Charles H. Schneer(1920-2009)
- Producer
- Actor
- Writer
The son of a jeweller, Charles H. Schneer was chiefly famous for his
collaborations with animator and special effects wizard
Ray Harryhausen. Together, they created
some of the best-loved fantasy and science fiction films to grace the
silver screen between 1956 and 1981. Importantly, Schneer encouraged
Harryhausen's imaginative flights even to the point of exceeding his
budget - unlike many other producers active in the realm of low-budget
film making.
Schneer had initially entered the motion picture industry with Columbia in New York in 1939. He worked as an assistant there for three years and then did his wartime service with the U.S. Army Signals Corps Photographic Unit, turning out training films at the Astoria Studio in Queens, New York. After the war, he joined Sam Katzman's B-unit at Columbia as producer. It was Schneer's original concept of a giant octopus enveloping the Golden Gate Bridge that led to his introduction to Harryhausen and their subsequent joint work on Le monstre vient de la mer (1955). Despite a minuscule budget, the venture proved to be a notable box-office success. Their next project together was the seminal science fiction Les soucoupes volantes attaquent (1956), which took Harryhausen's stop motion technique to the next level. Again, it was Schneer who had provided original background research by collecting news reports of actual UFO sightings.
By 1957, Schneer had ceased working for Katzman and became co-founder and president of Morningside Productions as a means of gaining more creative and financial control for both himself and Harryhausen (who was henceforth also credited as associate producer). Their subsequent ventures were based on mythological themes, rather than being simply 'creature features'. These included Le 7ème Voyage de Sinbad (1958) (in which the three dimensional stop-motion animation process was first referred to as "Dynamation"); Les voyages de Gulliver (1960) and Jason et les Argonautes (1963) (Schneer's own favourite among his films). In 1960, Schneer moved to London to form an independent production company, American Films. He produced several features without the involvement of Harryhausen, notably a biopic of rocket engineer Wernher von Braun. They later resumed working together and had further successes with Sinbad et l'oeil du tigre (1977) and Le Choc des Titans (1981), with its brilliant Medusa sequence.
Schneer retired in the 1980's, once stop-motion work had been somewhat superseded by cheaper computer-generated special effects. He continued to reside at his Holland Park home in West London until returning to the United States just three years prior to his death in 2005.
Schneer had initially entered the motion picture industry with Columbia in New York in 1939. He worked as an assistant there for three years and then did his wartime service with the U.S. Army Signals Corps Photographic Unit, turning out training films at the Astoria Studio in Queens, New York. After the war, he joined Sam Katzman's B-unit at Columbia as producer. It was Schneer's original concept of a giant octopus enveloping the Golden Gate Bridge that led to his introduction to Harryhausen and their subsequent joint work on Le monstre vient de la mer (1955). Despite a minuscule budget, the venture proved to be a notable box-office success. Their next project together was the seminal science fiction Les soucoupes volantes attaquent (1956), which took Harryhausen's stop motion technique to the next level. Again, it was Schneer who had provided original background research by collecting news reports of actual UFO sightings.
By 1957, Schneer had ceased working for Katzman and became co-founder and president of Morningside Productions as a means of gaining more creative and financial control for both himself and Harryhausen (who was henceforth also credited as associate producer). Their subsequent ventures were based on mythological themes, rather than being simply 'creature features'. These included Le 7ème Voyage de Sinbad (1958) (in which the three dimensional stop-motion animation process was first referred to as "Dynamation"); Les voyages de Gulliver (1960) and Jason et les Argonautes (1963) (Schneer's own favourite among his films). In 1960, Schneer moved to London to form an independent production company, American Films. He produced several features without the involvement of Harryhausen, notably a biopic of rocket engineer Wernher von Braun. They later resumed working together and had further successes with Sinbad et l'oeil du tigre (1977) and Le Choc des Titans (1981), with its brilliant Medusa sequence.
Schneer retired in the 1980's, once stop-motion work had been somewhat superseded by cheaper computer-generated special effects. He continued to reside at his Holland Park home in West London until returning to the United States just three years prior to his death in 2005.
