Lamar Trotti(1900-1952)
- Writer
- Producer
- Music Department
Author and screenwriter, often preoccupied with American history as
viewed from a Southern perspective. Born in Atlanta, Trotti studied
writing at Columbia University and was also the first person to
graduate from the University of Georgia's Henry Grady School of
Journalism. In 1923, he became the youngest editor employed by a
newspaper owned by the Hearst Press, The Georgian. From 1925, Trotti
worked in New York for the Motion Picture Producers and Distributors of
America, moving on to Hollywood in 1932. He spent virtually his entire
career at 20th Century Fox as writer/producer: from 1933 until his
untimely death in 1952. He wrote screenplays for a wide range of
genres, including war films, westerns, comedies and biopics. The
majority of these were critical and box office hits.
Recurring motifs in Trotti's work are life in a romanticised Deep South (Steamboat Round the Bend (1935), Can This Be Dixie? (1936)), the Civil War (Vers sa destinée (1939), La Reine des rebelles (1941), L'étrange incident (1942)), pioneering history (Sur la piste des Mohawks (1939), L'Odyssée des Mormons (1940), Les trappeurs de l'Hudson (1940)) and rustic, small town Americana (Treize à la douzaine (1950)). Invariably, his screenplays have benefited from a profound knowledge of American history and politics and his keen eye for characterisation.
His peers in the industry regarded Trotti as a man of considerable integrity. He was generally described as of quiet, self-effacing nature, possessed of strong moral convictions. His contributions were recognised thirty-one years after his death with a prestigious Screen Laurel Award from the Writer's Guild of America.
Recurring motifs in Trotti's work are life in a romanticised Deep South (Steamboat Round the Bend (1935), Can This Be Dixie? (1936)), the Civil War (Vers sa destinée (1939), La Reine des rebelles (1941), L'étrange incident (1942)), pioneering history (Sur la piste des Mohawks (1939), L'Odyssée des Mormons (1940), Les trappeurs de l'Hudson (1940)) and rustic, small town Americana (Treize à la douzaine (1950)). Invariably, his screenplays have benefited from a profound knowledge of American history and politics and his keen eye for characterisation.
His peers in the industry regarded Trotti as a man of considerable integrity. He was generally described as of quiet, self-effacing nature, possessed of strong moral convictions. His contributions were recognised thirty-one years after his death with a prestigious Screen Laurel Award from the Writer's Guild of America.
