[go: up one dir, main page]

    Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsPride MonthAmerican Black Film FestivalSummer Watch GuideSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Biography
  • Trivia
IMDbPro
John Wood in Les Derniers Jours de Pompéi (1935)

News

John Wood

King Lear – review
Minerva, Chichester

This return to star-driven Shakespeare has in Frank Langella a commanding Lear still driven by a craving for love

We are used to director's Shakespeare. This production, which plays 32 performances in Chichester before moving to Brooklyn, is unequivocally actor's Shakespeare. It is staged with great clarity by Angus Jackson as a timeless moral fable. But what impresses is the spellbinding power of that fine American actor, Frank Langella, best known in Britain as the disintegrating president inFrost/Nixon, who plays Lear and wins.

Langella has that mysterious quality known as "weight". It is not merely that he is tall, has a voice that could be heard in Bognor Regis and is more oak than ash: it is that he has an authority that compels our attention. This is palpable from the start when he needs help ascending the steps of Robert Innes Hopkins's set, which looks like a...
See full article at The Guardian - Film News
  • 11/11/2013
  • by Michael Billington
  • The Guardian - Film News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

More from this person

More to explore

Recently viewed

Please enable browser cookies to use this feature. Learn more.
Get the IMDb App
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb App
For Android and iOS
Get the IMDb App
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.