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A corrupt minister and a delusional pair of dance contestants are just two of the monsters of mediocrity who haunt Jean-Christophe Meurisse’s strange film

Macron’s France gets tied to a chair in a basement and abused in this scabrous and gruesome state-of-the-nation black comedy from Jean-Christophe Meurisse. Olivier (Olivier Saladin) and Laurence (Lorella Cravotta) are a conceited retired couple in deep denial about how much debt they’re in, but hoping to win big money by competing in a dance contest. They figure they are entitled to extra points for being older, and the ferocious opening scene shows the judges debating precisely this kind of liberal identity-politics issue.

The couple’s grown-up son, Alexandre (Alexandre Steiger), is a lawyer who, along with a bleary spin doctor (Denis Podalydès), is advising a creepy and reactionary government minister (Christophe Paou) who is keen to cut welfare while engaging in personal...

Following its run on the festival circuit, which included a world premiere at the Cannes Film Festival and screenings at Fantastic Fest, Jean-Christophe Meurisse's Bloody Oranges will be releasing on VOD on April 19th from Dark Star Pictures, but you can get a tease of what to expect right now by checking out this exclusive clip just for Daily Dead readers!

"A retired couple enter a dance contest, a corrupt politician, a girl eager to lose her virginity, and a young lawyer obsessed with social status - a seemingly benign look into these daily lives goes haywire in this shocking black comedy."

Bloody Oranges stars Alexandre Steiger, Christophe, Paou, Lilith Grasmug, and Olivier Saladin. Check out the dance competition clip below and be on the lookout for Heather Wixson's interview with Jean-Christophe Meurisse later this week!



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Pondering Jean-Christophe Meurisse’s Bloody Oranges kindled a somewhat unexpected association in my mind. The opening minutes, and the following deviation from the tone they set, made me think of Drew Goddard’s The Cabin in the Woods. A strange comparison indeed, but not entirely unfounded. Both introductory sequences defy the expectations about the respective features - that of a disturbing dark comedy and a run-of-the-mill slasher. In both cases, prolonged and talky openings act as preludes to mayhem. You would certainly be reading a more elaborate analogy were Bloody Oranges as subversive and effortlessly witty as Goddard’s debut.

Meurisse's film assumes a fragmented format, following, among others, a pair of seniors (Lorella Cravotta and Olivier Saladin) hoping to counter their debts by winning a dancing contest, an insecure lawyer who happens to be their son (Alexandre Steiger), a teenager readying herself to lose her virginity (Lilith Grasmug), a corrupt finance secretary (Christophe.

A case study in the importance of knowing as little about a movie’s plot in advance as possible, “Bloody Oranges” ends somewhere completely different from where it began with only minor stumbles along the way. This acerbic look at the France of today isn’t as ha-ha funny as director Jean-Christophe Meurisse probably intended, but its darker shades reveal an underbelly that’s hard to turn away from — even if a few graphic scenes will make you want to.

Our deceptively low-stakes entrée into this world is a lengthy scene in which the judges of a local dance competition argue among themselves over the contestants’ respective skills and get sidetracked by tangential digressions and increasingly heated debates; one of them even breaks down in tears. The contest itself is a no-frills affair taking place in a gymnasium with no real audience beyond the aspiring dancers themselves, including an older...

Popular French theater director Jean-Christophe Meurisse is making his sophomore film outing with “Bloody Oranges,” a black comedy headlined by Denis Podalydès (“La Belle Epoque”), Blanche Gardin (“Delete History”) and Christophe Paou (“Synonyms”).

Brussels-based outfit Best Friend Forever has acquired international sales rights to the film, which is produced by Rectangle Prods. “(“It Must Be Heaven,” “Climax”) and Mamma Roman.

“Bloody Oranges” marks Meurisse’s follow-up to “Apnee,” which premiered in Cannes Critics’ Week in 2016. Meurisse is also a well-known figure in the world of theater, having launched the Chiens de Navarre theater troupe.

“Bloody Oranges” takes place in contemporary France and weaves the stories of a retired couple overwhelmed by debt trying to win a dance contest, a minister of economy who is suspected of tax evasion, a teenage girl coming across a sexual maniac and young lawyer trying to climb the social ladder. When the shoe drops, the...

Alexandre Steiger, Christophe Paou, Vincent Dedienne, Blanche Gardin and Denis Podalydès, all star in the cast of this Mamma Roman and Rectangle production, set to be sold by Best Friend Forever. After kicking off on 26 October, filming on Oranges sanguines, Jean-Christophe Meurisse’s second feature film after Apnée (discovered in a Special Screening in Cannes’ Critics’ Week 2016), is scheduled to wrap on 2 December. Also known for being a stage director for his theatre company Les Chiens de Navarre, the filmmaker gathered together a cast including Alexandre Steiger, Christophe Paou (highly acclaimed for his performance in Stranger by the Lake), youngster Lilith Grasmug (Sophia Antipolis), Frédéric Blin, Olivier Saladin (whom he previously worked with on Apnée), Lorella Cravotta (Romantics Anonymous), Vincent Dedienne, Blanche Gardin...