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Jacques Tourneur(1904-1977)

  • Director
  • Second Unit Director or Assistant Director
  • Editor
IMDbProStarmeterSee rank
Jacques Tourneur
Born in Paris in 1904, Tourneur went to Hollywood with his father, director Maurice Tourneur around 1913. He started out as a script clerk and editor for his father, then graduated to such jobs as directing shorts (often with the pseudonym Jack Turner), both in France and America. He was hired to run the second unit for David O. Selznick's Le marquis de Saint-Evremond (1935), where he first met Val Lewton. In 1942, when Lewton was named to head the new horror unit at RKO, he asked Tourneur to be his first director. The result was the highly artistic (and commercially successful) La Féline (1942). Tourneur went on to direct masterpieces in many different genres, all showing a great command of mood and atmosphere.
BornNovember 12, 1904
DiedDecember 19, 1977(73)
BornNovember 12, 1904
DiedDecember 19, 1977(73)
IMDbProStarmeterSee rank
  • Awards
    • 2 nominations total

Photos3

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Known for

Simone Simon in La Féline (1942)
La Féline
7.2
  • Director
  • 1942
Robert Mitchum and Jane Greer in La griffe du passé (1947)
La griffe du passé
8.0
  • Director
  • 1947
Vaudou (1943)
Vaudou
7.0
  • Director
  • 1943
Thomas Gomez, Louis Jourdan, and Jean Peters in La flibustière des Antilles (1951)
La flibustière des Antilles
6.6
  • Director
  • 1951

Credits

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IMDbPro

Director



  • Cinéma de minuit (1976)
    Cinéma de minuit
    8.4
    TV Series
    • Director
    • 2009
  • Robert Loggia in T.H.E. Cat (1966)
    T.H.E. Cat
    8.0
    TV Series
    • Director
    • 1966
  • War-Gods of the Deep (1965)
    War-Gods of the Deep
    5.3
    • Director
    • 1965
  • Rod Serling in La quatrième dimension (1959)
    La quatrième dimension
    9.0
    TV Series
    • Director
    • 1964
  • Peter Lorre, Vincent Price, Basil Rathbone, and Joyce Jameson in Le croque-mort s'en mêle (1963)
    Le croque-mort s'en mêle
    6.5
    • Director
    • 1963
  • Gardner McKay in Aventures dans les îles (1959)
    Aventures dans les îles
    8.1
    TV Series
    • Director
    • 1962
  • Tuesday Weld in Ombres sur le soleil (1961)
    Ombres sur le soleil
    7.3
    TV Series
    • Director
    • 1962
  • Ronald Reagan in General Electric Theater (1953)
    General Electric Theater
    6.7
    TV Series
    • Director
    • 1955–1961
  • Fury River (1961)
    Fury River
    5.1
    • Director
    • 1961
  • Barbara Stanwyck in The Barbara Stanwyck Show (1960)
    The Barbara Stanwyck Show
    7.4
    TV Series
    • Director
    • 1960–1961
  • Aftermath (1960)
    Aftermath
    TV Movie
    • Director
    • 1960
  • Bonanza (1959)
    Bonanza
    7.3
    TV Series
    • Director
    • 1960
  • Mission of Danger (1960)
    Mission of Danger
    5.1
    • Director
    • 1960
  • La bataille de Marathon (1959)
    La bataille de Marathon
    5.1
    • Director
    • 1959
  • Roger Moore in The Alaskans (1959)
    The Alaskans
    8.1
    TV Series
    • Director
    • 1959

Second Unit or Assistant Director



  • Louis Jouvet in Volpone ou l'amour de l'or (1941)
    Volpone ou l'amour de l'or
    7.1
    • assistant director (uncredited)
    • 1941
  • Norma Shearer in Marie-Antoinette (1938)
    Marie-Antoinette
    7.3
    • assistant director (uncredited)
    • 1938
  • Le patriote (1938)
    Le patriote
    5.5
    • assistant director (uncredited)
    • 1938
  • Samson (1936)
    Samson
    6.8
    • assistant director (uncredited)
    • 1936
  • Elizabeth Allan, Ronald Colman, and Donald Woods in Le marquis de Saint-Evremond (1935)
    Le marquis de Saint-Evremond
    7.8
    • second unit director (uncredited)
    • 1935
  • Leo Carrillo, Louise Fazenda, and Ted Healy in The Winning Ticket (1935)
    The Winning Ticket
    5.3
    • second unit director
    • 1935
  • Régine Dancourt, Lucien Gallas, and Firmin Gémier in La fusée (1933)
    La fusée
    • assistant director
    • 1933
  • Fernandel, Jean Gabin, and Raimu in Les gaîtés de l'escadron (1932)
    Les gaîtés de l'escadron
    5.8
    • assistant director
    • 1932
  • Au nom de la loi (1932)
    Au nom de la loi
    6.4
    • assistant director (uncredited)
    • 1932
  • Partir (1931)
    Partir
    5.1
    • assistant director
    • 1931
  • Accusée... levez-vous! (1930)
    Accusée... levez-vous!
    5.7
    • assistant director
    • 1930
  • Le navire des hommes perdus (1929)
    Le navire des hommes perdus
    6.6
    • assistant director
    • 1929
  • Eleanor Boardman and William Haines in Marine d'abord! (1926)
    Marine d'abord!
    7.1
    • second assistant director (uncredited)
    • 1926

Editor



  • Un nom qui rapporte (1933)
    Un nom qui rapporte
    5.8
    • Editor
    • 1933
  • Le voleur (1933)
    Le voleur
    6.3
    • Editor
    • 1933
  • Régine Dancourt, Lucien Gallas, and Firmin Gémier in La fusée (1933)
    La fusée
    • Editor
    • 1933
  • Fernandel, Jean Gabin, and Raimu in Les gaîtés de l'escadron (1932)
    Les gaîtés de l'escadron
    5.8
    • Editor
    • 1932
  • Au nom de la loi (1932)
    Au nom de la loi
    6.4
    • Editor
    • 1932
  • Partir (1931)
    Partir
    5.1
    • Editor
    • 1931
  • Maison de danses (1931)
    Maison de danses
    5.1
    • Editor
    • 1931
  • Accusée... levez-vous! (1930)
    Accusée... levez-vous!
    5.7
    • Editor
    • 1930

Personal details

Edit
  • Alternative names
    • Jack Tourneur
  • Born
    • November 12, 1904
    • Paris, France
  • Died
    • December 19, 1977
    • Bergerac, Dordogne, France(undisclosed causes)
  • Spouse
    • Christiane TourneurApril 22, 1935 - December 19, 1977 (his death)
  • Parents
      Maurice Tourneur
  • Publicity listings
    • 3 Print Biographies
    • 3 Articles

Did you know

Edit
  • Trivia
    He has directed two films that have been selected for the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically" significant: La Féline (1942) and La griffe du passé (1947).
  • Quotes
    Largely, I hate doing television; it's horrible. It's against everything I believe in; if you don't bring some of your individuality and some of your experience and sensitivity to bear on a subject, you don't get more than a mechanical result.

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