Conway Tearle(1878-1938)
- Actor
- Writer
This West Point-educated actor was a tall, dark and handsome American
co-star who romanced some of the most illustrious femme stars ever to
appear on the silent silver screen. Conway Tearle was born in New York
City on May 17, 1878 to a family of entertainers. Christened Frederick Conway
Levy, his father, Jules, was a jazz musician, and mother Marianne
Conway, an American actress. Divorced when Conway was quite young, his
mother subsequently married British Shakespearean actor/theatre manager
Osmond Tearle and Conway was raised in England from the age of 10.
Tearle gained experience on his stepfather's stage and was alternately billed as "Frederick Levy" and "Frederick Conway" before settling on the marquee name of Conway Tearle. Having returned to the U.S. in 1905, he made his Broadway debut with "Abigail" that same year and would make a name for himself as a reliable romancer for nearly a decade before attempting films in 1914. His two half brothers, Godfrey Tearle and Malcolm Tearle would also become actors on both the stage and screen.
Tearle's more famous films are deemed "women's pictures," where he appeared meticulously as a dashing hero or ardent lover. Among his more notable were L'enlèvement d'Hélène (1915) opposite Marguerite Clark, La vierge folle (1916) and La loi commune (1916) both starring Clara Kimball Young, Le roman de Mary (1918) with Mary Pickford, A Virtuous Vamp (1919) with Constance Talmadge, Elle aime et ment (1920) and La Duchesse de Langeais (1922), both opposite Norma Talmadge, Lilies of the Field (1924) featuring Corinne Griffith, and Dancing Mothers (1926) starring Clara Bow. Conway made a smooth transition into sound pictures and remained a leading star or prime support in "B" level pictures.
Tearle ended his film career spurned by Mae West in Annie du Klondike (1936) and with a lesser role in the lavish production Roméo et Juliette (1936) starring Norma Shearer and Leslie Howard. In 1937 he appeared in his final stage lead with the comedy "Hey, Diddle Diddle." Headed for a Broadway run, the show had to close early in Washington, D.C. because of Tearle's poor health. He died in Hollywood of a heart attack at age 60, on October 1, 1938.
Tearle gained experience on his stepfather's stage and was alternately billed as "Frederick Levy" and "Frederick Conway" before settling on the marquee name of Conway Tearle. Having returned to the U.S. in 1905, he made his Broadway debut with "Abigail" that same year and would make a name for himself as a reliable romancer for nearly a decade before attempting films in 1914. His two half brothers, Godfrey Tearle and Malcolm Tearle would also become actors on both the stage and screen.
Tearle's more famous films are deemed "women's pictures," where he appeared meticulously as a dashing hero or ardent lover. Among his more notable were L'enlèvement d'Hélène (1915) opposite Marguerite Clark, La vierge folle (1916) and La loi commune (1916) both starring Clara Kimball Young, Le roman de Mary (1918) with Mary Pickford, A Virtuous Vamp (1919) with Constance Talmadge, Elle aime et ment (1920) and La Duchesse de Langeais (1922), both opposite Norma Talmadge, Lilies of the Field (1924) featuring Corinne Griffith, and Dancing Mothers (1926) starring Clara Bow. Conway made a smooth transition into sound pictures and remained a leading star or prime support in "B" level pictures.
Tearle ended his film career spurned by Mae West in Annie du Klondike (1936) and with a lesser role in the lavish production Roméo et Juliette (1936) starring Norma Shearer and Leslie Howard. In 1937 he appeared in his final stage lead with the comedy "Hey, Diddle Diddle." Headed for a Broadway run, the show had to close early in Washington, D.C. because of Tearle's poor health. He died in Hollywood of a heart attack at age 60, on October 1, 1938.
