[go: up one dir, main page]

    Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Biography
  • Awards
  • Trivia
  • FAQ
IMDbPro
John Saxon in Les Griffes du cauchemar (1987)

Biography

John Saxon

Edit

Overview

  • Born
    August 5, 1936 · Brooklyn, New York City, New York, USA
  • Died
    July 25, 2020 · Murfreesboro, Tennessee, USA (pneumonia)
  • Birth name
    Carmine Orrico
  • Height
    1.78 m

Biography

    • John Saxon appeared in nearly 200 roles in the movies and on television in a more-than half-century-long career that has stretched over seven decades since he made his big screen debut in 1954 in uncredited small roles in Une femme qui s'affiche (1954) and George Cukor's Une étoile est née (1954). Born Carmine Orrico on August 5, 1936 in Brooklyn, New York, the son of Italian-American parents, Antonio Orrico and Anna (née Protettore), he studied acting with Stella Adler after graduating from New Utrecht High School.

      He was discovered by talent agent Henry Willson, the man most famous for creating and representing Rock Hudson (as well as a stable of "beefcake" male stars and starlets), who signed him up after he saw Saxon's picture on the cover of a magazine. Willson brought the 16-year-old to Southern California, changed his name to John Saxon, and launched his career. Saxon made his television debut on Richard Boone's series Medic (1954) in 1955 and got his first substantial (and credited) role in Le gang des jeunes (1955), playing a juvenile delinquent. In the Esther Williams vehicle L'enquête de l'inspecteur Graham (1956) (one of her rare dramatic roles), the film's marketing campaign spotlighted him, trumpeting the movie as "Co-starring the exciting new personality John Saxon.".

      By 1958, he seemed to have established himself as a supporting player in A-List pictures, being featured in Blake Edwards's comedy Le démon de midi (1958) headlined by Debbie Reynolds and Vincente Minnelli's Qu'est-ce que maman comprend à l'amour! (1958) with Rex Harrison and Sandra Dee. In the next five years, he worked steadily, including supporting roles in John Huston's Le Vent de la plaine (1960), the James Stewart comedy Monsieur Hobbs prend des vacances (1962) and Otto Preminger's Le Cardinal (1963) while having first billing in the B-movies La fin d'un voyou (1959) and Le Mal de tuer (1962). Fluent in Italian, he made his first pictures in Italy in the period, Agostino (1962) and Mario Bava's La fille qui en savait trop (1963). Despite his good work with major directors, he failed to succeed as a star.

      By 1965, he was appearing in the likes of The Night Caller (1965), albeit, top-billed. A more emblematic picture was Sidney J. Furie's L'Homme de la Sierra (1966), in which he appeared in Mexican bandito drag as the man who steals the horse of Marlon Brando, another Stella Adler student. Saxon would reprise the role, of sorts, in John Sturges Joe Kidd (1972) in support of superstar Clint Eastwood. In those less politically correct times, many an Italian-American with a dark complexion would be relied on to play Mexicans, Native Americans and other "exotic" types like Mongols. Saxon played everything from an Indian chief on Bonanza (1959) to Marco Polo on Au coeur du temps (1966).

      From 1969 to 1972 season, he was a star of the television series The Bold Ones: The New Doctors (1969), playing the brilliant surgeon Theodore Stuart. When the series ended, he took one of his most famous roles when Bruce Lee demurred over casting Rod Taylor as he was too tall. A black belt in karate, Saxon appeared as Roper in Opération Dragon (1973). He continued to play a wide variety of roles on television and in motion pictures, with key roles in 1974's classic slasher Black Christmas (1974), 1984's groundbreaking Les Griffes de la nuit (1984), and the 1990s self-referential horror films Freddy sort de la nuit (1994) and Une nuit en enfer (1996).

      John Saxon died of pneumonia on July 25, 2020, in Murfreesboro, Tennessee. He was 83.
      - IMDb mini biography by: Jon C. Hopwood

Family

  • Spouses
      Gloria Martel(August 29, 2008 - July 25, 2020) (his death)
      Elizabeth Ann Phillips(June 14, 1987 - September 12, 1992) (divorced)
      Mary Ann Saxon(January 14, 1967 - December 27, 1979) (divorced, 1 child)
  • Children
      Antonio Saxon
  • Parents
      Antonio Orrico
      Anna Protettore

Trademarks

  • Intense dark stare.
  • Often played heroic bad guys.
  • Played evil characters to ruthless perfection.
  • Pristine rows of sparkling white teeth.

Trivia

  • Was fluent in Italian. He worked on and off in that country since the early 1960s.
  • Had a black belt in karate.
  • One day when he was cutting class he was discovered by a male model agent while leaving the local movie house. He went on to model for magazine covers like True Romances which led to his Hollywood career.
  • His ashes are buried at Lake View Cemetery in Seattle near Bruce Lee and Brandon Lee.
  • He was the son of Anna (Protettore), an Italian immigrant, and Antonio Orrico, who was born in New York, to Italian parents. John had roots in Calabria.

Quotes

  • [on Sandra Dee] I think I quickly perceived that Sandra was also a fish out of water in this respect. She had been a model in New York, I discovered. But I could sense that she was young. She clearly had a facility about acting; she had a great knack, a technique of acting. She knew timing. She knew changes. She knew where all the points were, but now I have a feeling that she actually didn't know where they were in a sense. She assumed. What I think is that both of us were making an approximation of what it was all about, this American boy and girl next door. In some respects, we shared something. It was an uncanny sense of what was desired of us more than what we really understood.

Contribute to this page

Suggest an edit or add missing content
  • Learn more about contributing
Edit page

More from this person

  • View agent, publicist, legal and company contact details on IMDbPro

More to explore

Recently viewed

Please enable browser cookies to use this feature. Learn more.
Get the IMDb App
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb App
For Android and iOS
Get the IMDb App
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.