In the 1930s, Universal laid claim to the two biggest horror stars of the era, Boris Karloff and Bela Lugosi, and it was only a matter of time before the pair would meet on screen. In 1932, only months after each rocketed to stardom in Dracula and Frankenstein respectively, the two were dressed in tuxedoes and brought together for a genial photoshoot that simultaneously announced their partnership and implied a rivalry. Through a series of circumstances, it was another two years before the pair would star in a film together. As one might expect, it was in the most transgressive horror film of the era, 1934’s The Black Cat, a film that remains shocking not only for the early 1930s but even more surprising as a product overseen by the newly enforced Hays Code.
The Code had been established in 1927 as a self-censoring wing of the motion picture industry and an attempt to avoid government censorship.
The Code had been established in 1927 as a self-censoring wing of the motion picture industry and an attempt to avoid government censorship.
- 2/26/2024
- by Brian Keiper
- bloody-disgusting.com
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