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Exclusive: The American Cinema Editors revealed Thursday that veteran editor Sabrina Plisco has been elected president of the motion picture editors society. She becomes just the second woman to lead the organization in its 75-year history.

Plisco, a two-time Emmy nominee whose swath of credits over a five-decade career include Disney/Marvel’s Doctor Strange and Ms Marvel along with two The Smurfs movies, Devious Maids and Clifford the Big Red Dog, will serve a two-year term.

Former Ace president Kevin Tent has been appointed by the Ace Board to serve as Vice President, filling the role previously held by Plisco.

“I am incredibly honored to serve this great organization and am deeply committed to serving our members across the globe and upholding the highest standards of our profession,” Plisco said. “I look forward to collaborating with the Board and harnessing our collective expertise to achieve great things for Ace...

“Dune: Part Two,” “Inside Out 2” and “The Creator” lead the feature nominations for this year’s Hollywood Professional Association (Hpa) Awards with three apiece. The awards will be presented during a Nov. 7 gala at the Television Academy in North Hollywood.

“Dune: Part Two” was nominated in the categories for color grading, editing and sound; “The Creator,” for color grading, sound and visual effects; and “Inside Out 2” for color grading in an animation feature, sound, and VFX in an animated feature. The eligibility period runs from September to September.

As previously announced, during the ceremony FotoKem will receive the Charles S. Swartz Award for industry contributions. Adobe, Disguise, Cuebric and Evercast will be honored for engineering excellence.

The list of nominees follows:

Outstanding Color Grading – Live Action Theatrical Feature

“Blink Twice” — Damien Vandercruyssen // Harbor

“The Creator” — David Cole // FotoKem

“Dune: Part Two” — David Cole // FotoKem

“Furiosa: A Mad Max Saga...

Actress Da’Vine Joy Randolph, who was feted with an Oscar for the first time for “The Holdovers”, broke down in tears and got emotional while giving her acceptance speech. She was named as the Best Supporting actress for the film, which is a 1970’s-set dramedy about a trio that’s stuck at a New England prep school over the holidays.

In her acceptance speech, she shared that she didn’t always see herself becoming an actor.

“I didn’t think I was supposed to be doing this as a career,” Randolph said.

“I thank my mother for doing that. I thank all the people who have been there for me, ushered me and guided me. I prayed for so long … I always wanted to be different, but now I realise that I just need to be myself. Thank you for you seeing me.”

The actress, who was escorted up the...

Da’Vine Joy Randolph won the first Oscar of her career for “The Holdovers,” a 1970s-set dramedy about a trio that’s stuck at a New England prep school over the holidays.

She took home the trophy for best supporting actress on her first nomination. But in her acceptance speech, she revealed that she didn’t always see herself becoming an actor. That is, until her mother encouraged her to seek out the local theater department.

“I didn’t think I was supposed to be doing this as a career,” Randolph said from the mic. “I thank my mother for doing that. I thank all the people who have been there for me, ushered me and guided me.”

She tearfully reflected on her path in Hollywood before landing on the biggest stage in show business. “I always wanted to be different, but now I realize that I just need to be myself,...

The Oscars are done for another year and Christopher Nolan and Cillian Murphy are newly minted Oscar winners for Oppenheimer! Overall, it was an expected and welcome result, with Oppenheimer also taking home Best Picture, while Poor Things star Emma Stone won a second Oscar, in a surprising, but well-earned result. Overall, it was the icing on the cake of a refreshingly entertaining edition of the Oscars – one of the best in years.

Right off the bat it was pretty amusing, Jimmy Kimmel made some pretty fun digs in his opening monologue, including some references to Robert Downey Jr’s checkered history (which he was happy to play along to) and Margot Robbie and Ryan Gosling’s genetic perfection (he ain’t wrong). Plus, there was a close-up of Anatomy of a Fall’s breakout dog star, Messi (who showed up despite earlier giving the award show the high hat...

Da'Vine Joy Randolph has just won the Oscar for Best Supporting Actress for her role as Mary Lamb in The Holdovers.

The big win was revealed on Sunday evening during the Academy Awards ceremony. Presenting the award were previous Oscar winners in the same category, including the previous winner, Everything Everywhere All at Once star Jamie Lee Curtis. Other presenters on stage took turns honoring each of the categories. The other presenters included Lupita Nyong'o (12 Years a Slave), Regina King (If Beale Street Could Talk), Mary Steenburgen (Melvin and Howard), and Rita Moreno (West Side Story).

Related Ryan Gosling Hilariously Mocks Barbie Oscar Snubs in Academy Awards Promo Barbie star Ryan Gosling takes playful jabs at the Oscar snubs for Greta Gerwig and Margot Robbie in a new promo for the 96th Academy Awards.

The other nominees for Best Supporting Actress included Jodie Foster as Bonnie Stoll in Nyad...

Da'Vine Joy Randolph wins Best Supporting Actress for her moving role in The Holdovers. The Holdovers has a 97% rating on Rotten Tomatoes and received five Oscar nods, including Best Picture and Best Actor for Paul Giamatti. You can now purchase The Holdovers on digital platforms, Blu-ray, and DVD to experience Randolph's "divine" performance.

Da'Vine Joy Randolph wins the Best Supporting Actress Oscar at the 96th Academy Awards for her moving performance as a grieving mother in the comedy drama The Holdovers. In her speech, she tearfully said:

I always wanted to be different. Now I realize I just need to be myself.

Alongside Da'Vine Joy Randolph as Mary Lamb in The Holdovers, this year’s Academy Awards saw several other major Hollywood talents receiving the nod for Best Supporting Actress, including Emily Blunt for her performance in Oppenheimer as Kitty Oppenheimer; Danielle Brooks for her role in The Color Purple...

Backstage at the Independent Spirit Awards on February 25, Da’Vine Joy Randolph told reporters she wasn’t counting on anything major this Oscars weekend: “I’m not expecting anything,” Randolph said when asked about her Oscar chances. “I’m not betting on anything. I’m just happy to be invited into the building. To me, I’ve already won, because I’ve gained the respect of you guys. That’s what matters to me the most.”

A lovely sentiment, but it became Oscar official on Sunday evening when Randolph won the 2024 Best Supporting Actress Oscar for her role as Mary Lamb in “The Holdovers,” a cook at a private school in the 1970s dealing with the recent death of her son in Vietnam.

Co-starring Paul Giamatti (who is also nominated tonight) and Dominic Sessa, the true three-hander from Alexander Payne is nominated for a total of five Oscars, including Best Picture,...

Our forum posters, many of whom are Hollywood insiders shielded by clever screen names, didn’t waste any time voicing their opinions regarding the 2024 Oscar winners. As the trophies were delved out during the March 10 ceremony, their reactions ran the gamut from overjoyed to mournful to downright angry.

Below is just a sampling of our passionate posters’ sassy comments concerning this year’s slate of victors. Take a look and then join the conversation if you’re brave enough.

Best Picture

“American Fiction” – Ben LeClair, Nikos Karamigios, Cord Jefferson, and Jermaine Johnson, producers

“Anatomy of a Fall” – Marie-Ange Luciani and David Thion, producers

“Barbie” – David Heyman, Margot Robbie, Tom Ackerley, and Robbie Brenner, producers

“The Holdovers” – Mark Johnson, producer

“Killers of the Flower Moon” – Dan Friedkin, Bradley Thomas, Martin Scorsese, and Daniel Lupi, producers

“Maestro” – Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning, and Kristie Macosko Krieger, producers

X – “Oppenheimer” – Emma Thomas,...

The 96th Annual Academy Awards were handed out on Sunday night, March 10, during a ceremony hosted by Jimmy Kimmel at the Dolby Theater in Hollywood, California. So who were the big winners? Scroll down for the complete list in all 23 categories, updated throughout the night.

SEEOscar Best Picture gallery: History of every Academy Award-winning movie

“Oppenheimer” went into these awards with a leading 13 nominations, and it was the heavy favorite to win Best Picture and Best Director (Christopher Nolan). Throughout the season Nolan and his film have been feted by awards groups including the Golden Globes, Critics Choice Awards, BAFTAs, SAG Awards, Directors Guild and Producers Guild, among other honors.

Yorgos Lanthimos‘s absurdist comedy “Poor Things” was next with 11 nominations including Best Picture. Martin Scorsese‘s historical epic “Killers of the Flower Moon” had 10 nominations. Those two films were locked in a tight battle for Best Actress, with Emma Stone...

Photo: Emma McIntyre (Getty Images)

Despite two historic strikes, shifting release schedules, and the ongoing risk of coronavirus, Hollywood had a lot to celebrate at tonight’s 96th Academy Awards. If there was a message to take away from this year’s awards season, it’s that 2023 was a very good year for movies.

My, how much the race has evolved since the 96th Oscars nominations were announced January 23. We won’t say changed, since it seems like the certain sure bets at that time have become even surer bets. You all know “Oppenheimer,” long considered a frontrunner in many categories,” received the most nominations then with 13, followed by “Poor Things” with 11 and “Killers of the Flower Moon” with 10. Well, tonight, this evening of Sunday March 10 at the Dolby Theatre in Los Angeles at 7:00pm Et, we’re finally gonna see if what we all assume to be true is actually going to pan out: That “Oppenheimer” is teed up for a very big night, as IndieWire’s own Anne Thompson has predicted, with her final Oscar picks, herself.

“Oppenheimer” has won top honors at the Golden Globes, Critics Choice Awards, BAFTAs, and Screen Actors Guild Awards. Surely Oscars domination is next, right?...

Best Picture:

And the Oscar Goes to: - OPPENHEIMER

AMERICAN FICTION

ANATOMY OF A FALL

BARBIE

THE HOLDOVERS

KILLERS OF THE FLOWER MOON

MAESTRO

PAST LIVES

POOR THINGS

THE ZONE OF INTEREST

Best Performance by an Actress in a Leading Role:

And the Oscar Goes to: - Emma Stone - POOR THINGS

Annettte Bening - NYAD

Sandra Huller - ANATOMY OF A FALL

Carey Mulligan - MAESTRO

Lily Gladstone – KILLERS OF THE FLOWER MOON

Best Achievement in Directing:

And the Oscar Goes to: - Christopher Nolan - OPPENHEIMER

Jonathan Glazer - THE ZONE OF INTEREST

Yorgos Lanthimos - POOR THINGS

Martin Scorsese – KILLERS OF THE FLOWER MOON

Justine Triet - ANATOMY OF A FALL

Best Performance by an Actor in a Leading Role:

And the Oscar Goes to: - Cillian Murphy – OPPENHEIMER

Bradley Cooper - MAESTRO

Colman Domingo - RUSTIN

Paul Giamatti - THE HOLDOVERS

Jeffrey Wright - AMERICAN FICTION

Best Achievement in Music Written for Motion Pictures (Original Song):

And the Oscar Goes to: - Billie Eilish, Finneas O'Connell - BARBIE: "What Was I Made For?"

Jon Batiste, Dan Wilson - AMERICAN SYMPHONY: "It Never Went Away"

Mark Ronson, Andrew Wyatt - BARBIE: "I'm Just Ken"

Dianne Warren - FLAMIN' HOT: "The Fire Inside"

Scott George - – KILLERS OF THE FLOWER MOON: ""Wahzhazhe (A Song for My People)"

Best Achievement in Music Written for Motion Pictures (Original Score):

And the Oscar Goes to: - Ludwig Göransson - OPPENHEIMER

Laura Karpman - AMERICAN FICTION

John Williams - INDIANA JONES AND THE DIAL OF DESTINY

Robbie Robertson - – KILLERS OF THE FLOWER MOON

Jerskin Fendrix - POOR THINGS

Best Sound:

And the Oscar Goes to: - THE ZONE OF INTEREST

THE CREATOR

MAESTRO

MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE

NAPOLEON

OPPENHEIMER

Best Live-Action Short Film:

And the Oscar Goes to: - THE WONDERFUL STORY OF HENRY SUGAR

INVINCIBLE

KNIGHT OF FORTUNE

RED, WHITE, AND BLUE

THE AFTER

Best Achievement in Cinematography:

And the Oscar Goes to: - Hoyte Van Hoytema - OPPENHEIMER

Ed Lachman - EL CONDE

Rodrigo Prieto – KILLERS OF THE FLOWER MOON

Matthew Libatique - MAESTRO

Robbie Ryan - POOR THINGS

Best Documentary Feature:

And the Oscar Goes to: - 20 DAYS IN MARIUPOL

BOBBY WINE: THE PEOPLE'S PRESIDENT

FOUR DAUGHTERS

THE ETERNAL MEMORY

TO KILL A TIGER

Best Documentary Short Film:

And the Oscar Goes to: - THE LAST REPAIR SHOP

THE ABCs OF BOOK BANNING

THE BARBER OF LITTLE ROCK

THE ISLAND IN BETWEEN

NAI NAI & WAI PO

Best Achievement in Editing:

And the Oscar Goes to: - Jennifer Lame - OPPENHEIMER

Laurent Sénéchal - ANATOMY OF A FALL

Kevin Tent - THE HOLDOVERS

Thelma Schoonmaker – KILLERS OF THE FLOWER MOON

Yorgos Mavropsaridis - POOR THINGS

Best Achievement in Visual Effects:

And the Oscar Goes to: - GODZILLA MINUS ONE

THE CREATOR

GUARDIANS OF THE GALAXY VOL. 3

MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE

NAPOLEON

Best Performance by an Actor in a Supporting Role:

And the Oscar Goes to: - Robert Downey Jr. - OPPENHEIMER

Sterling K. Brown - AMERICAN FICTION

Robert De Niro – KILLERS OF THE FLOWER MOON

Ryan Gosling - BARBIE

Mark Ruffalo - POOR THINGS

Best International Feature Film:

And the Oscar Goes to: - THE ZONE OF INTEREST

IO CAPINTANO

PERFECT DAYS

SOCIETY OF THE SNOW

THE TEACHERS' LOUNGE

Best Achievement in Costume Design:

And the Oscar Goes to: - Holly Woddington - POOR THINGS

Jacqueline Durran - BARBIE

Jacqueline West – KILLERS OF THE FLOWER MOON

Janty Yates, David Crossman - NAPOLEON

Ellen Mirojnick - OPPENHEIMER

Best Achievement in Production Design:

And the Oscar Goes to: - Yorgos Mavropsaridis - POOR THINGS

Sarah Greenwood, Katie Spencer - BARBIE

Jack Fisk Adam Willis – KILLERS OF THE FLOWER MOON

Arthur Max, Elli Griff - NAPOLEON

Jennifer Lame - OPPENHEIMER

Best Achievement in Makeup and Hairstyling:

And the Oscar Goes to: - POOR THINGS

GOLDA

OPPENHEIMER

SOCIETY OF THE SNOW

MAESTRO

Best Adapted Screenplay:

And the Oscar Goes to: - Cord Jefferson - AMERICAN FICTION

Greta Gerwig, Noah Baumbach - BARBIE

Christopher Nolan - OPPENHEIMER

Tony McNamara - POOR THINGS

Jonathan Glazer - THE ZONE OF INTEREST

Best Original Screenplay:

And the Oscar Goes to: - Arthur Harari, Justine Triet - ANATOMY OF A FALL

Josh Singer, Bradley Cooper - MAESTRO

Samy Burch, Alex Mechanic - MAY DECEMBER

Celine Song - PAST LIVES

David Hemingson - THE HOLDOVERS

Best Animated Feature Film:

And the Oscar Goes to: - THE BOY AND THE HERON

ELEMENTAL

NIMONA

ROBOT DREAMS

SPIDER-MAN: ACROSS THE SPIDER-VERSE

Best Animated Short Film:

And the Oscar Goes to -WAR IS OVER!

LETTER TO A PIG

NINETY-FIVE SENSES

OUR UNIFORM

PACHYDERME

Best Performance by an Actress in a Supporting Role:

And the Oscar Goes to - Da'Vine Joy Randolph - THE HOLDOVERS

Emily Blunt - OPPENHEIMER

Danielle Brooks - THE COLOR PURPLE

America Ferrera - BARBIE

Jodie Foster - NYAD...

Having trouble predicting what will win Best Film Editing at the 2024 Academy Awards? Let’s consult Gold Derby’s Oscar Experts! These savvy prognosticators from major media outlets have chimed in with their predictions, and they say the trophy will go to Jennifer Lame (“Oppenheimer”). The other four Academy Award nominees are Laurent Sénéchal (“Anatomy of a Fall”), Thelma Schoonmaker (“Killers of the Flower Moon”), Yorgos Mavropsaridis (“Poor Things”) and Kevin Tent (“The Holdovers”).

As of this writing, a leading 26 out of our 27 Oscar Experts predict a victory for “Oppenheimer”: Andrea Mandell (People Magazine), Anne Thompson (Indiewire), Brian Truitt (USA Today), Christopher Rosen (Gold Derby), Claudia Puig (Kpcc), Clayton Davis (Variety), Eric Deggans (NPR), Erik Davis (Fandango), Jazz Tangcay (Variety), Joyce Eng (Gold Derby), Kevin Polowy (Cbr), Matt Neglia (Next Best Picture), Michael Musto (Queerty), Nikki Novak (Fandango), Perri Nemiroff (Collider), Peter Travers (ABC), Ray Richmond (Gold Derby), Sasha Stone...

The films in the running for the 2024 Best Film Editing Oscar are “Anatomy of a Fall,” “The Holdovers,” “Killers of the Flower Moon,” “Oppenheimer,” and “Poor Things.” Our current odds indicate that “Oppenheimer” (31/10) is the frontrunner, followed in order by “Anatomy of a Fall” (4/1), “Killers of the Flower Moon” (9/2), “Poor Things” (9/2), and “The Holdovers” (9/2).

Having previously bagged trophies for “Raging Bull” (1981), “The Aviator” (2005), and “The Departed” (2007), Thelma Schoonmaker could now become this category’s first quadruple champion by winning for “Killers of the Flower Moon.” The 84-year-old is also the first cutter to reach a total of nine nominations, with all but her first for “Woodstock” (1971) having come for films directed by Martin Scorsese. Their other collaborations that brought her academy attention are “Goodfellas” (1991), “Gangs of New York” (2003), “Hugo” (2012), and “The Irishman” (2020).

This year’s second of two female nominees is Jennifer Lame (“Oppenheimer”), who would be the 14th unique woman to win this award,...

This year’s 35 boxes theory is winding down now. The test attempts to predict a movie’s chances of winning Best Picture by tracking its popularity throughout awards season. Each of the 35 boxes represents a crucial nomination or win from a major guild or awards group, such as the BAFTA, Globes, DGAs, PGAs, SAGs, and more. The idea is, the more boxes you tick off, the greater your support across the industry, and the higher chance your film has at winning Best Picture at the Academy Awards.

For example, in 2019, “Green Book” won 23 of these 35 boxes before winning Best Picture at the Oscars. Conversely, “Roma” filled in only 19 boxes while both “BlacKkKlansman” and “The Favourite” were at 20. Each of the three previous Best Picture winners prior to “Green Book” numbered among the top three entries on our season-end charts.

This year, “Oppenheimer” has led the pack in this theory for...

The 2024 Oscars are almost here. Here’s what to know about the 2024 Oscars so far, including how to watch, the full list of 2024 Oscar nominees, Oscar winner predictions, and what time the show starts.

When are the Oscars?

The 2024 Oscars take place on Sunday, March 10, 2023. The Oscars 2024 ceremony starts at 7 p.m. Et/4 p.m. Pt and airs on linear television via ABC.

What time are the Oscars?

The 96th Oscars ceremony officially starts at 7 p.m. Et/4 p.m. Pt on March 10, 2024. The show will air live on ABC and be available to stream online via ABC.com and the ABC app provided the user has a cable subscription.

What films are nominated for Oscars this year?

Take a deep breath. Here is the full list of 2024 Oscar nominees, led by “Oppenheimer” (13 nominations), “Poor Things” (11 nominations), “Killers of the Flower Moon” (10 nominations), “Barbie” (eight nominations), and “Maestro” (seven nominations...

“Oppenheimer” got a big boost in its bid for Best Editing at the Oscars with a win at the Ace Golden Eddie Awards on March 3. It prevailed in the drama race at these awards bestowed by American Cinema Editors over two of its Oscar rivals –“Anatomy of a Fall” and “Killers of the Flower Moon ” — as well as “Maestro” and “Past Lives.”

Another of the Oscar nominees, “The Holdovers ” won the comedy/musical category over the fifth Oscar contender, “Poor Things,” plus “Air”, “American Fiction” and “Barbie.”

Since 1990, the film that came up with one of the ACEs went on to win the top prize at the Academy Awards 19 times, including the 2023 winner for best comedy/musical editing, “Everything Everywhere All at Once” and the 2020 winner for best drama editing, “Parasite.” And in 10 of the 14 years when the Ace barometer was wrong, at least one of the Eddie champs was a contender for Best Picture.

Cillian Murphy and writer, director, and producer Christopher Nolan on the set of ‘Oppenheimer’ (Photo © Universal Pictures)

Oppenheimer continues its winning ways, adding the Ace Eddie Awards’ Best Edited Feature Film award to its lengthy list of honors. The 74th Annual Ace Eddie Awards, held on March 3, 2024, named The Holdovers as the Best Edited Feature Film winner, and Spider-Man: Across the Spider-Verse took home the Best Edited Animated Feature Film prize.

Presented by American Cinema Editors, this year’s Ace Eddie Awards was held at UCLA’s Royce Hall and hosted by Nina West. In addition to announcing winners in the competitive categories, the 2024 Ace Eddie Awards presented John Waters with the Ace Golden Eddie Award. Kate Amend and Walter Murch were recognized with Career Achievement Awards, and Stephen Lovejoy was honored with the Ace Heritage Award.

74th Annual Ace Eddie Awards Winners:

Best Edited Feature Film:

Oppenheimer

Jennifer Lame,...

It's celebration time for Golden Eddie winner The Holdovers

Oppenheimer and The Holdovers continued their awards season success this evening by taking home the top industry prizes for editing at the Golden Eddie awards. Ace member Jennifer Lame and the organisation's president, Kevin Tent, will be celebrating at an after party with DJ Lance Rock.

The Los Angeles ceremony was hosted by Drag Race star Nina West, who kicked it off with a spectacular performance of a new song. It also saw John Waters receive the Ace Golden Eddie Filmmaker of the Year Award for distinguished achievement in the art and business of film, with his past collaborators Mink Stole and Ricki Lake there to applaud him.

Those film awards in full:

Best Edited Feature Film Oppenheimer - Jennifer Lame, Ace

Best Edited Feature Film The Holdovers - Kevin Tent, Ace

Best Edited Animated Feature Film Spider-Man: Across The Spider-Verse - Michael Andrews,...

Best Picture favorite “Oppenheimer” and “The Holdovers” were the drama and comedy editing winners at the 74th Ace Eddie Awards, March 3 at UCLA’s Royce Hall. “Oppenheimer” editor Jennifer Lame is now a step closer to winning the Oscar for deftly balancing Christopher Nolan’s interlocking, subjective POVs of J. Robert Oppenheimer (Best Actor nominee Cillian Murphy) in color and adversary Admiral Lewis Strauss (Best Supporting Actor nominee Robert Downey Jr.) in black-and-white.

The other Oscar nominees are “The Holdovers” (edited by Ace president Kevin Tent), Killers of the Flower Moon,” “Anatomy of Fall,” and “Poor Things.”

“Spider-Man: Across the Universe” won the animation award, “Still: A Michael J. Fox Movie” earned theatrical documentary honors, and “Escaping Twin Flames” took the non-theatrical prize.

TV editing winners included “The Last of Us” for drama series, “Beef” for limited series, “How I Met Your Father” for multi-camera comedy series, “The Bear” for single-camera comedy series,...

Universal’s Oppenheimer and Focus Features’ The Holdovers won the top theatrical prizes Sunday at the 74th Annual Ace Eddie Awards, presented by the American Cinema Editors at UCLA’s Royce Hall.

Ace president Kevin Tent, who presided over the event, won best edited feature film, comedy, for The Holdovers, while the drama feature award went to Oppenheimer editor Jennifer Lame.

Other theatrical winners include animated feature winner Michael Andrews for Sony’s Spider-Man: Across the Spider-Verse and documentary winner Michael Harte for Apple’s Still: A Michael J. Fox Movie. Television winners include The Bear‘s Joanna Naugle, who won for the acclaimed episode “Fishes” that featured a star-studded lineup of guest actors led by Jamie Lee Curtis; The Last of Us‘ Timothy A. Good, for the episode “Long, Long Time;” Beef‘s Harry Yoon and Laura Zempel; and How I Met Your Father‘s Russell Griffin.

The team...

Oppenheimer took the marquee Best Edited Feature Film (Dramatic) honor and The Holdovers landed the top Best Edited Feature Film (Comedy) award at the 74th Ace Eddie Awards Sunday. Hosted by Nina West, the winners were announced live in a ceremony at UCLA’s Royce Hall.

Jennifer Lame Ace, edited Oppenheimer, a film that has so far swept awards season with recent SAG Awards, PGA, DGA, for director Christopher Nolan, BAFTA, and more. The honor puts Oppenheimer and The Holdovers in frontrunner status in the Best Film Editing Oscar race, for which both are nominated, along with Anatomy of a Fall, Killers of the Flower Moon and Poor Things.

Since the turn of the 21st century, the Eddie winner for theatrical drama has gone on to score the Academy Award for Best Editing 13 of 23 times — but none of the past four years. In a twist, it was the Eddies’ 2023 comedy winner,...

Christopher Nolan’s “Oppenheimer” topped the dramatic feature editing category at the American Cinema Editors’ 74th Ace Eddie Awards, while “The Holdovers” won the category for best edited comedic feature during Sunday’s ceremony at UCLA’s Royce Hall.

Jennifer Lame edited “Oppenheimer,” which also took top honors at last week’s SAG Awards and Producers Guild Awards. The recent honor further cements the film’s position to take top prize at the Oscars next weekend. But she faces competition from Kevin Tent, who won here for “The Holdovers.”

Should Lame go on to win the Oscar, it will mark nine years since a woman has won. Margaret Sixel won in 2015 for “Mad Max: Fury Road.”

Tent, also president of Ace, kicked off the ceremony addressing last year’s labor strikes, saying, “It’s great to look out and see so many rock star editors…Last year was an extraordinarily...

Hollywood union leaders warned of the possibility of another strike this summer if the studios cannot reach a deal before crew contracts expire on July 31.

Speaking to a rally of more than 2,000 crew members on Sunday at Woodley Park in Encino, Sean O’Brien, the president of the International Brotherhood of the Teamsters, said the unions should commit to withhold their labor — and not grant an extension — if a deal is not agreed by the deadline.

“We are not afraid to strike,” O’Brien said. “If these greedy corporations — whether it’s Amazon, Netflix, Sony… Disney — if they choose not to reward our members, they are putting themselves on strike. We will put them on their back, on their knees, begging for mercy.”

Negotiations with the Alliance of Motion Picture and Television Producers are set to begin on Monday. The International Alliance of Theatrical Stage Employees, Teamsters and the Hollywood Basic...

Disney+ Hotstar announced today that the 96th Oscars® will be live-streamed in India on Monday, March 11 at 4 Am Ist. Emmy Award-winning late-night talk show host and producer Jimmy Kimmel will return to host the live show for the fourth time.

Actor In A Leading Role (Nominees)

Bradley Cooper

Maestro

Colman Domingo

Rustin

Paul Giamatti

The Holdovers

Cillian Murphy

Oppenheimer

Jeffrey Wright

American Fiction

Actor In A Supporting Role (Nominees)

Sterling K. Brown

American Fiction

Robert De Niro

Killers of the Flower Moon

Robert Downey Jr.

Oppenheimer

Ryan Gosling

Barbie

Mark Ruffalo

Poor Things

Actress In A Leading Role (Nominees)

Annette Bening

Nyad

Lily Gladstone

Killers of the Flower Moon

Sandra HÜLLER

Anatomy of a Fall

Carey Mulligan

Maestro

Emma Stone

Poor Things

Actress In A Supporting Role (Nominees)

Emily Blunt

Oppenheimer

Danielle Brooks

The Color Purple

America Ferrera

Barbie

Jodie Foster

Nyad

Da’Vine Joy Randolph

The Holdovers

Animated Feature Film...

The Holdovers collaborators, director Alexander Payne and screenwriter David Hemingson, are working on another film together—a Western, in fact—and during a Q&a following a screening of The Holdovers at Soho House in West Hollywood on Friday, Hemingson revealed there’s a part earmarked for Paul Giamatti.

“I’ve been sworn to secrecy,” Hemingson said, “but what I will say is we’ve written him a part and I hope he’ll do it.”

If Giamatti, who stars in The Holdovers, accepts, it would be his third collaboration with Payne since Sideways in 2004.

Hemingson went on to reveal some details of the new project: “Alexander and I are writing a Western together, so we’re going to co-write something, and it’s set in Nebraska in 1886, and it’s like no Western you have ever seen before, because it’s an Alexander Payne Western. So, all those interpersonal dynamics,...

Between February 10 and March 7, a dozen motion picture guilds lauded the most outstanding achievements in their respective fields during the previous year. The 2024 guild awards season then officially concluded with the announcement of the Writers Guild of America honors on April 14. In the end, “Oppenheimer” outpaced all of its competitors with prizes from nine guilds.

Typically, all 13 guilds hand out their trophies before the corresponding Oscars take place, but this year’s WGA Awards were delayed six weeks because of the organization’s recent 148-day strike. The groups whose ceremonies preceded the Oscars on March 10 comprise art directors, directors, makeup artists & hairstylists, costume designers, visual effects artists, actors, producers, sound mixers, film editors, cinematographers, sound editors, and casting directors.

Below is a complete breakdown of guild wins by film. See the full guild nominations scorecard here.

Ace = American Cinema Editors (report)

Adg = Art Directors Guild (report)

ASC = American Society of...

Oscar-nominated artisans landed historical firsts in numerous categories in this year’s race. After decades in the industry, costume designer Ellen Mirojnick earned her first nod for “Oppenheimer.” Scott George became the first Osage Nation songwriter to be nominated for his song in “Killers of the Flower Moon,” while Diane Warren scored a record 15th nod. John Williams bested his record-breaking achievement when he was recognized for original score.

When they’re not making history, what makes these artisans special is their storytelling through their craft. Building worlds and environments with rich, lush textures to immerse audiences into their scapes.

Here, Variety takes a look at the nominated artisans across all the crafts ahead of the guild awards and Oscars on March 10.

Costume Design

Women dominate the category, snagging all five slots. Ellen Mirojnick nabbed her first costume design nomination for “Oppenheimer.” With credits that include “Basic Instinct,” “Showgirls” and “Bridgerton,...

Alexander Payne’s longtime “secret weapon”, graphic designer Nate Carlson with Anne-Katrin Titze on his favourite scene in The Holdovers: “I think probably it’s the Christmas tree lot. That’s such an Alexander kind of a scene.”

In the first instalment with graphic designer Nate Carlson, Alexander Payne’s longtime “secret weapon”, we discuss his latest cloak-and-dagger work with Payne. The Holdovers, a sparkling gem of wit and insight on the human condition of feeling left behind, has garnered Oscar nominations for Best Film, Leading Actor (Golden Globe winner) Paul Giamatti, Supporting Actress (Golden Globe and BAFTA winner) Da'Vine Joy Randolph, Original Screenplay David Hemmingson, and Editing by Kevin Tent. Susan Shopmaker won a BAFTA for Best Casting.

Nate Carlson on the tree seen when Angus Tully (Dominic Sessa), Mr. Hunham (Paul Giamatti), and Mary Lamb (Da'Vine Joy Randolph) are having their Christmas dinner: “It’s like, here...

[Editor’s note: IndieWire reached out to “Killers of the Flower Moon” editing nominee Thelma Schoonmaker, but she was unavailable to participate.]

This season’s Best Editing Oscar nominees (which are also nominated for Best Picture) all explore existential crises, which make them dramatically compelling and relatable. Four of the editors — Laurent Sénéchal (“Anatomy of Fall”), Kevin Tent (“The Holdovers”), Jennifer Lame (“Oppenheimer“), and Yorgos Mavropsaridis (“Poor Things”) — selected a pivotal scene or sequence that best showcases their work, telling IndieWire how the scenes explore rhythm and pace, character importance, and why it was so challenging to get right.

In Justine Triet’s gripping murder mystery, “Anatomy of a Fall,” Sénéchal delicately balances point of view through memory and imagination, as Best Actress nominee Sandra Hüller stands trial for the murder of her husband. Through this crucible, the novelist is forced to confront love, marriage, parenting, guilt, fear, regret, and ruthless ambition.

In Alexander Payne’s “The Holdovers,...

Please Note: This forecast, assembled by Scott Feinberg, The Hollywood Reporter’s executive editor of awards coverage, reflects Scott’s best attempt to predict the behavior of the Academy of Motion Picture Arts and Sciences, not his personal preferences. He arrives at these projections by drawing upon conversations with voters and other industry insiders, analysis of marketing and awards campaigns, results of awards ceremonies that precede the Oscars and the history of the Oscars itself. There will be regular updates to reflect new developments.

* * *

Best Picture

Nominees

1. Oppenheimer (Universal)

2. The Zone of Interest (A24)

3. Poor Things (Searchlight)

4. Anatomy of a Fall (Neon)

5. Barbie (Warner Bros.)

6. The Holdovers (Focus)

7. Killers of the Flower Moon (Apple)

8. Maestro (Netflix)

9. American Fiction (Amazon/MGM)

10. Past Lives (A24)

Best Director

Nominees

1. Christopher Nolan (Oppenheimer)

2. Jonathan Glazer (The Zone of Interest)

3. Martin Scorsese (Killers of the Flower Moon) — podcast

4. Yorgos Lanthimos (Poor Things)

5. Justine Triet (Anatomy of a Fall...

With the 96th Academy Awards basically a month away, things are starting to get serious. Well, I mean, they’ve already been serious for a while, but now presumptions are beginning to mold into sure-things – at least, as sure as something whose results aren’t yet certain can be. The one thing everyone seems pretty sure about is this: “Oppenheimer” is getting ready to sweep up everything in sight at the forthcoming Oscars. You know it. I know it. Even people who don’t follow awards season that closely seem to know it.

But bear with me for a moment while I think about a possible alternate scenario in which “The Holdovers” swoops in and steals the biggest thunder by taking home the Best Picture statuette.

No, I’m not crazy, Hear me out.

See‘The Holdovers’ producer Mark Johnson: ‘Every day, I still feel like a young boy...

When you take a peek at Mark Johnson‘s resume, you’re immediately astounded. Consider this partial list of projects he’s been attached to as a producer or executive producer during a career that’s exceeded four decades: “Rain Man” (which won Johnson his lone Oscar), “Good Morning, Vietnam,” “Diner,” “Tin Men,” “The Natural,” “Bugsy,” “Galaxy Quest,” “The Notebook,” “Breaking Bad” and “Better Call Saul.” And now, add “The Holdovers” to the list, for which Johnson has landed his third Academy Award nomination (this one for Best Picture).

“Every day, I still feel like a young boy who can’t believe he’s allowed to do this,” Johnson admits. “Somebody asked me if the Oscar nomination was old hat to me, and I’m like, ‘Are you kidding? I’m thrilled.’ I’m very humbled by it. There are a number of movies I’ve made that I think...

Film editor Kevin Tent takes pride in the fact that he and Alexander Payne grew up in the film business together. The two men have collaborated on all eight of the features Payne has directed going back to “Citizen Ruth” in 1996 and subsequently teamed up on “Election,” “About Schmidt,” “Sideways,” “Nebraska,” “The Descendants” (for which Tent scored his first Oscar nomination) and “Downsizing.” Their most recent movie together, “The Holdovers,” has found Tent honored with his second Academy Award bid for editing. “Alexander is a very loyal guy and super collaborative,” Tent observes. “We kind of clicked from the beginning. Neither of us gets super wrapped up in the drama or takes things too seriously. He often will just go, ‘What’s everyone getting worked up about? It’s just a movie.’ And that’s kind of my attitude, too.” Watch the exclusive video interview above.

SEEAlexander Payne interview: ‘The...

Laurent Sénéchal for Anatomy Of A Fall and Keith Fraase for Past Lives are among the American Cinema Editors’ best edited dramatic feature film nominees heading into the Ace Eddie Awards on Sunday, March 3, 2024.

Thelma Schoonmaker for Killers Of The Flower Moon, Jennifer Lame for Oppenheimer, and Michelle Tesoro for Maestro round out the category nominations.

Comedy feature nominees are William Goldenberg for Air, Hilda Rasula for American Fiction, Nick Houy for Barbie, Kevin Tent for The Holdovers, and Yorgos Mavropsaridis for Poor Things.

The animated feature category pits Stephen Schaffer for Elemental against Randy Trager and Erin Crackel for Nimona,...

The nominations for the 2024 Ace Eddie Awards announced on Thursday (Jan. 25) include our Oscar frontrunner for Best Film Editing, “Oppenheimer,” along with the other four films contending in that race: “Anatomy of a Fall,” “Killers of the Flower Moon,” “Poor Things” and “The Holdovers.”

The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals.

“Anatomy of a Fall,” “Killers of the Flower Moon” and “Oppenheimer” contend here in the drama race, which is rounded out by “Maestro” and “Past Lives.”

Facing off against “Poor Things” and “The Holdovers” on the comedy side are “Air,” “American Fiction” and “Barbie.”

In 1992, the Eddies went from three to five nominees (matching that of the Oscars) and in 2000 it split the award in two, with five nominees for each of drama and comedy/musical. Over the past 31 years, 139 of the 155 Academy Awards nominees for Best Film Editing have reaped an...

Ryan Gosling as Ken and Margot Robbie as Barbie in ‘Barbie’ ((Photo Courtesy Warner Bros. Pictures)

Taylor Swift: The Eras Tour, Oppenheimer, The Bear, and Barbie are among the nominees for the 74th Annual Ace Eddie Awards, recognizing outstanding editing in film, television, and documentaries. In addition to the 14 competitive categories, the American Cinema Editors (Ace) will honor filmmaker John Waters and editors Kate Amend, Stephen Lovejoy, and Walter Murch with special awards during this year’s ceremony.

Winners will be announced at the Ace Eddie Awards to be held on Sunday, March 3, 2024 at UCLA’s Royce Hall. Drag queen, performer, and queer activist Nina West (Hairspray) will handle hosting duties.

2024 Ace Eddie Awards Nominees:

Best Edited Feature Film:

Anatomy of a Fall, Laurent Sénéchal

Killers of the Flower Moon, Thelma Schoonmaker, Ace

Maestro, Michelle Tesoro, Ace

Oppenheimer, Jennifer Lame, Ace

Past Lives, Keith Fraase

Best Edited Feature Film:

Air,...

The 2024 American Cinema Editors (Ace) Eddie Award nominations have been unveiled.

As announced today, January 25, the 74th Annual Ace Eddie Awards will recognize Thelma Schoonmaker’s work on “Killers of the Flower Moon,” Jennifer Lame’s editing skills on “Oppenheimer,” Nick Houy’s vision for “Barbie,” Laurent Sénéchal for “Anatomy of a Fall,” and more nominees across drama and comedy.

The annual awards ceremony honors outstanding editing in 14 categories of film, television, and documentaries. The winners will be announced live during the Ace Eddie Awards on Sunday, March 3, 2024 at UCLA’s Royce Hall at a special brunch celebration, with “Hairspray” actress, drag queen, and queer activist Nina West hosting.

TV nominees include “The Bear,” “Succession,” “Barry,” “Ahsoka,” “The Last of Us,” and “Beef.”

“Hairspray” director John Waters will receive the Ace Golden Eddie Filmmaker of the Year Award, which recognizes filmmakers who exemplify distinguished achievement in the art and business of film.

The American Cinema Editors unwrapped the nominees for its 74th Eddie Awards.

Ace’s live-action theatrical feature competition is divided into two categories, for drama and comedy. Nominees in the category for best edited dramatic theatrical feature are Laurent Sénéchal for Anatomy of a Fall, Thelma Schoonmaker for Killers of the Flower Moon, Michelle Tesoro for Maestro, Jennifer Lame for Oppenheimer and Keith Fraase for Past Lives. Nominees for best edited comedic theatrical feature are William Goldenberg for Air, Hilda Rasula for American Fiction, Nick Houy for Barbie; Kevin Tent for The Holdovers and Yorgos Mavropsaridis for Poor Things.

The Eddie nominees include the five nominees for the Oscar in film editing: Anatomy of a Fall, Killers of the Flower Moon and Oppenheimer (from the drama category); and The Holdovers and Poor Things (from the comedy category). With the nomination for Killers of the Flower Moon, Martin Scorsese’s longtime...

The American Cinema Editors (Ace) have nominated “Anatomy of a Fall,” Killers of the Flower Moon,”

“Maestro,” “Oppenheimer” and “Past Lives” in the category of feature film drama for the 74th annual Ace Eddie Awards. “Air,” “Barbie,” “American Fiction,” “Poor Things” and “The Holdovers” received nominations in the best edited comedic feature category.

The TV nominees include “The Bear,” “Barry,” “Succession,” Only Murders in the Building” and “Ahsoka.” Also landing a nomination for editing was the team behind “Taylor Swift: The Eras Tour.”

As previously announced, John Waters will receive the Ace Golden Eddie Filmmaker of the Year award. Film editors Kate Amend, Ace and Walter Murch, Ace will receive career achievement awards for their outstanding contributions to film editing. Stephen Lovejoy, Ace will receive the Heritage award for his unwavering commitment to Ace.

“RuPaul’s Drag Race” alumni and star of “Hairspray” Nina West will emcee the event. The winners...

American Cinemas Editors has cut together the nominees for its 74rd annual Ace Eddie Awards, which will be handed out next month. See the list of all 13 film and TV categories below.

The group also said today that Nina West, who played Divine in Weird: The Al Yankovic Story and Edna Turnblad in the touring production of Hairspray, will host the March 3 ceremony at UCLA’s Royce Hall in Westwood.

Vying for the marquee prize of Best Edited Feature Film are the editors behind Anatomy of a Fall, Killers of the Flower Moon, Maestro, Oppenheimer and Past Lives. The Comedy Theatrical race will be among Air, American Fiction, Barbie, The Holdovers and Poor Things.

Since the turn of the 21st century, the Eddie winner for theatrical drama has gone on to score the Academy Award for Best Editing 13 of 23 times — but none of the past four years. In a twist,...

Two-time Oscar nominee Paul Giamatti stars in the tender dramedy “The Holdovers,” playing a teacher at a snowy Massachusetts boarding school assigned to oversee the few students stuck on campus during the Christmas holiday. The supporting cast includes Da’Vine Joy Randolph (also nominated), newcomer Dominic Sessa, Carrie Preston, and Tate Donovan. Alexander Payne‘s movie received five Oscar nominations in total, including Best Picture. Here is how you can see “The Holdovers.”

Is “The Holdovers” available online?

Yes, “The Holdovers” is streaming on Peacock. It’s also available for digital rental and purchase at all the major online providers, including Apple TV, YouTube, Prime Video, and Google Play. Fans can purchase a physical copy of the film on DVD and Blu-Ray.

Is “The Holdovers” still in theaters?

“The Holdovers” is still playing in some theaters across the U.S., including independent venues and major chains (check local listings). The movie...

It’s been almost 20 years since Paul Giamatti’s last Oscar nomination, for Ron Howard’s Cinderella Man in 2006. This year, with Alexander Payne’s The Holdovers, Giamatti scores his long-overdue first lead nod after coming extremely close with another Payne collaboration, Sideways, in 2004.

The Holdovers follows a curmudgeonly teacher (Giamatti) at a New England boarding school, forced to watch over a small group of students over the holidays. He’s joined on campus by a grieving cook (played by Da’Vine Joy Randolph, who was also nominated today) and a rebellious senior looking for trouble (newcomer Dominic Sessa). The film scored five total Oscar nominations Tuesday, including for picture and original screenplay.

Tuesday morning, the veteran character actor chatted with The Hollywood Reporter in the wake of his second Oscar nomination to talk about receiving that news, his collaboration with Payne and what he might like to try out in future projects.

Please Note: This forecast, assembled by Scott Feinberg, The Hollywood Reporter’s executive editor of awards coverage, reflects Scott’s best attempt to predict the behavior of the Academy of Motion Picture Arts and Sciences, not his personal preferences. He arrives at these projections by drawing upon conversations with voters and other industry insiders, analysis of marketing and awards campaigns, results of awards ceremonies that precede the Oscars and the history of the Oscars itself. There will be regular updates to reflect new developments.

* * *

Best Picture

Nominees

1. Oppenheimer (Universal)

2. Barbie (Warner Bros.)

3. The Holdovers (Focus)

4. American Fiction (Amazon/MGM)

5. Poor Things (Searchlight)

6. Killers of the Flower Moon (Apple)

7. The Zone of Interest (A24)

8. Anatomy of a Fall (Neon)

9. Past Lives (A24)

10. Maestro (Netflix)

Best Director

Nominees

1. Christopher Nolan (Oppenheimer)

2. Martin Scorsese (Killers of the Flower Moon) — podcast

3. Yorgos Lanthimos (Poor Things)

4. Jonathan Glazer (The Zone of Interest)

5. Justine Triet (Anatomy of a Fall...

Actors Zazie Beetz and Jack Quaid announced the 96th Oscars® nominations today (January 23), live from the Academy’s Samuel Goldwyn Theater via a global live stream on Oscar.com, Oscars.org and the Academy’s digital platforms, an international satellite feed and broadcast media.

Beetz and Quaid announced the nominees in 8 categories at 5:30 a.m. Pt, followed by the remaining 15 categories at 5:41 a.m. Pt, at the live event attended by international media and industry guests. For a complete list of nominees, visit the official Oscars website, www.oscar.com.

Academy members from each of the 18 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film, International Feature Film and Live Action Short Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees.

“Oppenheimer,” Christopher Nolan’s blockbuster IMAX spectacle and Best Picture frontrunner, dominated the Oscar craft derby with seven nominations on January 23. The historical thriller about theoretical physicist J. Robert Oppenheimer (Cillian Murphy) — the conflicted “father of the atomic bomb” — nearly ran the field with cinematography, costume design, production design, makeup and hairstyling, editing, score, and sound. The only misfire was getting snubbed as a visual effects finalist (it did not compete for original song).

Following right behind with six noms were Best Picture nominees “Killers of the Flower Moon” and “Poor Things.” Martin Scorsese’s epic historical drama about the Osage Nation murders in 1920s Oklahoma exceeded expectations. It was honored for cinematography, costume design, production design, editing (a record ninth nomination for three-time winning editor Thelma Schoonmaker), score (for the late Robbie Robertson), and, in a surprise, original song for “Wahzhazhe (A Song For My People)” by Scott George.

Angus Tully (Dominic Sessa) with Mr. Hunham (Paul Giamatti) watching Arthur Penn’s Little Big Man, starring Dustin Hoffman, in Alexander Payne’s multiple Oscar nominated The Holdovers

Alexander Payne’s intricately layered The Holdovers, starring Dominic Sessa and Golden Globe winners Paul Giamatti and Da'Vine Joy Randolph, has just received Oscar nominations for Best Film, Leading Actor Paul Giamatti, Supporting Actress Da'Vine Joy Randolph, Original Screenplay David Hemingson, and Editing by Kevin Tent.

Alexander Payne with Anne-Katrin Titze (in Saint James) on the F+ grade: “That’s my little joke. I wrote that.”

The intelligent costumes by Payne’s longtime collaborator Wendy Chuck, the outstanding work by his “secret weapon,” graphic designer Nathan Carlson (aka Nate Carlson), the production design by Ryan Warren Smith and create a past in the present that is alive and invigorating, where...

After landing his second Oscar nomination on Tuesday morning for his starring turn in Alexander Payne’s dramedy The Holdovers, Paul Giamatti spoke with Deadline about the reasons horror is currently at top of mind for him, the filmmakers active in that genre today that he’d most like to work with, his viral In-n-Out moment following the Golden Globes, a missed opportunity to work with David Lynch, and more.

Speaking to the genre filmmakers he admires, Giamatti named Hereditary‘s Ari Aster and Nope‘s Jordan Peele, though he gave particular focus to Zach Cregger, who caught his attention with his 2022 breakout feature, Barbarian. “I thought that movie was really, really well done, and that’s kind of one of my favorite horror movies I’ve seen recently,” the actor said. “That movie really struck a chord with me, and it stuck with me.”

While out on the awards circuit,...

It wouldn’t be the Academy Award nominations without a few shockers mixed in, and this year was no exception. While some big names like Margot Robbie and Leonardo DiCaprio missed out on acting nominations, there were also some unexpected inclusions along the way.

Here, Variety breaks down the biggest snubs and surprises of the 2024 Oscar nominations.

Snub: Margot Robbie and Greta Gerwig, “Barbie”

The powerhouse duo responsible for the biggest movie of the year found love in other categories —Robbie is included in the film’s best picture nomination as a producer and Gerwig saw her screenplay (with co-writer Noah Baumbach) recognized. But Robbie ultimately missed on the competitive best actress lineup while Gerwig was shut out of director.

Surprise: America Ferrera, “Barbie”

Though its leading lady and director didn’t land nominations, “Barbie” co-star Ferrera was able to score a supporting actress nod for her role in the megahit,...