Jean Wallace(1923-1990)
- Actress
- Soundtrack
Teenage fashion model and
Earl Carroll showgirl Jean Wallace
failed in her first bid to break into movies, after MGM discovered that
she was only 17, not 19 years old - as she had claimed. Being underage
meant that she could only work four hours a day (and with an official
tutor) and so her bit in
La danseuse des Folies Ziegfeld (1941) was all there
was. At Paramount, her luck improved. Signed to a six months contract
(plus complimentary tutor) the platinum blonde insurance salesman's
daughter made her first motion picture appearance in a credited part in
Louisiana Purchase (1941). Her
next stop was 20th Century Fox where she spent five years under
contract, but had very little to do after refusing to appear in
Le Carrefour de la mort (1947), not a good
career move, as it turned out. For the next few years, Jean's screen
career was overshadowed by her turbulent private life.
A chance meeting in July 1941 between Jean and the actor Franchot Tone, formerly Joan Crawford partner and twice her age, had led to a whirlwind romance, seven years of rocky marriage and, ultimately, divorce. Jean twice attempted suicide, the first with sleeping pills in 1946, the second by stabbing herself in the abdomen in 1949. During the acrimonious divorce proceedings that followed, Jean alleged extreme jealousy and an affair with peroxide blond siren Barbara Payton, while Tone claimed that his wife had been involved with gangster Johnny Stompanato, bodyguard of infamous L.A. mobster Mickey Cohen (Stompanato later came to grief at the hands of Lana Turner's daughter, Cheryl Crane, in 1958). In 1950, Jean married soldier James Randall in San Diego, but this union was annulled after just five months. Having lost custody of her two children to Tone, she then lost her driver's license, following a charge of drunk driving. Things could only get better.
In September 1951, Jean got married for the third time. From here on, her career became inextricably linked to that of her husband, actor and director Cornel Wilde, who assumed a 'Svengali'-like role in attempting to mould her into an actress of stature. She was featured opposite him in a number of mostly routine B-movies, made by his production company Theadora. Best among those was a lesser film noir, Association criminelle (1955), where she played a self-destructive gangster's moll torn between evil crime boss Richard Conte and nice police lieutenant, Wilde. In the colourful Tueurs de feux à Maracaibo (1958),which was largely shot on location, she was an icy journalist, one third of a love triangle, involving Wilde as a 'Red' Adair-type action hero, dousing oil fires in Venezuela (featuring in the cast a young Michael Landon of Bonanza (1959) fame). Jean sang in the soundtrack, which she also did for both L'étoile des Indes (1954), and Le sable était rouge (1967) (though her acting part in this war picture was somewhat perfunctory). In Lancelot chevalier de la reine (1963), she was Guinevere to Wilde's Lancelot, who also co-produced and directed. Her last starring role was in Wilde's Terre Brûlée (1970), in which a family escapes from a post-apocalyptic world, not unlike Je suis une légende (2007)(or its earlier incarnation, Le survivant (1971)).
After divorcing Wilde in 1980, Jean lived with a menagerie of pets (including two snakes and a tarantula) in Beverly Hills until her death in February 1990.
A chance meeting in July 1941 between Jean and the actor Franchot Tone, formerly Joan Crawford partner and twice her age, had led to a whirlwind romance, seven years of rocky marriage and, ultimately, divorce. Jean twice attempted suicide, the first with sleeping pills in 1946, the second by stabbing herself in the abdomen in 1949. During the acrimonious divorce proceedings that followed, Jean alleged extreme jealousy and an affair with peroxide blond siren Barbara Payton, while Tone claimed that his wife had been involved with gangster Johnny Stompanato, bodyguard of infamous L.A. mobster Mickey Cohen (Stompanato later came to grief at the hands of Lana Turner's daughter, Cheryl Crane, in 1958). In 1950, Jean married soldier James Randall in San Diego, but this union was annulled after just five months. Having lost custody of her two children to Tone, she then lost her driver's license, following a charge of drunk driving. Things could only get better.
In September 1951, Jean got married for the third time. From here on, her career became inextricably linked to that of her husband, actor and director Cornel Wilde, who assumed a 'Svengali'-like role in attempting to mould her into an actress of stature. She was featured opposite him in a number of mostly routine B-movies, made by his production company Theadora. Best among those was a lesser film noir, Association criminelle (1955), where she played a self-destructive gangster's moll torn between evil crime boss Richard Conte and nice police lieutenant, Wilde. In the colourful Tueurs de feux à Maracaibo (1958),which was largely shot on location, she was an icy journalist, one third of a love triangle, involving Wilde as a 'Red' Adair-type action hero, dousing oil fires in Venezuela (featuring in the cast a young Michael Landon of Bonanza (1959) fame). Jean sang in the soundtrack, which she also did for both L'étoile des Indes (1954), and Le sable était rouge (1967) (though her acting part in this war picture was somewhat perfunctory). In Lancelot chevalier de la reine (1963), she was Guinevere to Wilde's Lancelot, who also co-produced and directed. Her last starring role was in Wilde's Terre Brûlée (1970), in which a family escapes from a post-apocalyptic world, not unlike Je suis une légende (2007)(or its earlier incarnation, Le survivant (1971)).
After divorcing Wilde in 1980, Jean lived with a menagerie of pets (including two snakes and a tarantula) in Beverly Hills until her death in February 1990.
