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Imitations of Life: The Films of Douglas Sirk (December 23 – January 6) at the Film Society of Lincoln Center in New York gathers a substantial number of the German auteur's classic films together with more obscure titles, some of which may deserve elevation into the higher ranks of his oeuvre. Already, in the past few years, There's Always Tomorrow (1956) has crept up the league table of Sirkian melodrama, mainly because it became easier to see and people recognized that it could stand comparison with All That Heaven Allows (1955) and Imitation of Life (1959), or nearly so.Some Sirk movies will, however, never be quite respectable, but in a way I love them for that. His period movies often dive headlong into Hollywood kitsch in a way that his once-despised weepies mainly avoid. There's a trio of movies playing with George Sanders which exemplify this in their different ways. Summer Storm (1944) was Hollywood's...

Imitations of Life: The Films of Douglas Sirk (December 23 – January 6) at the Film Society of Lincoln Center in New York gathers a substantial number of the German auteur's classic films together with more obscure titles, some of which may deserve elevation into the higher ranks of his oeuvre. Already, in the past few years, There's Always Tomorrow (1956) has crept up the league table of Sirkian melodrama, mainly because it became easier to see and people recognized that it could stand comparison with All That Heaven Allows (1955) and Imitation of Life (1959), or nearly so.Some Sirk movies will, however, never be quite respectable, but in a way I love them for that. His period movies often dive headlong into Hollywood kitsch in a way that his once-despised weepies mainly avoid. There's a trio of movies playing with George Sanders which exemplify this in their different ways. Summer Storm (1944) was Hollywood's...