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IMDbPro

Robert Todd(I)

  • Sound Department
  • Director
  • Editor
IMDbProStarmeterSee rank
American experimental filmmaker Robert 'Rob' Todd was raised in Westchester, NY, studied painting and film at Tufts University / School of the Museum of Fine Arts, Boston, and taught film at a small, New England, liberal-arts college. Todd and produced over 175 films, which are to be housed at the Film Archive of the Academy of Motion Picture Arts and Sciences. The filmmaker's extensive collection of rare, historic film and video, books, and imprints are housed as a resource for future generations of historians, artists and filmmakers at the CalArts Library.

Rob Todd's media works defy categorization, but he was perhaps best known for his creation of intimate, lyrical works that gave insight into the fragility of both humankind and nature. During his life, Todd's films were screened at many international film festivals, including Rotterdam, New York, San Francisco, Black Maria, Nouveau Cinema (Montréal), Ann Arbor, Slamdance, and many others. After his death his works continue to be screened and studied.

Todd's films cover a broad range of genres, from abstract (e.g. "Gems" - shining droplets of water on branches) to documentary (e.g. "In Loving Memory: Testimonials of Death Row Inmates Regarding Life" and "Master Plan"). Todd received grants and awards from various festivals and foundations, including the LEF Foundation, The Brother Thomas Award from The Boston Foundation, and the Massachusetts Cultural Council, among others.

Todd's work and approach to creating art had a profound impact on generations of experimental filmmakers. After his death, collaborator Brittany Gravely said of him, "Obsessively shooting and making films, Rob lost the need to use a light meter and, eventually, a splicer. I was surprised he still required a camera."

A former student of his said, "Rob Todd taught me the one thing that was crucial about filmmaking - discovery. Not story, not character, not theme, all of which can be callously recycled or poorly executed. No! It's discovery. Everything that is exciting, that moves the blood around your body, that makes you shiver, that opens your eyes wider, that connects your soul, is tied to the process of discovery. Of having your eyes open and your camera ready."

Rob died in August 2018 and is survived by his wife, writer and painter Tessa Day.
DiedAugust 16, 2018
DiedAugust 16, 2018
IMDbProStarmeterSee rank
Add photos, demo reels
  • Awards
    • 3 wins & 1 nomination total

Known for

Undergrowth (2011)
Undergrowth
7.0
Short
  • Sound Department
  • 2011
Speak
6.3
Short
  • Director(as Rob Todd)
  • 1999
Rayning
6.8
Short
  • Director
  • 2011
Imperceptihole (2011)
Imperceptihole
7.0
Short
  • Director
  • 2011

Credits

Edit
IMDbPro

Sound Department



  • Independent Lens (1999)
    Independent Lens
    8.1
    TV Series
    • assistant sound editor
    • 2014
  • Paper Kite (2013)
    Paper Kite
    Short
    • sound editor
    • 2013
  • At Berkeley (2013)
    At Berkeley
    7.2
    • assistant sound editor
    • 2013
  • Undergrowth (2011)
    Undergrowth
    7.0
    Short
    • sound
    • 2011
  • Aux origines de l'humanité (1974)
    Aux origines de l'humanité
    8.7
    TV Series
    • sound editor
    • sound designer
    • assistant sound editor
    • 1998–2011
  • Ward's Pond
    Short
    • sound mixer (as Rob Todd)
    • 2009
  • For the Love of Movies: The Story of American Film Criticism (2009)
    For the Love of Movies: The Story of American Film Criticism
    6.3
    • sound mixer
    • 2009
  • The Storm
    Short
    • sound designer
    • 2007
  • Venezuela bolivariana: pueblo y lucha de la IV guerra mundial
    6.8
    • sound
    • 2004
  • Dario Tangelson in La guerra que no fue (2004)
    La guerra que no fue
    6.7
    Short
    • sound editor
    • 2004
  • Touched (2003)
    Touched
    6.3
    • sound designer (as Robb Todd)
    • 2003
  • My Father, the Genius (2002)
    My Father, the Genius
    6.8
    • sound editor (as Robb Todd)
    • 2002
  • David Ogden Stiers, David McCullough, and Michael Murphy in American Experience (1988)
    American Experience
    8.6
    TV Series
    • sound editor
    • 2000
  • Sight
    • sound editor
    • 1994

Director



  • Shrine
    Short
    • Director
    • 2017
  • Natural Order
    Short
    • Director
    • 2017
  • Fountains of Youth
    Short
    • Director
    • 2015
  • Arc of Spring
    Short
    • Director
    • 2015
  • Threshold (2013)
    Threshold
    Short
    • Director
    • 2013
  • Construct
    Short
    • Director
    • 2012
  • Passage
    Short
    • Director
    • 2012
  • Within (2012)
    Within
    Short
    • Director
    • 2012
  • Habitat (2012)
    Habitat
    Short
    • Director
    • 2012
  • Cove (2012)
    Cove
    6.3
    Short
    • Director
    • 2012
  • Undergrowth (2011)
    Undergrowth
    7.0
    Short
    • Director
    • 2011
  • Master Plan
    • Director
    • 2011
  • Rayning
    6.8
    Short
    • Director
    • 2011
  • Imperceptihole (2011)
    Imperceptihole
    7.0
    Short
    • Director
    • 2011
  • Repair
    Short
    • Director
    • 2009

Editor



  • Undergrowth (2011)
    Undergrowth
    7.0
    Short
    • Editor
    • 2011
  • Rayning
    6.8
    Short
    • Editor
    • 2011
  • Independent Lens (1999)
    Independent Lens
    8.1
    TV Series
    • Editor
    • 2009
  • Scenes from a Parish (2009)
    Scenes from a Parish
    8.2
    • Editor
    • 2009
  • Tales of Canaan: A Story of Bushwick
    • Editor
    • 2004
  • Autour des expositions (1995)
    Autour des expositions
    TV Series
    • Editor
    • 1999
  • Raise the Dead (1998)
    Raise the Dead
    • Editor
    • 1998

Personal details

Edit
  • Official sites
    • AGX Film Archive: Remembering Rob Todd
    • LUX.org: Remembering Robert Todd
  • Alternative names
    • Robert Tod
  • Died
    • August 16, 2018
    • Boston, Massachusetts, USA

Did you know

Edit
  • Quotes
    Is the movie theater part of nature? If theater is part of human nature, yes. If the action of light on our perceptive minds can let emotions run like wind across the grass, yes. If we hold each other's hands and stroke each other's backs in the cinema like baboons on the plains, yes. If we can plant something there that takes hold, grows, and reproduces, yes. If love is possible there (as I suggest in the creative act of representation), yes.

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