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IMDbPro

Luther Reed(1888-1961)

  • Writer
  • Director
  • Producer
IMDbProStarmeterSee rank
Luther Reed was born on 14 July 1888 in Berlin, Wisconsin, USA. He was a writer and director, known for Dixiana (1930), Le Don Juan de l'escadre (1929) and Rio Rita (1929). He was married to Jocelyn Lee and Naomi Childers. He died on 16 November 1961 in New York City, New York, USA.
BornJuly 14, 1888
DiedNovember 16, 1961(73)
BornJuly 14, 1888
DiedNovember 16, 1961(73)
IMDbProStarmeterSee rank
Add photos, demo reels

Known for

Bebe Daniels and Everett Marshall in Dixiana (1930)
Dixiana
5.3
  • Writer
  • 1930
Le Don Juan de l'escadre (1929)
Le Don Juan de l'escadre
6.6
  • Writer
  • 1929
Bebe Daniels in Rio Rita (1929)
Rio Rita
6.0
  • Writer
  • 1929
Bachelor Mother
7.1
  • Writer
  • 1932

Credits

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IMDbPro

Writer



  • Matinee Theater (1955)
    Matinee Theater
    6.7
    TV Series
    • teleplay
    • 1957
  • Kraft Television Theatre (1947)
    Kraft Television Theatre
    7.9
    TV Series
    • written by
    • 1954
  • Mary Carlisle and Buster Crabbe in Les Gaietés du collège (1933)
    Les Gaietés du collège
    6.7
    • dialogue
    • screenplay
    • 1933
  • Meet the Champ
    Short
    • story and adaptation
    • 1933
  • Bachelor Mother
    7.1
    • adaptation
    • 1932
  • Bebe Daniels and Everett Marshall in Dixiana (1930)
    Dixiana
    5.3
    • adapted by
    • 1930
  • Le Don Juan de l'escadre (1929)
    Le Don Juan de l'escadre
    6.6
    • adaptation
    • 1929
  • Bebe Daniels in Rio Rita (1929)
    Rio Rita
    6.0
    • adapted by
    • 1929
  • Eddie Cantor in Quel Séducteur (1926)
    Quel Séducteur
    6.9
    • adaptation
    • 1926
  • Richard Dix in Say It Again (1926)
    Say It Again
    4.6
    • story
    • 1926
  • Richard Dix and Lois Wilson in Let's Get Married (1926)
    Let's Get Married
    6.9
    • adaptation
    • 1926
  • Richard Dix in L'illusion perdue (1925)
    L'illusion perdue
    6.3
    • screenplay
    • 1925
  • Bebe Daniels in Rivales (1925)
    Rivales
    • screenplay
    • 1925
  • Richard Dix and Frances Howard in L'intrépide amoureux (1925)
    L'intrépide amoureux
    6.7
    • scenario
    • 1925
  • Marion Davies in Yolanda (1924)
    Yolanda
    6.4
    • scenario
    • 1924

Director



  • Weldon Heyburn and Rose Hobart in Convention Girl (1935)
    Convention Girl
    5.6
    • Director
    • 1935
  • Bebe Daniels and Everett Marshall in Dixiana (1930)
    Dixiana
    5.3
    • Director
    • 1930
  • Le Don Juan de l'escadre (1929)
    Le Don Juan de l'escadre
    6.6
    • Director
    • 1929
  • Bebe Daniels in Rio Rita (1929)
    Rio Rita
    6.0
    • Director
    • 1929
  • Esther Ralston in Foraine (1928)
    Foraine
    • Director
    • 1928
  • Florence Vidor in Le prince aux gondoles (1927)
    Le prince aux gondoles
    • Director
    • 1927
  • Mary Brian and Richard Dix in Maître après Dieu (1927)
    Maître après Dieu
    7.0
    • Director
    • 1927
  • Maitre Randall et son mari
    • Director
    • 1927
  • Louise Brooks and Adolphe Menjou in Un homme en habit (1927)
    Un homme en habit
    • Director
    • 1927
  • Ricardo Cortez, Estelle Taylor, and Lois Wilson in New York (1927)
    New York
    4.7
    • Director
    • 1927
  • Susan Fleming, Alice Joyce, and Adolphe Menjou in Pour une femme (1926)
    Pour une femme
    • Director
    • 1926

Producer



  • Un soir (1929)
    Un soir
    6.2
    • associate producer (uncredited)
    • 1929

Personal details

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  • Alternative names
    • Lieutenant Luther A. Reed
  • Born
    • July 14, 1888
    • Berlin, Wisconsin, USA
  • Died
    • November 16, 1961
    • New York City, New York, USA
  • Spouses
      Jocelyn LeeJuly 15, 1930 - April 3, 1931 (2 children)
  • Publicity listings
    • 8 Articles

Did you know

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  • Trivia
    Was one of several directors hired by producer Howard Hughes to direct Les anges de l'enfer (1930), all of whom either quit or were fired by Hughes. Exasperated with the constant interference from Hughes, who had never directed a picture before, Reed one day threw up his hands, shouted at Hughes, "If you know so damn much, then direct the damn thing yourself!" and stormed out. Hughes, who hadn't liked the idea of others being in control of his money in the first place, took over the reins of the picture and finished it, albeit way over schedule and more than a million dollars over budget--which didn't bother him, as it was all his money anyway.

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