known for

Possession (1981)
Possession
7.3
  • Writer
  • 1981
Cosmos (2015)
Cosmos
5.7
  • Writer
  • 2015
The Public Woman (U.S. DVD Cover)
La femme publique
6.4
  • Writer
  • 1984
La Fidélité (2000)
La Fidélité
5.6
  • Writer
  • 2000

Credits

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IMDbPro

Writer



  • Carissa Perusset and Darius Sinathrya in Possession: Kerasukan (2024)
    Possession: Kerasukan
    3.5
    • based on a movie written by
    • 2024
  • Sebastian Fabijanski in Mowa ptaków (2019)
    Mowa ptaków
    5.3
    • script
    • 2019
  • Cosmos (2015)
    Cosmos
    5.7
    • written by
    • 2015
  • La Fidélité (2000)
    La Fidélité
    5.6
    • written by
    • 2000
  • Sophie Marceau, Janusz Olejniczak, and Marie-France Pisier in La note bleue (1991)
    La note bleue
    6.2
    • scenario
    • 1991
  • Ruggero Raimondi and Kaline Carr
    Boris Godounov
    7.3
    • scenario (uncredited)
    • 1989
  • Mes nuits sont plus belles que vos jours (1989)
    Mes nuits sont plus belles que vos jours
    6.1
    • adaptation and dialogue
    • 1989
  • Sur le globe d'argent (1988)
    Sur le globe d'argent
    7.1
    • writing
    • 1988
  • Nastassja Kinski and Jean-Hugues Anglade in Maladie d'amour (1987)
    Maladie d'amour
    5.6
    • story
    • 1987
  • L'amour braque (1985)
    L'amour braque
    5.9
    • script
    • 1985
  • The Public Woman (U.S. DVD Cover)
    La femme publique
    6.4
    • scenario
    • 1984
  • Possession (1981)
    Possession
    7.3
    • adaptation
    • dialogue
    • original screenplay
    • 1981
  • Romy Schneider and Fabio Testi in L'important c'est d'aimer (1975)
    L'important c'est d'aimer
    7.0
    • adaptation
    • 1975
  • Le diable (1972)
    Le diable
    7.0
    • screenwriter
    • 1972
  • La troisième partie de la nuit (1971)
    La troisième partie de la nuit
    7.3
    • screenwriter
    • 1971

Director



  • Cosmos (2015)
    Cosmos
    5.7
    • Director
    • 2015
  • La Fidélité (2000)
    La Fidélité
    5.6
    • Director
    • 2000
  • She-Shaman (U.S. DVD Cover)
    Chamanka
    5.8
    • Director
    • 1996
  • Sophie Marceau, Janusz Olejniczak, and Marie-France Pisier in La note bleue (1991)
    La note bleue
    6.2
    • Director
    • 1991
  • Ruggero Raimondi and Kaline Carr
    Boris Godounov
    7.3
    • Director
    • 1989
  • Mes nuits sont plus belles que vos jours (1989)
    Mes nuits sont plus belles que vos jours
    6.1
    • Director
    • 1989
  • Sur le globe d'argent (1988)
    Sur le globe d'argent
    7.1
    • Director
    • 1988
  • L'amour braque (1985)
    L'amour braque
    5.9
    • Director
    • 1985
  • The Public Woman (U.S. DVD Cover)
    La femme publique
    6.4
    • Director
    • 1984
  • Possession (1981)
    Possession
    7.3
    • Director (a film by)
    • 1981
  • Romy Schneider and Fabio Testi in L'important c'est d'aimer (1975)
    L'important c'est d'aimer
    7.0
    • Director
    • 1975
  • Le diable (1972)
    Le diable
    7.0
    • Director
    • 1972
  • Theatre Macabre (1971)
    Theatre Macabre
    5.7
    TV Series
    • Director
    • 1972
  • La troisième partie de la nuit (1971)
    La troisième partie de la nuit
    7.3
    • Director
    • 1971
  • Stefan Friedmann and Joanna Kasperska in Pavoncello (1969)
    Pavoncello
    6.7
    TV Movie
    • Director
    • 1969

Second Unit or Assistant Director



  • Andrzej Zulawski in Varsovie, la forêt forteresse (2008)
    Varsovie, la forêt forteresse
    • associate director
    • 2008
  • La nuit des généraux (1967)
    La nuit des généraux
    7.2
    • assistant director (uncredited)
    • 1967
  • Cendres (1965)
    Cendres
    7.0
    • assistant director
    • 1965
  • François Truffaut, Shintarô Ishihara, Marcel Ophüls, Renzo Rossellini, and Andrzej Wajda in L'amour à vingt ans (1962)
    L'amour à vingt ans
    7.1
    • co-director (segment "Varsovie")
    • 1962
  • Samson (1961)
    Samson
    6.2
    • assistant director
    • 1961

Personal details

Edit
  • Official site
    • Official Site
  • Born
    • November 22, 1940
    • Lwów, Lwowskie, Poland [now Lviv, Ukraine]
  • Died
    • February 17, 2016
    • Warsaw, Mazowieckie, Poland(cancer)
  • Spouse
    • Malgorzata Braunek1971 - 1976 (divorced, 1 child)
  • Other works
    Book: " SEPT PETITS FILMS QUI PARLENT DE MUSIQUE ET QUI N'EN FONT QU'UN".Lyon:Filigranowa. ISBN-13: 978-2918001041
  • Publicity listings
    • 2 Print Biographies
    • 1 Interview
    • 4 Articles

Did you know

Edit
  • Trivia
    When the shooting of Sur le globe d'argent (1988) was almost completed, the communist Polish Ministry of Culture ordered to stop the filming and destroy all related materials. The negative was saved, however, and during the liberalization of the political regime in Poland in 1986-1987, Zulawski returned to the country and managed to complete the film from the spared material. Missing scenes were replaced by alternative footage and his new narration. This fragmented version was finally presented in 1988 at the Cannes Film Festival in the 'Un Certain Regard' Section.
  • Quotes
    I came from the French cinematic school of real thinking; and I believe that, with few exceptions, acting is a female occupation.

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