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Shirley Ulmer

Model Shop
Columbia sets Jacques Demy loose on the streets of Los Angeles in the pivotal year of 1968. Although it puts a coda on the French director’s bundle of romantic films, with his special philosophical approach to Love, this starring picture for Anouk Aimée and Gary Lockwood doesn’t quite catch fire in the same way. If our City of the Angels indeed defeated Demy’s unstoppable knack for romantic delirium, we owe him an apology.

Model Shop

Blu-ray

Twilight Time

1969 / Color / 1:85 widescreen / 97 min. / Street Date April 17, 2018 / Available from the Twilight Time Movies Store / 29.95

Starring: Anouk Aimée, Gary Lockwood, Alexandra Hay, Carol Cole, Tom Holland, Severn Darden, Neil Elliot, Mille, Duke Hobbie, Anne Randall, Craig Littler, Hilarie Thompson, Jeanne Sorel, Fred Willard.

Cinematography: Michel Hugo

Film Editor: Walter Thompson

Shirley Ulmer: Script Supervisor!

Original Music: Spirit

Written by Jacques Demy, Carole Eastman

Produced and Directed by Jacques Demy

The...
See full article at Trailers from Hell
  • 5/12/2018
  • by Glenn Erickson
  • Trailers from Hell
The Man from Planet X
The first visitor from outer space in the ’50s sci-fi boom is one very curious guy, dropping to Earth in a ship like a diving bell and scaring the bejesus out of Sally Field’s mother. Micro-budgeted space invasion fantasy gets off to a great start, thanks to the filmmaking genius of our old pal Edgar G. Ulmer.

The Man from Planet X

Blu-ray

Scream Factory / Shout! Factory

1951 / B&W / 1:37 flat Academy / 71 min. / Street Date July 11, 2017 / 27.99

Starring: Robert Clarke, Margaret Field, Raymond Bond, William Schallert, Roy Engel, David Ormont.

Cinematography: John L. Russell

Film Editor: Fred R. Feitshans, Jr.

Original Music: Charles Koff

Written and Produced by Aubrey Wisberg, Jack Pollexfen

Directed by Edgar G. Ulmer

One of the first features of the 1950s Sci-Fi boom, 1951’s The Man from Planet X set a lot of precedents, cementing the public impression of ‘little green men from Mars’ and...
See full article at Trailers from Hell
  • 6/16/2017
  • by Glenn Erickson
  • Trailers from Hell
Castle season 8 episode 18 review: Backstabber
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Castle devotes an entire season 8 episode to developing the character of Hayley...

This review contains spoilers.

8.18 Backstabber

This week, Hayley was solidly inducted into the ranks of Castle regulars by getting an episode about her. The purpose of these kinds of episodes is to give us background and real texture to the characters that surround Beckett and Castle. They explain why these characters are who they are—because while Castle has a fine cast, it’s not really an ensemble show. Rick and Kate get character development of one kind or another in almost every episode. But it’s hard to really learn much about the secondary characters because of their limited time on-screen.

Thus we've had episodes about all of our regulars, like the one about Kevin Ryan’s past as an undercover cop that highlights for us where the steel that he occasionally shows in dealing with suspects comes from.
See full article at Den of Geek
  • 4/25/2016
  • Den of Geek
Castle season 8 episode 17 review: Death Wish
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Rick goes off the fantasy deep-end in this week's left-field Aladdin-themed episode of Castle...

This review contains spoilers.

8.17 Death Wish

If last week’s episode, Heartbreaker, was an excellent example of one of my favorite types of Castle episodes, then this week’s Death Wish, is one of my least favorite. And that’s because it invalidates an important part of who Rick Castle is.

Sometimes, it’s hard to tell where Nathan Fillion ends and Rick Castle begins. And that’s been entirely intentional. The role of Castle was designed, let’s face it, to take the larger-than-geek-life charisma of Fillion and deliver it to a more mainstream audience without diminishing what we geeks love about Nathan.

Whether you’ve seen him on a stage at a panel, giving an interview, or had an autograph or photograph session with Fillion, you’re likely to report the...
See full article at Den of Geek
  • 4/18/2016
  • Den of Geek
Castle season 8 episode 16 review: Heartbreaker
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Castle's talented actors continue to be its best draw, as this Esposito-focused episode shows...

This review contains spoilers.

8.16 Heartbreaker

Heartbreaker is one of my favorite kinds of Castle episodes—if you ignore the first two minutes.

As I have made it abundantly clear in my reviews, the strength of this show is its actors. Time and again, they save episodes that would otherwise be damned by uneven writing and misjudged instincts on the part of the new showrunners. Their individual skills and the chemistry they exude as a group is what keeps us holding on even when it seems like the show is spiralling downward.

So any episode which tightly focuses in on one of their characters is almost always a joy to watch, and Heartbreaker, which put Javier Esposito in the limelight, is no exception.

It seems that nine years ago—or not long before we met Esposito,...
See full article at Den of Geek
  • 4/11/2016
  • Den of Geek
Castle season 8 episode 15 review: Fidelis Ad Mortem
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Castle and Beckett's relationship remaining a secret is a stretch too far in the latest episode of Castle...

This review contains spoilers.

8.15 Fidelis Ad Mortem

The term “deconstruction” tends to be one that confuses a lot of people and with good reason. If you look at the word itself, you might think, as most people do, that it means to pull something apart piece by piece—to analyse it, really.

When theorists use the term, however, they are talking about something else. When they throw it out there, they aren’t really talking about what the reader or viewer is doing when they look at a text, but what the text does to itself. Jacques Derrida, who coined the term, spent forty years of his life trying to define it, so it’s complex, but Richard Rorty sums it up nicely when he said, that it is...
See full article at Den of Geek
  • 4/4/2016
  • Den of Geek
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