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Martín Slipak

News

Martín Slipak

Feel Content Snaps Up Comedy-Thriller ‘La teoria de los vidrios rotos’ (Exclusive)
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New sales company Feel Content has snapped up international sales rights to comedy-thriller “La teoría de los vidrios rotos” (“The Broken Glass Theory”), a Uruguay-Argentina-Brazil co-production.

The film marks Uruguayan director-producer Diego Fernández Pujol’s sophomore feature. His 2014 road-movie “El Rincón de Darwin” won several international festivals plaudits, taking in the Special Jury Prize and best Latin American actor (Carlos Frasca) at the Malaga Film Festival’s Territorio Latinoamericano sidebar.

Set up at Fernández Pujol’s outfit Parking Films, “La teoría de los vidrios rotos” is co-produced by Micaela Solé’s Cordon Films in Uruguay; Juan Pablo Miller at Argentina’s Tarea Fina Cine and Aletéia Selonk at Brazil’s Okna Produçoes.

Fernández Pujol re-teams as producer with Okna after co-producing Brazilian Cristiane Oliveira’s Berlinale 2017 Generation 14Plus player “Mulher do Pai.”

Inspired in real-life events, Uruguay-set “La teoría de los vidrios rotos” tells the story of Claudio, an on-the-rise...
See full article at Variety Film + TV
  • 3/2/2021
  • by Emiliano De Pablos
  • Variety Film + TV
Feel Content Snags Argentine Black Comedy ‘El cuento del tío’ (Exclusive)
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Madrid-based sales company Feel Content has picked up international sales rights to black comedy “El cuento del tío” (“Pigeon Drop”), the feature debut of Argentine writer-director Ignacio Guggiari.

An Argentina-Chile co-production, produced by Gastón Klingenfeld at Buenos Aires’ outfit Gancho, Agustín Gosende at Cooperativa Mental and Picardía Films’ Diego Rougier, “El cuento del tío” world premieres on March 5 at the 2021 Miami Film Festival edition.

The feature, which also adds doses of suspense and drama to the mix, is set in a luxurious house during a Christmas dinner, when Rodo, the family’s millionaire uncle, accidentally dies.

His relatives, in pronounced dire straits, speculate about his lavish inheritance, but everything changes when at 12 o’clock the doorbell of the house rings and a woman introduces herself as the wife of the deceased.

Mario, the family’s head, desperate at the possibility of losing everything, hides the body and forces the others...
See full article at Variety Film + TV
  • 2/26/2021
  • by Emiliano De Pablos
  • Variety Film + TV
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