Daniela Rocca(1937-1995)
- Actress
![Watch Trailer [OV]](https://m.media-amazon.com/images/M/MV5BY2IwZTI1YmUtNTg4YS00OTNlLTkyYjUtZTE5ZjA5MTc4OGI1XkEyXkFqcGdeQXRyYW5zY29kZS13b3JrZmxvdw@@._V1_QL75_UX1000_CR0,119,1000,563_.jpg)
Daniela Rocca was a beautiful and talented model, actress and writer, born in one of the poorest districts of Sicily, who found fleeting success in Italian cinema. Although she had envisioned herself as a writer, she entered a beauty pageant, was elected Miss Catania in 1953, and after competing for the Miss Italy title, she made her screen debut in 1954 in «La Luciana».
Rocca was cast in horror films as Riccardo Freda's «Caltiki, the Immortal Monster» (co-directed by Mario Bava) and international productions as Abel Gance's «Austerlitz», but her attractive looks made her ideal for the péplum genre, appearing in Fernando Cerchio's «Judith and Holofernes», Vittorio Cottafavi's «The Legions of Cleopatra», Bruno Vailati's «The Giant of Marathon» (also co-directed by Bava), Vittorio Sala's «The Queen of the Amazons» and most notably in the Italian-American co-production co-directed by Raoul Walsh and Bava, «Esther and the King», in which she played adulterous Queen Vashti, who dances to the court and ends her performance baring her breasts as an act of defiance to King Ahasuerus, and to the prudish film industries of those days.
The following year director Pietro Germi decided to make «Divorce Italian Style», a comedy denouncing the prohibition of divorce by Italian society, while being indulgent to crimes of passion. Germi gave Rocca the role of her career at 24. When she accepted to play an unattractive wife with a mustachioed upper lip, it was seen as an act of great courage for a young symbol of Mediterranean beauty. The movie became an international hit, she won the Best Actress award at the Avellino Neorealism Film Festival, and the movie received the Academy Award for Best Screenplay.
But Rocca had fallen hopelessly in love with Germi and when he rejected her, she attempted suicide. Although she continued to appear in films, by 1963 she was considered unreliable and received no film offers. She appeared in Fred Zinnemann's «Behold a Pale Horse» in 1964, but fell into a state of severe depression. She recovered in a mental institution, in Palermo. In 1978 Rocca gave and interview to Marco Bellocchio for the documentary «The Cinema Machine», in which the actress claimed she had been abandoned by her former colleagues. "They said I was crazy, when all I had was a nervous breakdown. They sent me off to the hospital. It took a long time for the doctors to realize that I wasn't mad and let me go."
Daniela Rocca spent the last years of her life near Catania, at a retirement home where she wrote the books «Secret Agent with License to Live», «Lawyer for Rent», «Condemned to Death», «Psychoanalysis, Dreams, and Fantasies Hidden in the Mind», and the poetry collection «Ara».
A tragic symbol of short-lived fame in cinema and of unrequited love, Rocca was the object of two literary homages: the Argentine poet Juan Gelman dedicated a poem to the actress called «Theory About Daniela Rocca», and on April 12, 2016 Domenico Trischitta opened his drama in two acts «Quick Sands» in the Musco theater in Catania, based on her life.
Rocca was cast in horror films as Riccardo Freda's «Caltiki, the Immortal Monster» (co-directed by Mario Bava) and international productions as Abel Gance's «Austerlitz», but her attractive looks made her ideal for the péplum genre, appearing in Fernando Cerchio's «Judith and Holofernes», Vittorio Cottafavi's «The Legions of Cleopatra», Bruno Vailati's «The Giant of Marathon» (also co-directed by Bava), Vittorio Sala's «The Queen of the Amazons» and most notably in the Italian-American co-production co-directed by Raoul Walsh and Bava, «Esther and the King», in which she played adulterous Queen Vashti, who dances to the court and ends her performance baring her breasts as an act of defiance to King Ahasuerus, and to the prudish film industries of those days.
The following year director Pietro Germi decided to make «Divorce Italian Style», a comedy denouncing the prohibition of divorce by Italian society, while being indulgent to crimes of passion. Germi gave Rocca the role of her career at 24. When she accepted to play an unattractive wife with a mustachioed upper lip, it was seen as an act of great courage for a young symbol of Mediterranean beauty. The movie became an international hit, she won the Best Actress award at the Avellino Neorealism Film Festival, and the movie received the Academy Award for Best Screenplay.
But Rocca had fallen hopelessly in love with Germi and when he rejected her, she attempted suicide. Although she continued to appear in films, by 1963 she was considered unreliable and received no film offers. She appeared in Fred Zinnemann's «Behold a Pale Horse» in 1964, but fell into a state of severe depression. She recovered in a mental institution, in Palermo. In 1978 Rocca gave and interview to Marco Bellocchio for the documentary «The Cinema Machine», in which the actress claimed she had been abandoned by her former colleagues. "They said I was crazy, when all I had was a nervous breakdown. They sent me off to the hospital. It took a long time for the doctors to realize that I wasn't mad and let me go."
Daniela Rocca spent the last years of her life near Catania, at a retirement home where she wrote the books «Secret Agent with License to Live», «Lawyer for Rent», «Condemned to Death», «Psychoanalysis, Dreams, and Fantasies Hidden in the Mind», and the poetry collection «Ara».
A tragic symbol of short-lived fame in cinema and of unrequited love, Rocca was the object of two literary homages: the Argentine poet Juan Gelman dedicated a poem to the actress called «Theory About Daniela Rocca», and on April 12, 2016 Domenico Trischitta opened his drama in two acts «Quick Sands» in the Musco theater in Catania, based on her life.
