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Evgeniya Uralova in Aty-baty, shli soldaty... (1977)

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Evgeniya Uralova

Marlen Khutsiev
Marlen KhutsievI discovered the name Marlen Khutsiev two summers ago at the Locarno Film Festival, where Russian critic and programmer Boris Nelepo introduced an increasingly awestruck audience to the small but overwhelming filmography of this Russian filmmaker. Thankfully for American audiences, the Museum of Modern Art has picked up and continued this essential retrospective, which starts October 5 in New York, expanding it in the process, and so here I will gather my thoughts upon encountering this truly stunning work for the first time.My experience began incongruously with Khutsiev’s last completed feature, 1992's Infinitas, an unexpected choice considering that the film's 206 minute wanderings of a middle-aged man through his life and memories was even to this uninformed viewer clearly autobiographical. After next viewing Khutsiev's 1965 masterpiece variably known as Fortress Il'ichi, Ilych's Gate and I Am Twenty, it was clear that Infinitas is also a continuation or sequel to that semi-autobiographical film,...
See full article at MUBI
  • 10/4/2016
  • MUBI
Behind the Celluloid Curtain: #2 "July Rain"
This letter is part of "Behind the Celluloid Curtain," a series of correspondences between Scout Tafoya and Veronika Ferdman on the topic of Soviet cinema, with each series organized around a theme. This particular series focuses on love in a time of discontent.Dear Scout,I have wanted to discuss Soviet cinema with someone for so very, very long. Despite being born in the former Soviet Union (and spending the greater part of my childhood in the United States) it took me a long time to turn my eyes to Soviet films. You asked what I was told about that country (or, really, idea) while growing up, but perhaps out of some subconscious desire to assimilate as quickly as possible I spent much of my childhood and adolescence skirting around the issue of my heritage—I didn't read the literature, watch the films, or want anything to do with that part of myself.
See full article at MUBI
  • 10/5/2015
  • by Veronika Ferdman
  • MUBI
Locarno 2015. Day 4
Early this morning I left the cinema from one film on the way to another when a friend said why not this instead of that? Since nothing was driving me in my original direction more than curiosity, and my friend's own sparked more than enough for this other possibility, my path was diverted, as can happen so serendipitously at a film festival. And indeed I owe my friend thanks, as what I saw, Thithi, the debut feature by 25-year-old independent Indian director Raam Reddy, is the best new film I've so far seen in Locarno.Its beginning already promised greatness: a crumpled down, cranky old man sits in his village thoroughfare hilariously heckling and insulting every man, woman and child passing him by, each of whom pay him no mind. Walking to the nearest alley to relieve himself, this venerable citizen keels over, sending the story after his elderly son,...
See full article at MUBI
  • 8/13/2015
  • by Daniel Kasman
  • MUBI
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