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Tom Zenk

The Writers Behind ‘Transparent’ Will Now Take on the WWE
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Blumhouse is taking on the WWE — with a little help from Emmy nominees Micah Fitzerman-Blue and Noah Harpster, who met critical acclaim as writers and consulting producers on the comedy series “Transparent.”

First announced in 2021, “The United States of America Vs. Vince McMahon” has tapped as showrunners “Transparent” team Fitzerman-Blue and Harpster. The Writers Guild Award nominees, both for “Transparent” and Adapted Screenplay for feature “A Beautiful Day in the Neighborhood,” will take on the 1994 trial of WWE CEO Vince McMahon, who was accused of supplying steroids to WWE talent.

“Vince McMahon is a living legend. We are thrilled to tell his larger-than-life story with our partners at Blumhouse and WWE,” Fitzerman-Blue and Harpster said in a press statement.

Chris McCumber, president of Blumhouse Television, added, “Blumhouse is thrilled to be partnering with Noah and Micah on this project. Their ability to bring iconic characters to life in a nuanced,...
See full article at Indiewire
  • 3/30/2022
  • by Samantha Bergeson
  • Indiewire
WWE: Matt Borne & Doink – Tears of a Clown
Let’s go back to a simpler time, a time when Hockey Players and Garbage men, gathered together to do battle inside the squared circle. That’s right, I’m talking about the professional wrestling in the 1990s. A time where talented wrestlers were given over the top, ridiculous gimmicks that did nothing other than destroy their careers. Many men fell victim to the 90′s desire for goofy wrestlers with stupid back stories, but none more so than Doink the Clown.

Doink is a veritable legend in the world of professional wrestling, he also isn’t real. Doink is a character, one that has been played by no less than three people since his debut in 1992. So to be a little more accurate I should say that Doink’s career was not squashed by the absurd gimmick, Doink was the absurd gimmick that squashed the career of a talented wrestler.
See full article at Obsessed with Film
  • 2/7/2013
  • by Chris Librizzi
  • Obsessed with Film
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