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News

Delphine Zingg

Berlin Review: ‘Félicité’ is a Structurally Adventurous African Drama
A wild and adventurous fourth feature from French-African director Alain Gomis, Félicité find ourselves in Kinshasa, capital of the Democratic Republic of the Congo, one of the world’s most dangerous places and a hard place in the best of times to make a living. Gomis, alongside cinematographer Céline Bozon, photograph the city as a wild, confused metropolis, unspooling over new-money concrete blocks, dirt tracks and a make-shift hazardous slums. It’s where Félicité, played with style and jazz by Congolese theatre actor Vero Tshanda Beya, works hand-to-mouth as a singer in raucous night clubs. The opening scene shows Félicité in full voice in a dive bar, where men drunkenly brawl and wads of notes are sent her way in reckless abandon, shot with an explosive energy.

Félicité’s livelihood is stopped in its tracks when her 14-year-old son Samo (Gaetan Claudia) lands in hospital that leaves him in need...
See full article at The Film Stage
  • 2/18/2017
  • by Ed Frankl
  • The Film Stage
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