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Ozon and a stellar cast serve up an entertaining, if shallow caper that shades a little too close to #MeToo

François Ozon has directed plenty of complex, demanding and serious dramas: Everything Went Fine, Summer of 85 and By the Grace of God, along with adaptations of Fassbinder. But he also has a sweet tooth for breezy, silly, crowd-pleasing theatrical comedies like this one. Watching it is like being force-fed a large box of chocolates; moreish, though. There is certainly an amazing blue-chip cast of French movie-acting royalty, including Isabelle Huppert, Fabrice Luchini and André Dussollier.

The Crime Is Mine is adapted from a 1934 French stage comedy called Mon Crime by Georges Berr and Louis Verneuil which has already spawned two different madcap Hollywood versions in the 30s and 40s, respectively starring Carole Lombard and Betty Hutton. Nadia Tereszkiewicz plays Madeleine, an impecunious would-be stage star, engaged to wealthy young...

They say that history progresses in cycles, and Europe in the 2020s has much in common, socially and politically, with the 1930s. On the one hand, there have been striking advances in the rights of women and sexual minorities, the arts are thriving and everyone seems dazzled by celebrity culture. On the other, fascist movements are growing in strength and it is widely known that there is a culture of abuse and exploitation in the arts and elsewhere, with efforts to stamp it out making limited progress. Georges Berr and Louis Verneuil’s stage play Mon Crime captured all of this back in 1934. Ninety years later, who better to adapt it for the silver screen than François Ozon, who builds upon the high camp style of his sensational 8 Women to present it as a sugary delight with a delightfully bitter aftertaste.

Nadia Tereszkiewicz is Madeleine, a glamorous young actress.

Parkland has unleashed the trailer for François Ozon’s satire ‘The Crime is Mine’ featuring Isabelle Huppert.

Paris in the 1930s — a playground for industrial heirs and debonair architects, but the City of Lights does not shine evenly for all. Struggling actress Madeleine (Nadia Terezkiewicz) and her best friend Pauline (Rebecca Marder), an unemployed lawyer, live in a cramped flat and owe five months’ rent. Opportunity knocks after a lascivious theatrical producer who made an inappropriate advance towards Madeleine turns up dead. Madeleine stands trial for murder and ascends to decadent stardom, with Pauline serving as defence counsel and media circus ringmaster. A new life of fame, wealth and tabloid celebrity awaits — until the truth comes out.

Adapted from a 1934 play by Georges Berr and Louis Verneuil, the cast includes Isabelle Huppert, Dany Boon and Fabrice Luchini.

Also in trailers – Trailer drops for Steve McQueen’s ‘Blitz’

The film hits...

The Crime Is Mine is a fun and fast-paced film set in 1930s Paris, with a witty dialogue and a screwball comedy feel. The movie combines old and new elements seamlessly, from period costuming to physical comedy, creating a charming blend of styles. The film explores themes of loyalty, female connection, and lesbian subtext, while also touching on the sensationalization of trials and media obsession with crime.

The Crime Is Mine, the latest project from François Ozon (Swimming Pool), is pure indulgent fun. Set in Paris in the 1930s, we meet two friends, struggling actress Madeleine (Nadia Tereszkiewicz) and unsuccessful lawyer Pauline (Rebecca Marder). They're five months behind on rent for their cramped apartment, unlucky in love, and unemployed. However, when Madeleine rejects the advances of a lecherous producer shortly before he is found shot dead, she becomes the investigation's prime suspect. Realizing they have a chance at fame and fortune,...

Quick, silly and lent weight only by the costume department’s copious wigs and furs, “The Crime Is Mine” finds tireless French auteur François Ozon in the playful period pastiche mode of “Potiche” and “8 Women.” It’s a film less about any frenetic onscreen shenanigans as it is about its own mood board of sartorial and cinematic reference points — Jean Renoir, Billy Wilder, some vintage Chanel — and as such it slips down as fizzily and forgettably as a bottle of off-brand sparkling wine. This story of an aspiring stage star standing trial for a top impresario’s murder (and making the most of her moment in the tabloid flashbulbs) may be based on a nearly 90-year-old play, but for those versed more in Hollywood and Broadway than in French theater, Ozon’s adaptation resembles a kind of diva fanfic: What if Roxie Hart went up against Norma Desmond, except in rollicking 1930s Paris?...

Salaar: Part 1 – Ceasefire saw $2.5 million in Thursday previews as the Telugu action thriller opens in about 800 locations in North America. Bollywood superstar Shah Ruhk Kan toplines drama Dunki, his third film of the year after Pathaan and Jawan, both in the top ten of India’s highest-grossing films.

Presented by Moksha Movies/Pathyangira Cinemas, Salaar directed by Prashanth Neel, stars Prabhas and Prithviraj Sukumaran in the story of a gang leader who makes a promise to a dying friend.

Indian films are a mainstay at the specialty box office, some weekends more than others. This is a big one. Key indie openings include Searchlight Pictures’ much-nominated All Of Us Strangers by Andrew Haigh; Michel Franco’s Memory from Ketchup Entertainment; Freud’s Last Session from Sony Pictures Classics’ and Music Box Pictures’ The Crime Is Mine, all in limited release.

On Salaar: Prabhas (Baahubali) is one of the biggest stars of Telugu cinema.

Theatricality is the name of the game in The Crime Is Mine — for both the characters and the actors playing them. Even when the subject is murder, penury or thwarted ambition, everyone seems to be having a blast in François Ozon’s latest. Based on a 1934 play and set in the mid-’30s, the comedy opens with the image of a red velvet stage curtain, abounds in exquisite art deco flourishes, and is propelled by a screwball zaniness that arrives as a welcome antidote to awards season’s Serious Cinema Syndrome.

Sending up celebrity, the legal system and a medley of movie tropes, Ozon has spun serious ingredients into a zesty soufflé, albeit one that doesn’t avoid a sense of deflation. Led by two relative newcomers, with colorful support from a who’s who of French movie stars — key among them Isabelle Huppert, Fabrice Luchini, Dany Boon and André Dussollier...

François Ozon’s fizzy comedy The Crime Is Mine, a loose adaptation of Georges Berr and Louis Verneuil’s 1934 play Mon crime, begins with murder, poverty, and a suicide threat. But the film delivers this material with such a bubbly optimism that it wouldn’t be a surprise if the cast broke into a choreographed number from Gold Diggers of 1933.

Set in 1935 Paris, the film follows two best friends fending off criminal charges, eviction, and professional failure. Struggling actress Madeleine (Nadia Tereszkiewicz) flees the casting couch of producer Montferrand (Jean-Christophe Bouvet) only to discover that he was later murdered and that she’s the prime suspect. Her roommate, Pauline (Rebecca Marder), a struggling lawyer, offers to defend her. Given the media’s hyperventilating coverage of other accused female killers, Madeleine figures that a splashy trial could help her and Pauline’s careers. Madeleine then falsely confesses to shooting Montferrand and takes Pauline as her lawyer,...

"Life is so different now." Music Box Films has revealed an official US trailer for the French crime comedy titled The Crime Is Mine, one of the latest films from filmmaker François Ozon. This already opened in Europe earlier in 2023, some may already be familiar with it, but it's only coming to the US this December. Madeleine Verdier, a young actress, is accused of murdering a famous producer – but did she really do it? After being acquitted in court, she begins her new life of fame and success bolstered by the attention, until the truth finally comes out. Starring Nadia Terezkiewicz and Rebecca Marder, a satirical commentary on cancel culture and the #MeToo movement with a tale of murderous women. Adapted from a 1934 play by Georges Berr & Louis Verneuil, featuring a murder's row of a supporting cast members: Isabelle Huppert, Dany Boon, and Fabrice Luchini. The Crime Is Mine is...

Music Box Films has dropped the trailer for “The Crime Is Mine,” François Ozon’s screwball comedy set in 1930s Paris starring Nadia Tereszkiewicz, Rebecca Marder and Isabelle Huppert.

A showbiz caper with a feminist edge in the vein of Ozon’s “8 Women” and “Potiche,” “The Crime Is Mine” will open in New York on Dec. 25, followed by Los Angeles and a national expansion.

Tereszkiewicz, who won a César award for best newcomer for her performance in “Forever Young,” stars as a struggling actress, Madeleine, who lives with her best friend, Pauline (Marder), an unemployed lawyer, in a cramped flat. Opportunity knocks after a lascivious theatrical producer who made an inappropriate advance toward Madeleine turns up dead. Madeleine admits to the crime and is acquitted on the grounds of self-defense — and in result becomes a star, as well as a feminist icon.

“The Crime Is Mine” was freely adapted...

Music Box Films has acquired the US distribution rights to “The Crime is Mine” (“Mon Crime”). François Ozon directs the comedy of errors starring newcomers Rebecca Marder and Nadia Terezkiewicz, alongside Isabelle Huppert, Fabrice Luchini, Dany Boon, and André Dussolier.

Music Box is aiming for a theatrical release later this year with a home video release to follow.

The picture, based on George Berr and Louis Verneuil’s 1934 play, concerns a struggling actress (Terezkiewicz) and her roommate (Marder), an unemployed attorney in 1930’s Paris. Madeleine ends up on trial for the murder of a movie producer, while Pauline serves as both defense counsel and media circus ringmaster to both of their mutual benefit. Their post-acquittal life of fame, fortune and glory is eventually undercut by certain revelations.

“The Crime is Mine” marks Music Box Films’ fifth collaboration with director Ozon, following “Potiche,” “Frantz,” “By the Grace of God” and “Summer of 85.

Music Box Films has picked up the U.S. rights to The Crime Is Mine, the post #MeToo comedy from French director François Ozon and which stars Rebecca Marder, Nadia Tereszkiewicz and Isabelle Huppert.

A theatrical release is planned for later this year for the period film, with a home entertainment release to follow, the distributor said in an announcement timed for the start of the Cannes Film Festival.

Fabrice Luchini, Dany Boon, and André Dussolier round out the ensemble cast for The Crime is Mine, which follows struggling actress Madeleine, played by Tereszkiewicz, and her best friend and roommate Pauline (Rebecca Marder), an unemployed lawyer in 1930s Paris.

Madeleine secures fame after standing trial for the murder of a lascivious movie producer, with Pauline serving as defense counsel and media circus ringmaster. The Crime is Mine is adapted from a 1934 play by Georges Berr and Louis Verneuil.

Music Box...

Music Box Films has bought U.S. rights to “The Crime Is Mine” (“Mon Crime”), a period comedy by French helmer François Ozon.

“The Crime Is Mine” stars Rebecca Marder and Nadia Tereszkiewicz, who just won the Cesar Award for female newcomer, alongside Isabelle Huppert, Fabrice Luchini, Dany Boon and André Dussolier. Music Box Films plans a theatrical release for later this year, followed by a home entertainment rollout.

Adapted from a 1934 play by Georges Berr and Louis Verneuil, “The Crime Is Mine” follows struggling actress Madeleine (Tereszkiewicz), and her best friend and roommate Pauline (Marder), an unemployed lawyer in 1930s Paris. Madeleine ascends to fame after standing trial for the murder of a movie producer, with Pauline serving as defense counsel and media circus ringmaster. Upon Madeleine’s acquittal, a new life of fame, wealth and tabloid celebrity awaits — until the truth comes out.

The acquisition marks Music Box Films’ fifth collaboration with Ozon,...

After “Peter van Kant,” French director François Ozon goes many shades lighter to revisit gender and power dynamics in “The Crime Is Mine,” a lush ensemble comedy set in 1930s Paris.

Loosely inspired by the 1934 play by Georges Berr and Louis Verneuil, the film tells the story of Madeleine, a pretty, young and penniless actress, who is accused of murdering a famous producer. Helped by her best friend Pauline, a jobless lawyer, she is acquitted on the grounds of self-defense and becomes a star, as well as a feminist icon.

“The Crime Is Mine,” produced by Mandarin Cinema, brings together a sprawling cast, led by a pair of up-and-coming actors, Nadia Tereszkiewicz (“Forever Young”) and Rebecca Marder (“Simone”), alongside Isabelle Huppert, Fabrice Luchini, André Dussolier, Dany Boon and Félix Lefebvre. The movie has been sold by Playtime in many key markets.

Ozon discussed his new film with Variety following its...

“The Crime Is Mine,” the new star-studded film by revered French director Francois Ozon, has been boarded by a raft of major distributors in key markets.

Represented by Playtime, the crowd-pleasing comedy had its world premiere on the opening night of the Unifrance Rendez-Vous in Paris and drew laughter throughout the screening, along with a long ovation.

Lushly lensed in an idealized Paris of the 1930s, “The Crime Is Mine” brings together a sprawling cast, led by a pair of up-and-coming actors, Nadia Tereszkiewicz (“Forever Young”) and Rebecca Marder (“Simone”), alongside Isabelle Huppert, Fabrice Luchini, André Dussolier, Dany Boon and Félix Lefebvre.

“The Crime Is Mine” has been acquired for Canada (Sphere Films), Spain (Caramel), Italy (Bim), Greece (Filmtrade), Germany (Welkino), Austria (Filmladen) Benelux (September Films), Switzerland (Filmcoopi), Bulgaria (Cinelibri), Hungary (Vertigo), Baltics, Cis (A-One), Ukraine (Arthouse Traffic), Romania (Independenta Film) and Former Yugoslavia (McF).

Playtime scored these deals after...

Mon Crime

In his usual form, the indefatigable French filmmaker François Ozon filmed his twenty-second feature last April with the likes of Rebecca Marder and Nadia Tereszkiewicz toplining with an impressive supporting cast comprised of Isabelle Huppert, Dany Boon and Fabrice Luchini. Formerly known as Madeleine, Mon Crime (aka The Crime is Mine) set in the ’30’s and feature two young women tag-teaming against an unfair system. It’s an adaptation of the play of the same name by Georges Berr and Louis Verneuil, which begins with the murder of a Parisian banker. Mon Crime was selected as the opening night of the Rendez-Vous with French Cinema in Paris.…...

In a major casting coup, The Assistant star Julia Garner has beat out Florence Pugh, Alexa Demie, Odessa Young, and more to be offered the role of Madonna in the forthcoming biopic directed by the artist herself, Variety reports. Backed by Universal Pictures, the film will follow the early days of the iconic star.

Isabelle Huppert, Fabrice Luchini, Dany Boon, Nadia Tereszkiewicz, and André Dussollier are leading the cast of François Ozon’s new feature Madeleine, Cineuropa reports. While the plot hasn’t been officially confirmed, production began last April and it’s reported to be a 1935-set adaptation of Georges Berr and Louis Verneuil’s play Mon crime, following the aftermath of the murder of a Parisian banker and an innocent woman who takes responsibility and life is transformed after being acquitted.

Lastly, Kristin Scott Thomas is in production on her directorial debut The Sea Change and has found a star in Scarlett Johansson.

Paul Henreid: From lighting two cigarettes and blowing smoke onto Bette Davis’ face to lighting two cigarettes while directing twin Bette Davises Paul Henreid is back as Turner Classic Movies’ Star of the Month of July 2013. TCM will be showing four movies featuring Henreid (Now, Voyager; Deception; The Madwoman of Chaillot; The Spanish Main) and one directed by him (Dead Ringer). (Photo: Paul Henreid lights two cigarettes on the set of Dead Ringer, while Bette Davis remembers the good old days.) (See also: “Paul Henreid Actor.”) Irving Rapper’s Now, Voyager (1942) was one of Bette Davis’ biggest hits, and it remains one of the best-remembered romantic movies of the studio era — a favorite among numerous women and some gay men. But why? Personally, I find Now, Voyager a major bore, made (barely) watchable only by a few of the supporting performances (Claude Rains, Best Supporting Actress Academy Award nominee...

Today's generation is surrounded by technology. Rapidly-advancing tools of all sorts are so prevalent in every aspect of our lives that we depend on them, nay, expect them to make our lives easier, more enjoyable, and more interesting. Multi-billion dollar industries such as cinema are in no way immune from the public's desire for bigger and better things. Moviegoers have the options of watching films in a variety of locales, in IMAX or 3D, via regular projection screens or the latest in digital picture. For those who prefer to stay close to home, the options multiply. Satellite TV, cable TV, Redbox, a widespread availability of DVDs, and even the disappearing neighborhood rental store all combine to contain every movie that the discerning film aficionado could ever hope to watch, available at the push of a button or a short drive up the street.

Well... almost every movie. It may seem...