[go: up one dir, main page]

    Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
  • Biography
  • Awards
  • Trivia
IMDbPro

Kôji Wakamatsu(1936-2012)

  • Director
  • Producer
  • Writer
IMDbProStarmeterSee rank
Kôji Wakamatsu
The pioneering Kôji Wakamatsu (born Ito Takashi) was a contemporary of Oshima Nagisa and equally controversial, yet not as famous. The man was born in Miyagi Prefecture in the north of Japan before dropping out of agricultural school, some say following a physical altercation, moving to Tokyo at age seventeen, joining the yakuza and landing in prison for a year as a consequence. While with the yakuza he would work for the mob collecting payments on film sets among other thuggery. Upon release and following odd jobs he became an assistant to a film director and eventually make his own pink film erotic feature called Sweet Trap in 1963. Twenty or so films, including several acclaimed ones for Nikkatsu Studio, later he created his own Wakamatsu production where he and crew would push back against norms by shooting softcore pink features, violent movies, left-wing resistance cuts and even internationally bent movies on topics like the oppression of the Palestinian nation and the Japanese underground. His efforts would take him to events like the Berlin Film Festival - occasionally to the annoyance of the official motion picture association of Japan - and have him work with other avant-garde directors like the aforementioned Oshima. He would also be blacklisted by foreign governments like the United States, which imposed a travel ban on him. Both he and the mainstream moved closer to one another eventually and before his death in a car accident where he was hit by a taxi in 2012 several of his films had garnered mainstream interest and miscellaneous Japanese and foreign awards. At the time of his death he was returning from a meeting regarding his latest project, which concerned Japan's nuclear industry lobby and the Tokyo-based TEPCO company. The topical subject matter followed on the heels of the Fukushima nuclear disaster.
BornApril 1, 1936
DiedOctober 17, 2012(76)
BornApril 1, 1936
DiedOctober 17, 2012(76)
IMDbProStarmeterSee rank
  • Awards
    • 10 wins & 7 nominations total

Photos2

View Poster
View Poster

Known for

United Red Army (2007)
United Red Army
7.1
  • Director
  • 2007
Sennen no yuraku (2012)
Sennen no yuraku
6.5
  • Director
  • 2012
Jeune sainte torturé
  • Director
  • 1980
L'amour derrière les murs (1965)
L'amour derrière les murs
7.1
  • Director
  • 1965

Credits

Edit
IMDbPro

Director



  • Sennen no yuraku (2012)
    Sennen no yuraku
    6.5
    • Director
    • 2012
  • 25 novembre 1970: Le jour où Mishima choisit son destin (2012)
    25 novembre 1970: Le jour où Mishima choisit son destin
    6.0
    • Director
    • 2012
  • Kaien Hoteru · burû (2012)
    Kaien Hoteru · burû
    6.0
    • Director
    • 2012
  • Keitai Deka Zenigata Yui
    TV Series
    • Director
    • 2010
  • Le Soldat Dieu (2010)
    Le Soldat Dieu
    6.7
    • Director
    • 2010
  • United Red Army (2007)
    United Red Army
    7.1
    • Director
    • 2007
  • 17-sai no fûkei: Shônen wa nani o mita no ka (2004)
    17-sai no fûkei: Shônen wa nani o mita no ka
    6.2
    • Director
    • 2004
  • Kanzen-naru shiiku: Akai satsui (2004)
    Kanzen-naru shiiku: Akai satsui
    5.1
    • Director
    • 2004
  • Koi suru nichiyôbi
    TV Series
    • Director
    • 2003–2007
  • Tobu Wa Tengoku, Mo Guru Ga Jigoku (1999)
    Tobu Wa Tengoku, Mo Guru Ga Jigoku
    • Director
    • 1999
  • Coin de rue sans lendemain (1997)
    Coin de rue sans lendemain
    • Director
    • 1997
  • Endoresu warutsu (1995)
    Endoresu warutsu
    6.8
    • Director
    • 1995
  • Shingapôru suringu (1993)
    Shingapôru suringu
    5.5
    • Director
    • 1993
  • Les liaisons érotiques (1992)
    Les liaisons érotiques
    5.3
    • Director
    • 1992
  • Sosuke, le cocu (1992)
    Sosuke, le cocu
    6.2
    • Director
    • 1992

Producer



  • Sennen no yuraku (2012)
    Sennen no yuraku
    6.5
    • producer
    • 2012
  • 25 novembre 1970: Le jour où Mishima choisit son destin (2012)
    25 novembre 1970: Le jour où Mishima choisit son destin
    6.0
    • executive producer
    • 2012
  • Kaien Hoteru · burû (2012)
    Kaien Hoteru · burû
    6.0
    • planner
    • 2012
  • Le Soldat Dieu (2010)
    Le Soldat Dieu
    6.7
    • producer
    • 2010
  • United Red Army (2007)
    United Red Army
    7.1
    • executive producer
    • 2007
  • 17-sai no fûkei: Shônen wa nani o mita no ka (2004)
    17-sai no fûkei: Shônen wa nani o mita no ka
    6.2
    • producer
    • 2004
  • Sosuke, le cocu (1992)
    Sosuke, le cocu
    6.2
    • producer
    • 1992
  • Bimbari hai sukuru (1990)
    Bimbari hai sukuru
    5.1
    • producer
    • 1990
  • Yoshio Harada in Prêt à tirer (1990)
    Prêt à tirer
    6.3
    • executive producer
    • 1990
  • Matsui ichidai no shogeki (1986)
    Matsui ichidai no shogeki
    6.7
    • producer
    • 1986
  • Kagi (1983)
    Kagi
    • producer
    • 1983
  • Akai bôshi no onna (1982)
    Akai bôshi no onna
    4.9
    • producer
    • 1982
  • La piscine sans eau (1982)
    La piscine sans eau
    6.7
    • executive producer
    • 1982
  • Jeune sainte torturé
    • planner
    • 1980
  • Kaigenrei no yoru (1980)
    Kaigenrei no yoru
    • producer
    • 1980

Writer



  • Sennen no yuraku (2012)
    Sennen no yuraku
    6.5
    • screenplay
    • 2012
  • Kaien Hoteru · burû (2012)
    Kaien Hoteru · burû
    6.0
    • screenplay
    • 2012
  • United Red Army (2007)
    United Red Army
    7.1
    • screenplay
    • 2007
  • 17-sai no fûkei: Shônen wa nani o mita no ka (2004)
    17-sai no fûkei: Shônen wa nani o mita no ka
    6.2
    • story
    • 2004
  • Shingapôru suringu (1993)
    Shingapôru suringu
    5.5
    • written by
    • 1993
  • Tatsuya Fuji and Eiko Matsuda in L'Empire des sens (1976)
    L'Empire des sens
    6.6
    • Writer (uncredited)
    • 1976
  • Est-ce un viol forcé ou consenti?
    • Writer (as Tora Osugi)
    • 1975
  • Shoya no jôken
    • Writer (as Tora Ôsugi)
    • 1969
  • Violences dans le filet
    5.6
    • screenplay
    • 1967
  • Les anges violés (1967)
    Les anges violés
    6.8
    • writer
    • 1967
  • Le sang est plus rouge que le soleil (1966)
    Le sang est plus rouge que le soleil
    5.9
    • Writer
    • 1966
  • Le sang du désir coule (1965)
    Le sang du désir coule
    • Writer
    • 1965
  • Le curriculum vitae des liaisons sexuelles (1965)
    Le curriculum vitae des liaisons sexuelles
    5.7
    • Writer
    • 1965

Personal details

Edit
  • Official sites
    • Encyclopedia
    • Encyclopedia
  • Alternative names
    • Tora Osugi
  • Born
    • April 1, 1936
    • Wakuya-machi, Tôda-gun, Miyagi, Japan
  • Died
    • October 17, 2012
    • Tokyo, Japan(car accident)
  • Publicity listings
    • 1 Article

Did you know

Edit
  • Trivia
    Leading director of low-budget 'pink movies' ("pinku eiga"), usually on erotic or political themes.
  • Quotes
    [why the titles of his films were repetitive] Because the basic theme is the same, because all my films deal with the same primal element--the fight against authoritarianism, the individual hate and revenge against authority and repression. That hate and revenge explode in lust and violence. Is this bad?

Contribute to this page

Suggest an edit or add missing content
  • Learn more about contributing
Edit page

More to explore

Recently viewed

Please enable browser cookies to use this feature. Learn more.
Get the IMDb App
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb App
For Android and iOS
Get the IMDb App
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.