On May 26, 2023, nearly a year after winning the 2022 national election to become Italy’s prime minister, Giorgia Meloni addressed a political rally in Catania, Sicily. The first woman to govern Italy, and the most far-right politician to do so since fascist dictator Benito Mussolini, Meloni told her cheering supporters that despite her electoral success, victory was not yet complete. There was one last left-wing holdout in Italian society, she said: the cultural sector.
“I want to liberate Italian culture from a system that you can only work in if you are from a certain political camp,” she said. It was a clear signal of intent, a threatening shot in the country’s culture wars, and the promise of a right-wing counteroffensive to the supposed left-wing hegemony over Italy’s film, television and arts scenes.
Meloni has appeared to be true to her word. One of her first acts as prime...
“I want to liberate Italian culture from a system that you can only work in if you are from a certain political camp,” she said. It was a clear signal of intent, a threatening shot in the country’s culture wars, and the promise of a right-wing counteroffensive to the supposed left-wing hegemony over Italy’s film, television and arts scenes.
Meloni has appeared to be true to her word. One of her first acts as prime...
- 8/26/2024
- by Scott Roxborough and Gianmaria Tammaro
- The Hollywood Reporter - Movie News
For Italian conductor Beatrice Venezi, 2024 kicked off on a decidedly sour note.
On New Year’s Eve the baton-wielding Venezi, a friend of right-wing Prime Minister Giorgia Meloni, was heckled at the Opéra de Nice by French anti-fascist protesters as she took to the podium.
The incident reflected tensions rippling through European entertainment industry circles as far-right parties sweep to power in Italy and the Netherlands and gain ground across the EU.
Italy took a sharp turn to the right in 2022, when Meloni, whose Brothers of Italy party has neo-fascist roots, emerged the winner in the national elections. Since then her right-wing camp, which denies accusations of nostalgia for fascism, has moved to hold more sway within state-controlled media and cultural institutions such as broadcaster Rai, the Centro Sperimentale film school and the Biennale, the Venice Film Festival’s parent organization.
Scrutiny is being directed at Venezi, an adviser to Meloni-appointed culture minister Gennaro Sangiuliano.
On New Year’s Eve the baton-wielding Venezi, a friend of right-wing Prime Minister Giorgia Meloni, was heckled at the Opéra de Nice by French anti-fascist protesters as she took to the podium.
The incident reflected tensions rippling through European entertainment industry circles as far-right parties sweep to power in Italy and the Netherlands and gain ground across the EU.
Italy took a sharp turn to the right in 2022, when Meloni, whose Brothers of Italy party has neo-fascist roots, emerged the winner in the national elections. Since then her right-wing camp, which denies accusations of nostalgia for fascism, has moved to hold more sway within state-controlled media and cultural institutions such as broadcaster Rai, the Centro Sperimentale film school and the Biennale, the Venice Film Festival’s parent organization.
Scrutiny is being directed at Venezi, an adviser to Meloni-appointed culture minister Gennaro Sangiuliano.
- 2/2/2024
- by Nick Vivarelli
- Variety Film + TV
Investment in original content production continues to grow in Italy where resources across all genres reached a total of €1.8 billion ($1.9 billion) thanks to increased investments from U.S. streamers. But linear TV remains the Italian industry’s main driver.
That’s the main takeaway from the annual report on local production presented on Friday by Italy’s TV producers’ association APA at Rome’s Mia market
The $1.9 billion pot of cash poured into Italian productions of all types in 2022 represented only a small increase over 2021, which is when local originals were boosted by a 55% post-pandemic growth spurt, according to figures from the APA report.
Film and TV product currently account for 55% of these investments with an increase in resources now going into documentaries and animation product mostly destined for streaming play.
“The constantly growing investment from streamers is currently worth almost a third of the total TV market,” said APA chief Chiara Sbarigia.
That’s the main takeaway from the annual report on local production presented on Friday by Italy’s TV producers’ association APA at Rome’s Mia market
The $1.9 billion pot of cash poured into Italian productions of all types in 2022 represented only a small increase over 2021, which is when local originals were boosted by a 55% post-pandemic growth spurt, according to figures from the APA report.
Film and TV product currently account for 55% of these investments with an increase in resources now going into documentaries and animation product mostly destined for streaming play.
“The constantly growing investment from streamers is currently worth almost a third of the total TV market,” said APA chief Chiara Sbarigia.
- 10/13/2023
- by Nick Vivarelli
- Variety Film + TV
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